Tag Archives: Jordan

Scrubs – “Our Stuff Gets Real”

“Our Stuff Gets Real”

January 12th, 2010

I think we might owe Zach Braff an apology, or a qualified one at least.

A lot of us placed the blame of Scrubs’ struggles on the return of obnoxious J.D. in the earlygoing, leading some of us to suggest the show would have been far better off without him, but what we learn in “Our Stuff Gets Real” is that the problem was not so much the presence of J.D. and more the absence of Elliot. The writers’ mistake was not so much having J.D. return but rather taking away the element which grounded him to reality (his pregnant wife): in the context of that relationship, both J.D. and Elliot are able to remain helplessly neurotic without becoming insufferable, and there’s something there which is both poignant and meaningful (if, of course, not nearly as poignant or meaningful as what they left on in Season 8).

The rest of the episode is similarly on point, delivering another strong installment not only based on the return of the most original cast members yet but also by demonstrating some keen awareness of its new characters and their place within both the original cast and the show’s new dynamics. It wasn’t perfect, but the problems seemed dialed down and the positive seemed dialed in, and that’s the right place for the show to be.

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Season Finale: Greek – “At World’s End”

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“At World’s End”

June 15th, 2009

To signal the end of the world, there are various signs of the apocalypse, things which let you know that doom is imminent. To signal the end of a season of Greek, though, you know that Casey and Cappie are about to become intertwined, Rusty will face some sort of crisis, and some sort of major fraternity/sorority event will take place.

However, what always impresses me about Greek is how the various parts all come together in such a way that feels far more organic than it has any right to, and with greater meaning than one would expect the show to aspire to. Sure, the episode had its comic subplot (Rusty and Dale’s altered purity pledge), but for the most part it tackles the fates of the siblings Cartwright with just the right amount of interconnectivity, and with perhaps the show’s most focused lens yet in terms of sidelining supporting players.

Combined with tying up a few loose ends, “At World’s End” isn’t the end for this show by a long shot, but it takes the episode’s theme and runs with it to the point of really encapsulating where these characters sit within the world of Cyprus-Rhodes university. And although there aren’t too many “critics” covering the show on a regular basis, it also proves how a combination of cultural relevance and self-awareness have made this without question the strongest teen-focused dramedy on the air.

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Greek – “Social Studies”

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“Social Studies”

May 25th, 2009

It has been a really long time since I’ve taken the time to write a blog post about Greek, but it is amongst the list of shows that I have kept watching without, well, telling all of you fine folks about it. Part of this is because, in the list of in-season priorities, Greek is often low on the list, although I often watch it quite soon after it airs: however, it’s usually as a break from blogging about something else, or in between classes when I don’t have time to write about it after the fact.

I say all of this knowing full well that, most of the time, Greek is not the kind of show you can really ‘review’ in the critical sense. However, I don’t want to be seen as someone who believes that the show is without any sort of critical merit, and that it should always remain in the realm of the guilty pleasure. The series has a deep bench of characters who are almost all capable of intereacting with one another, and has struck a tone that isn’t saccharine and manages to maintain dramatic and comic interest without falling into scandal or soap operatic archetypes.

The show is never going to be high level drama, but an episode like “Social Studies” is a great example of the way the show can take a scenario common to any college series of this nature and really use it to build existing storylines. That the episode is dealing with the show’s relationships should turn me off to this particular entry into the show’s strong backend to the second season (it’s a really weird schedule), but something about the way the episode handles the two relationships made the episode work for me.

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Series (Season?) Finale: Scrubs – “My Finale”

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“My Finale”

May 6th, 2009

ABC made a decision last year to save Scrubs, which at the time seemed like a mistake: the show was struggling mightily with its creative focus, and if you go back and read my review of the out-of-order finale NBC aired you’ll find that I was more than ready for the show to die. At the same time, there was a sense that a show seven years running deserved a better sendoff. So while I was frustrated that ABC chose to pick up the series on some level, I also hoped that it would be worth it.

It was. The show’s eighth season has not been amongst its most novel, but it’s probably the most consistent the show has been since at least Season 4, and as the series faces yet another finale with an uncertain future this time I find myself entire ready to say goodbye. The show has been on a victory lap all season, giving each character their time to reflect on the past seven years through a vacation, a new set of interns to remind them of themselves, and a new set of memorable if familiar patients that brought the show back to its emotional roots.

There are some rumblings that “My Finale” will actually be “J.D.’s Finale” more than that of the series: the first-person narrator of a majority of the series has been the series’ star, and his relationships with the various characters (his bromance with Turk, his relationship with Elliot, his mentorship with Dr. Cox) are the series’ most memorable. And it’s this reason that this doesn’t just feel like J.D.’s finale: his future is the future of all of these characters, and the idea of them continuing on while he’s off at another hospital doesn’t feel right.

For me, I want the show to be over: I want to go out on a good season, and on a great episode, one which takes some shortcuts but gives John Dorian the kind of exit that feels right for this character, and thus one that felt right for the series. It’s not that the series can’t continue beyond this point, but rather that in many ways it shouldn’t.

But, after a season of good will after seasons of struggle, I’m willing to keep an open mind should they make that decision.

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