Tag Archives: Ethan Rayne

Cultural Catchup Project: Meet Mr. Mayor (Buffy the Vampire Slayer

Meet Mr. Mayor

May 15th, 2010

You can follow along with the Cultural Catchup Project by following me on Twitter (@Memles), by subscribing to the category’s feed, or by bookmarking the Cultural Catchup Project page where I’ll be posting a link to each installment.

It’s somewhat strange that I would be spoiled about Buffy while watching How I Met Your Mother, but when Harry Groener recently appeared in an episode of the series my Twitter feed lit up about the reunion of sorts between he and Alyson Hannigan, for he played Sunnydale’s mayor. At that point in my run through the series, I had heard Principal Snyder raise the Mayor’s name in a somewhat ominous fashion, so it meant that I started to read into those type of comments a bit more carefully. I still didn’t know any details about who the Mayor was, but I did know that he was going to play somewhat of an important role.

I ended up speculating a lot in my head about who the Mayor was, and whether his introduction would successfully solve how it is that the citizens of Sunnydale seem perfectly content to be living on a Hellmouth. One of the benefits of this project is that the commenters have been telling me this for a while, suggesting (without spoiling, which I am grateful for) that they may be more aware than I had imagined, so I’ve had a lot of fun discovering that they were quite right.

The Mayor of Sunnydale is the absolutely perfect antagonist for the series, a wonderful mashup of the show’s supernatural forces and corrupt politicians which simultaneously humanizes monsters of the week while demonizing humanity. I’ve yet to scratch the surface of the Mayoral influence, but I’m certainly already appreciating the new face of “evil.”

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The Cultural Catchup Project: “The Dark Age” (Buffy the Vampire Slayer)

“The Dark Age”

April 26th, 2010

You can follow along with the Cultural Catchup Project by following me on Twitter (@Memles), by subscribing to the category’s feed, or by bookmarking the Cultural Catchup Project page where I’ll be posting a link to each installment.

Picking up where “Lie to Me” left off in an indirect fashion (actually owing more to “Halloween” in terms of direct connection), “The Dark Age” is an important episode for the series’ negotiation of the student/teacher relationship between Buffy and Giles.

While the events in the episode do a lot in order to add depth to Giles as a character, including complicating his relationship with Ms. Calendar, it makes explicit the parallels between Buffy and Giles’ experiences. Like Buffy, Giles has inherited a responsibility, and there was a time in his life when he threw everything away to run with a bad crowd who happened to awaken some bad magic.

It allows Giles to avoid feeling “above” Buffy’s problems with the demonic, meaning that the show has the potential to both confound and envelop Giles’ character just as easily as it can corrupt and complicate Buffy’s life, a potential which can occasionally result in an episode which feels congruous with past stories but finds some new life by placing Giles at its centre.

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The Cultural Catchup Project: Season Two’s Cult of Personality (Buffy the Vampire Slayer)

Season Two’s Cult of Personality

April 24th, 2010

You can follow along with the Cultural Catchup Project by following me on Twitter (@Memles), by subscribing to the category’s feed, or by bookmarking the Cultural Catchup Project page where I’ll be posting a link to each installment.

When a show is making the transition between its first and second seasons, personality is perhaps its greatest asset. If you’re going to be creating new stories, and if you tied off a lot of the show’s loose ends in the previous season, you’re creating a situation where suspense and anticipation are replaced by creation and expectation. These are different beasts, and if you’re not ready to fully commit to a fast-paced serialized series then your best strategy is to use your show’s personality in order to “weather the storm,” so to speak.

What Buffy the Vampire Slayer does early in its second season is use personality as its ultimate goal, if not necessarily doing so in a straightforward or consistent fashion. The show has always been about its characters, and our attachment with the series’ strong but somewhat uneven first season is likely based on Xander’s wit, or Willow’s pragmatism, or Giles’ cantankerousness, or Buffy’s hidden vulnerability. However, while the second season does continue to rely on Xander’s one-liners or Giles’ dry sense of humour, it is not content to coast by: starting with the premiere, “When She Was Bad” and extending into “Halloween,” the show puts each personality under a microscope in ways which verify the importance of personality to the success of this series on the sides of both good and evil.

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