May 15, 2010 · 11:44 am
Meet Mr. Mayor
May 15th, 2010
You can follow along with the Cultural Catchup Project by following me on Twitter (@Memles), by subscribing to the category’s feed, or by bookmarking the Cultural Catchup Project page where I’ll be posting a link to each installment.
It’s somewhat strange that I would be spoiled about Buffy while watching How I Met Your Mother, but when Harry Groener recently appeared in an episode of the series my Twitter feed lit up about the reunion of sorts between he and Alyson Hannigan, for he played Sunnydale’s mayor. At that point in my run through the series, I had heard Principal Snyder raise the Mayor’s name in a somewhat ominous fashion, so it meant that I started to read into those type of comments a bit more carefully. I still didn’t know any details about who the Mayor was, but I did know that he was going to play somewhat of an important role.
I ended up speculating a lot in my head about who the Mayor was, and whether his introduction would successfully solve how it is that the citizens of Sunnydale seem perfectly content to be living on a Hellmouth. One of the benefits of this project is that the commenters have been telling me this for a while, suggesting (without spoiling, which I am grateful for) that they may be more aware than I had imagined, so I’ve had a lot of fun discovering that they were quite right.
The Mayor of Sunnydale is the absolutely perfect antagonist for the series, a wonderful mashup of the show’s supernatural forces and corrupt politicians which simultaneously humanizes monsters of the week while demonizing humanity. I’ve yet to scratch the surface of the Mayoral influence, but I’m certainly already appreciating the new face of “evil.”
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Filed under Cultural Catchup Project
Tagged as Analysis, Band Candy, Buffy, Ethan Rayne, Fairy Tale, Giles, Gingerbread, Harry Groener, Hellmouth, Joyce, Mayor, Mayor Wilkins, MOO, Mr. Trick, Politics, Review, Season 3, Sunnydale, Television, TV
May 2, 2009 · 4:48 pm
May 1st, 2009
Dollhouse, as a series, is a bit of a chameleon by design: it is capable of being just about any show you want it to be when it comes to the Actives, and as a result it can switch between an action thriller, a procedural kidnapping drama, or even a small-scale social work investigation. However, the biggest challenge that Joss Whedon has faced with the series thus far is the fact that there needs to be some sort of consistent property that is unique to Dollhouse, that gives it an identity which is, if not wholly unique, at least something that defines the series’ place within the current television landscape.
“Briar Rose,” as an episode of television, stands out amongst the series thus far because it manages to do two separate things that the show has been struggling with. Entirely independent of the Actives (well, somewhat), they manage to co-opt the buddy comedy archetype and give it some very strong new life in the hands of Tahmoh Penikett and guest star Alan Tudyk (Firefly), while also providing an honest to goodness thriller within the confines of the Dollhouse.
What makes it work, ultimately, is that neither of these engagements were dependent on someone being programmed, or a new imprint being developed: the show has evolved, slowly but surely, into a series where we know enough about these characters and their motivations that the show doesn’t need to change itself into being one thing or another in an artificial manner. “Briar Rose” may not be the most stimulating episode in terms of its philosophical and ethical ideas (which is an arguable point), but it manages to string together and give purpose to all of the ideas which came before it, making the previous ten episodes seem more naturally paced than perhaps they initially seemed.
It doesn’t solve the show’s identity problems entirely, but “Briar Rose” represents a huge step in cementing the series’ viability if it moves forward into next season.
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Filed under Dollhouse
Tagged as Alan Tudyk, Alpha, Analysis, Briar Rose, Buddy Comedy, Echo, Eden, Eliza Dushku, Episode 11, Fairy Tale, FOX, Jane Espenson, Joss Whedon, Prince, Ratings, Review, Season 1, Sierra, Victor