Tag Archives: Evan

Royal Pains – “No Man is an Island”

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“No Man is an Island”

July 9th, 2009

Due to some thesis commitments, I’ve actually found myself doing something really strange: not only have I had no time to blog about television, but I’ve even found myself falling behind on watching it. Sure, I’ve gone through three seasons of Top Chef is about nine days, but watching new television just hasn’t been part of the game plan, which meant I just watched 10 Things I Hate About You, haven’t gotten to Warehouse 13, and was a day late getting to this week’s episodes of Burn Notice and Royal Pains.

And trust me, I’m as shocked as you are that the one show that shakes me out of my hiatus is Royal Pains, a show that two weeks earlier (before the show took a break for the holiday) had convinced me it was willing to settle for light and charming as opposed to something more substantial. However, “No Man is an Island” shocked me by emerging as a really compelling piece of television which did a lot of small things to bring to the surface intriguing characters dynamics, medical scenarios which start as one thing and evolve as medicine often can, plus a very Burn Notice/MacGyver piece of medicine from Dr. Hank.

It was the kind of episode that legitimately makes me think that these characters could eventually become their own less interesting but nonetheless entertaining versions of Michael, Sam and Fiona, a scenario I wouldn’t have predicted when the show started and that makes me more intrigued to see where the show goes from here.

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Royal Pains – “TB or Not TB”

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“TB or Not TB”

June 25th, 2009

That’s really not the question, Royal Pains.

This won’t be a particularly long review, but I do want to make note that the show is on better footing now that it’s back in chronological order, although it’s still a little bit all over the place with some of its developments. While the show has never seemed to aspire to much beyond its premise, it’s heading into a couple of directions both serialized and procedural that could prove interesting, but won’t quite commit to them enough to make them really stand out.

In the end, though, this one feels like it’s answering some more pressing questions about the show’s format than just the titular Shakespearean medical concern.

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Royal Pains – “Strategic Planning”

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“Strategic Planning”

June 18th, 2009

Ah, the ol’ second episode switcheroo. It happens more than you’d expect, really, for some pretty obvious reasons: when a show is in its infancy and needs to make sure that it keeps viewers’ attention, that second episode is extremely important. “There Will Be Food” wasn’t necessarily a far better representation of what the show will do, but the continuity of Tucker, who is without question the show’s most likeable Hamptonite, was the smart decision in terms of convincing us that the rich won’t be too heavily dehumanized or even necessarily fall into the same one and done patient formula of other procedural medicine shows.

“Strategic Planning” is pretty much what I expected the show to be, and in some ways what I was hoping it wouldn’t become, but in the end it’s all pretty inoffensive. By recreating the environment in which an episode of House is capable of taking place, and by essentially playing out an episode of House in that environment, the show isn’t doing itself any favours in the originality department. Combine with a lifeless Evan storyline, and some issues of continuity on the Jill/Hank front, and the hold on airing the episode makes a lot of sense. That being said, though, the episode also does a lot to explain how Hank’s business is working, and why Boris would be willing to rent out his guest house to a concierge doctor, which contributes enough to the show’s universe to forgive this well-acted, well-intentioned but ultimately well-treaded territory.

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Royal Pains – “There Will Be Food”

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“There Will Be Food”

June 11th, 2009

Ah, the ol’ sophomore check-in. Entering its second week, I still wasn’t entirely on board with Royal Pains, as its pilot was clumsily competent in a way that seemed as if it would set up an interesting show but didn’t yet give an indication (outside of our ability to extrapolate from its setup) of how that show might operate.

It’s really a question of pacing more than anything else, along with how it will handle its recurring elements intermingled with new “cases.” The tension from Hank’s life is pretty much gone at this point; he has a place to live and a job to do, and that lack of stress allows him to sort of float along both noble and romantic paths in “There Will Be Food,” an episode certainly devoid of any blood or any serious ailments. This isn’t surprising, as this is a procedural series without murders or anything of that nature, but there will be a point when the “Robin Hood” of the Hampton’s is going to have to face something legitimately threatening.

Overall, though, it was a solid second outing. I have some concerns over the use of romance, but considering how much I prefer it to some of the show’s other options I’m ultimately content, if not wholly satisfied, with the show’s direction.

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Greek – “Isn’t it Bro-mantic?”

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“Isn’t it Bromantic?”

June 1st, 2009

I had planned to blog about this week’s episode of Greek on Monday when it aired, but as it turned out I had already written thoughts on both Chuck and Conan O’Brien’s first Tonight Show, and I didn’t want to create an overload of sorts. But then, as I moved into the next few days, I had no other material to blog about, but just never got back to this week’s episode.

To be honest, I kind of liked “Isn’t it Bro-mantic?” on a number of levels, primarily because it catered to my own opinion of these characters quite slavishly. By placing Casey at the depths of patheticness, the show portrayed as being the revolving third wheel of doom, which I totally see as a dominant character trait for her when she’s not coupled off with someone. I’d normally think this is annoying, but since the show so willingly paints a picture of Casey as selfish and close-minded in the face of the situation, it’s actually quite realistic and honest.

Don’t have a whole lot to say about the episode, but figured I’d drop a few thoughts after the jump.

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Greek – “Social Studies”

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“Social Studies”

May 25th, 2009

It has been a really long time since I’ve taken the time to write a blog post about Greek, but it is amongst the list of shows that I have kept watching without, well, telling all of you fine folks about it. Part of this is because, in the list of in-season priorities, Greek is often low on the list, although I often watch it quite soon after it airs: however, it’s usually as a break from blogging about something else, or in between classes when I don’t have time to write about it after the fact.

I say all of this knowing full well that, most of the time, Greek is not the kind of show you can really ‘review’ in the critical sense. However, I don’t want to be seen as someone who believes that the show is without any sort of critical merit, and that it should always remain in the realm of the guilty pleasure. The series has a deep bench of characters who are almost all capable of intereacting with one another, and has struck a tone that isn’t saccharine and manages to maintain dramatic and comic interest without falling into scandal or soap operatic archetypes.

The show is never going to be high level drama, but an episode like “Social Studies” is a great example of the way the show can take a scenario common to any college series of this nature and really use it to build existing storylines. That the episode is dealing with the show’s relationships should turn me off to this particular entry into the show’s strong backend to the second season (it’s a really weird schedule), but something about the way the episode handles the two relationships made the episode work for me.

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