Tag Archives: Pies

Blood in the Water: “Dragon’s Den” becomes ABC’s “Shark Tank”

ABC’s Shark Tank

August 9th, 2009

I wasn’t going to bother saying anything about ABC’s Shark Tank, which debuted tonight following Who Wants to Be a Millionaire, but then my brother made a pretty reasonable point: as a Canadian critic, I have more experience with CBC’s Dragon’s Den, the Canadian series based on the Japanese series that inspired this ABC series, than most. And since I’m in the process of analyzing Canadian television in my thesis, I figure it makes sense to take some time to consider just how the different sensibilities of these two countries have inspired the way these two series differ.

However, I came across two problems when I tried to do this watching tonight’s premiere. The first is that I don’t particularly like Dragon’s Den – no, it’s not a bad series, but I find that its back and forth between “look, embarrassing entrepreneurs!” and “legitimate success” to be like American Idol but without either the humour or the enjoyment. Because they’re real people, you feel bad when they’re clearly so far off the mark, and when they are successful I don’t really know them well enough to know just how much of a success it’s been. It just does nothing to appeal to me (I don’t particularly like Idol auditions to begin with), and the “cruelty” of the dangerous Dragons (cutthroat business people) isn’t really all that interesting.

The second problem, however, is that the differences between these two programs are driven less by national differences and more by economic ones – while Dragon’s Den was brought to Canada during a relatively successful period, Shark Tank was developed in the midst of an economic recession and emerges at a time when this kind of success seems legitimately rare, and where dreaming big and failing big are both staples of the American (and for that matter, North American) experience. It makes my own opinion of these entrepreneurs kind of moot, and shifts the show’s responsibility from entertainment to topical connectivity, a burden that has little to do with nationalist discourses.

And a burden the show deals with as best it can, really.

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How I Met Your Mother – “Right Place Right Time”

himymtitle

“Right Place Right Time”

May 4th, 2009

[Spoiler Alert: Don’t read the Episode Tags if you don’t want to have the episode spoiled! – MM]

When it comes to the combination of comedy and mythology on How I Met Your Mother, the show has always operated on a tight rope of sorts as it relates to the identity of the eponymous mother. The reason for this is not that the mystery isn’t interesting (it is the very premise of the show, of course), but rather that the character at the center of the drama is the show’s least funny, often least interesting, and at times most frustrating. Ted Mosby is really only tolerable when he’s being sweet and romantic, and even then he’s rarely funny in those scenarios. He’s better when he is taking a supporting role, not so much the center of the drama than he is an observer who just happens to be our “lead” character.

What “Right Place Right Time” does is position itself as an episode about Ted but really spend almost all of its time with the characters that are more capable of being funny. Utilizing a traditionally unique structure (at what point does it become its own cliche? I remain unsure), the show lets Bob Saget take us through how a series of random and ridiculous events force Ted to end up at the right place at the right time where, holding the epic yellow umbrella we’ve seen in previous episodes, when a woman taps him on the shoulder.

I like this approach because it minimizes being repetitive with Ted’s various destiny speeches, but the show at this point is running a serious risk with its mythology. What happens in this episode appears to actually answer the titular question, but I don’t think it does: there is more than enough wiggle room for them to pull the rug out from under us yet again. Considering who ends up tapping him on the shoulder, I’ll be happy when I’m vindicated and they pull out the “Just kidding!” next week, but the more the show does this the less we’ll be able to trust them, and the mythology will only be getting in the way of the comedy.

And that’s the last thing the show needs.

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