“At World’s End”
June 15th, 2009
To signal the end of the world, there are various signs of the apocalypse, things which let you know that doom is imminent. To signal the end of a season of Greek, though, you know that Casey and Cappie are about to become intertwined, Rusty will face some sort of crisis, and some sort of major fraternity/sorority event will take place.
However, what always impresses me about Greek is how the various parts all come together in such a way that feels far more organic than it has any right to, and with greater meaning than one would expect the show to aspire to. Sure, the episode had its comic subplot (Rusty and Dale’s altered purity pledge), but for the most part it tackles the fates of the siblings Cartwright with just the right amount of interconnectivity, and with perhaps the show’s most focused lens yet in terms of sidelining supporting players.
Combined with tying up a few loose ends, “At World’s End” isn’t the end for this show by a long shot, but it takes the episode’s theme and runs with it to the point of really encapsulating where these characters sit within the world of Cyprus-Rhodes university. And although there aren’t too many “critics” covering the show on a regular basis, it also proves how a combination of cultural relevance and self-awareness have made this without question the strongest teen-focused dramedy on the air.
“Right Place Right Time”
May 4th, 2009
[Spoiler Alert: Don’t read the Episode Tags if you don’t want to have the episode spoiled! – MM]
When it comes to the combination of comedy and mythology on How I Met Your Mother, the show has always operated on a tight rope of sorts as it relates to the identity of the eponymous mother. The reason for this is not that the mystery isn’t interesting (it is the very premise of the show, of course), but rather that the character at the center of the drama is the show’s least funny, often least interesting, and at times most frustrating. Ted Mosby is really only tolerable when he’s being sweet and romantic, and even then he’s rarely funny in those scenarios. He’s better when he is taking a supporting role, not so much the center of the drama than he is an observer who just happens to be our “lead” character.
What “Right Place Right Time” does is position itself as an episode about Ted but really spend almost all of its time with the characters that are more capable of being funny. Utilizing a traditionally unique structure (at what point does it become its own cliche? I remain unsure), the show lets Bob Saget take us through how a series of random and ridiculous events force Ted to end up at the right place at the right time where, holding the epic yellow umbrella we’ve seen in previous episodes, when a woman taps him on the shoulder.
I like this approach because it minimizes being repetitive with Ted’s various destiny speeches, but the show at this point is running a serious risk with its mythology. What happens in this episode appears to actually answer the titular question, but I don’t think it does: there is more than enough wiggle room for them to pull the rug out from under us yet again. Considering who ends up tapping him on the shoulder, I’ll be happy when I’m vindicated and they pull out the “Just kidding!” next week, but the more the show does this the less we’ll be able to trust them, and the mythology will only be getting in the way of the comedy.
And that’s the last thing the show needs.