June 2, 2010 · 12:17 am
June 1st, 2010
I focused a lot last week on the show’s unwillingness to embrace its continuities, and while I hate to be repetitive “Funk” runs headfirst into the same problem: airing out of order (originally intended to air before last week’s “Theatricality”), the episode has a number of chances to connect its at times random storylines to previous developments, and yet resists at every turn.
It’s especially strange in that the episode returns a couple of recurring characters into the mix, which seems like a great way to justify looking back a bit. The result is an episode which feels like the show spinning its wheels, shifting sharply from some intense dramatic storylines to a pretty stock “guess what? Regionals is coming up next week!” episode.
And even with the joys of song and dance, those episodes just end up being a bit of a snoozefest, and in this case an occasionally problematic one as the show makes a couple of key decisions which take some strange routes to get to some fairly interesting conclusions.
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Filed under Glee
Tagged as Analysis, Beck, Cory Monteith, Dianna Agron, Episode 21, Finn, Funk, Good Vibrations, It's a Man's Man's Man's World, Jane Lynch, Jessalyn Gilsig, Jesse St. James, Jonathan Groff, Loser, Mark Salling, Marky Mark and the Funky Bunch, Merceds, New Directions, Out of Order, Pregnancy, Puck, Quinn, Review, Sue Sylvester, Television, Tell Me Something Good, Terri Schuester, Theatricality, TV, Unwed Mothership Connection, Vocal Adrenaline, Will Schuester
June 19, 2009 · 12:22 pm
June 18th, 2009
Ah, the ol’ second episode switcheroo. It happens more than you’d expect, really, for some pretty obvious reasons: when a show is in its infancy and needs to make sure that it keeps viewers’ attention, that second episode is extremely important. “There Will Be Food” wasn’t necessarily a far better representation of what the show will do, but the continuity of Tucker, who is without question the show’s most likeable Hamptonite, was the smart decision in terms of convincing us that the rich won’t be too heavily dehumanized or even necessarily fall into the same one and done patient formula of other procedural medicine shows.
“Strategic Planning” is pretty much what I expected the show to be, and in some ways what I was hoping it wouldn’t become, but in the end it’s all pretty inoffensive. By recreating the environment in which an episode of House is capable of taking place, and by essentially playing out an episode of House in that environment, the show isn’t doing itself any favours in the originality department. Combine with a lifeless Evan storyline, and some issues of continuity on the Jill/Hank front, and the hold on airing the episode makes a lot of sense. That being said, though, the episode also does a lot to explain how Hank’s business is working, and why Boris would be willing to rent out his guest house to a concierge doctor, which contributes enough to the show’s universe to forgive this well-acted, well-intentioned but ultimately well-treaded territory.
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Filed under Royal Pains
Tagged as Christine Ebersole, Dog Walker, Entertainment, Episode 3, Evan, Gossip Girl, Guillermo, Hank, Hank Lawson, HankMed, Jill, Medical Procedural, Out of Order, Season 1, Strategic Planning, Television, The Hamptons