“TB or Not TB”
June 25th, 2009
That’s really not the question, Royal Pains.
This won’t be a particularly long review, but I do want to make note that the show is on better footing now that it’s back in chronological order, although it’s still a little bit all over the place with some of its developments. While the show has never seemed to aspire to much beyond its premise, it’s heading into a couple of directions both serialized and procedural that could prove interesting, but won’t quite commit to them enough to make them really stand out.
In the end, though, this one feels like it’s answering some more pressing questions about the show’s format than just the titular Shakespearean medical concern.
“There Will Be Food”
June 11th, 2009
Ah, the ol’ sophomore check-in. Entering its second week, I still wasn’t entirely on board with Royal Pains, as its pilot was clumsily competent in a way that seemed as if it would set up an interesting show but didn’t yet give an indication (outside of our ability to extrapolate from its setup) of how that show might operate.
It’s really a question of pacing more than anything else, along with how it will handle its recurring elements intermingled with new “cases.” The tension from Hank’s life is pretty much gone at this point; he has a place to live and a job to do, and that lack of stress allows him to sort of float along both noble and romantic paths in “There Will Be Food,” an episode certainly devoid of any blood or any serious ailments. This isn’t surprising, as this is a procedural series without murders or anything of that nature, but there will be a point when the “Robin Hood” of the Hampton’s is going to have to face something legitimately threatening.
Overall, though, it was a solid second outing. I have some concerns over the use of romance, but considering how much I prefer it to some of the show’s other options I’m ultimately content, if not wholly satisfied, with the show’s direction.
June 4th, 2009
You know, pilots are kind of a pain.
They’re a necessary evil: they exist in order to give us an understanding of how a show is going to work, which is an important thing to sell a network and potential viewers on before they commit to ordering, or watching, more episodes. But the result is often that a lot of character and plot development that should be given time to unfold naturally is checked off at a blistering pace. It’s possible to make a great pilot, but those people are both few and far between and definitely not working behind the scenes at USA Network’s Royal Pains.
As a critic, it’s hard to really confront a pilot as obnoxiously contrived as this one, because you run into a problem: considering that it’s our role to judge a show based on its potential, and considering that the contrivances are more pilot shorthand than inherent to the show’s formula, you can’t spend too much time complaining about something that is par for the course. And while Burn Notice has given us some fairly high expectations about what a USA Network “procedural” is capable of being, this show does not appear to have similar aspirations, and it’s not really fair to judge it as if it does.
So taking into account its contrivances, and its ham-fisted parallels, and its tendency to rush its way through storylines that should probably be given a bit more time, Royal Pains managed to do enough to convince me that as a piece of escapist summer entertainment the show might not be such a pain after all.