“The Honeymoon’s Over”
July 30th, 2009
There are moments when watching a summer show that you start to realize just how much you’ve been treating it as a summer show, and at the start of tonight’s episode of Royal Pains I had one of those moments. As Jill and Hank seemed to be at some sort of relationship crossroads, I realized something: I have no idea why. I don’t even think I care to know why. Something apparently happened in last week’s episode that made Jill weary of any kind of actual relationship – I remember something about a summer crush, and concerns over Hank leaving, but I didn’t think things were quite as cold as they seemed to be.
And really, this is the problem with a show like Royal Pains where the conflict in each individual episode is contained, meaning that any conflicts needs to come from the same people each and every week. For Burn Notice (which I haven’t watched yet, but might blog about to get back in the swing of things), this is achieved through a single storyline that while occasionally repetitive is quite focused on one idea and executed as such. With Royal Pains, however, it seems like they want to just keep pulling out the Jill/Hank relationship drama card, and to be honest I don’t think it’s working for me. I don’t find they have a terrible amount of chemistry, and it just isn’t something that can legitimately sustain my interest for too long.
So, as we bounce from machination to machination, I’m looking for Royal Pains to really find its footing outside of its weekly medical stories, which quite strangely for a procedural have kind of been its strong point to this point in its first season – while I’m pleased the show has received a second season, I’m less pleased with the fact that it could mean two seasons of this less than wonderful relationship.
“TB or Not TB”
June 25th, 2009
That’s really not the question, Royal Pains.
This won’t be a particularly long review, but I do want to make note that the show is on better footing now that it’s back in chronological order, although it’s still a little bit all over the place with some of its developments. While the show has never seemed to aspire to much beyond its premise, it’s heading into a couple of directions both serialized and procedural that could prove interesting, but won’t quite commit to them enough to make them really stand out.
In the end, though, this one feels like it’s answering some more pressing questions about the show’s format than just the titular Shakespearean medical concern.
June 18th, 2009
Ah, the ol’ second episode switcheroo. It happens more than you’d expect, really, for some pretty obvious reasons: when a show is in its infancy and needs to make sure that it keeps viewers’ attention, that second episode is extremely important. “There Will Be Food” wasn’t necessarily a far better representation of what the show will do, but the continuity of Tucker, who is without question the show’s most likeable Hamptonite, was the smart decision in terms of convincing us that the rich won’t be too heavily dehumanized or even necessarily fall into the same one and done patient formula of other procedural medicine shows.
“Strategic Planning” is pretty much what I expected the show to be, and in some ways what I was hoping it wouldn’t become, but in the end it’s all pretty inoffensive. By recreating the environment in which an episode of House is capable of taking place, and by essentially playing out an episode of House in that environment, the show isn’t doing itself any favours in the originality department. Combine with a lifeless Evan storyline, and some issues of continuity on the Jill/Hank front, and the hold on airing the episode makes a lot of sense. That being said, though, the episode also does a lot to explain how Hank’s business is working, and why Boris would be willing to rent out his guest house to a concierge doctor, which contributes enough to the show’s universe to forgive this well-acted, well-intentioned but ultimately well-treaded territory.