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The Big Bang Theory – “The Large Hadron Collision”

“The Large Hadron Collision”

February 8th, 2010

Generally speaking, I consider myself a “Sheldon’s Advocate.” While the show often suggests that Sheldon is acting selfishly, that his ignorance to social norms is sometimes replaced by a cruel elision of interests other than his own, I tend to give Sheldon the benefit of the doubt, taking his side in those situations because the show so often pits the other characters against him without any logical reason beyond it being funny when they make fun of him.

However, I don’t want it to seem like I believe Sheldon is entirely without fault, or that only episodes which paint Sheldon in a positive light are enjoyable. I thought “The Large Hadron Collision” was a solid episode, one which had Sheldon at his most selfish but seemed like it used that to its advantage, with Sheldon making arguments which hinged on his ignorance to the influence that having a girlfriend would have on Leonard’s decision. It isn’t a complex depiction of the character, perhaps, but it’s a consistent one, and the resolution to the story was clever enough that even without Sheldon having a redemptive moment it felt true to the character.

And in the end, that’s all I ask for, other than a quick death to Bazinga.

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The Final 3 Episodes: Pushing Daisies – “Water & Power”

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“Water & Power”

June 6th, 2009

“It’s like putting your faith in the idea of someone before really knowing who they are.”

The above quotation, pulled from the episode, was my personal reaction to Pushing Daisies. I was “all in” from the moment I heard the premise of the pilot, pretty much, and was even more excited based on that episode. And there is something dangerous about that like, for example, having to deal with the fact that it was on the air for about 1/8 the amount of time as According to Jim. But the one thing that Pushing Daisies, as a show, never did was to displace my faith in any violent fashion – I was disappointed by its short end, but its quality rarely faltered, and that is something important to remember as we continue our journey through these final three episodes.

When you enter into a bittersweet series of episodes like these, knowing that the show has been canceled and that not all resolutions will be possible, an episode like “Water & Power” is a real microcosm of that feeling. As soon as the episode begins with a shot of a young Emerson Cod, you realize that this will be the show’s last chance to give this character a proper sendoff, especially as it relates to his search for his missing daughter. It was a recurring bit of story that was never actually a storyline: we saw the book he made, and we were there when he told Ned for the first time, but it’s never actually been the central point of a mystery of the week.

But, of course, it never will be again either: although the episode allows the issue of young Penny to emerge as the purpose of the show’s narrative, it doesn’t resolve the storyline in some sort of final way, and leaves the door open for all of the things we know the show won’t have. It introduces a few highly compelling recurring guest stars, for example, but we know the show will never get to see them return, and since it doesn’t offer any real finality for Emerson and Penny it feels like yet another chapter that, while satisfying for what it could have been, isn’t all that satisfying for what it ended up being.

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Seriously, FOX? Joss Whedon’s Dollhouse to air on Fridays

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I don’t normally post news, but I figure this is frustrating enough to enjoy a bit more analysis outside of my Twitter feed. Ironically, it was through Twitter that the news was revealed to me. From FOXBroadcasting’s new twitter feed came the following:

Joss Whedon’s Dollhouse launches Friday, February 13th

My immediate response: seriously, FOX? Are we going to go through this again? After Whedon’s last FOX show, Firefly, was destroyed by mismanagement by FOX, fans of the creator have already had reason to be slightly concerned about the show’s trajectory. Now, with the creative side seemingly together, comes the next blow – that even when it does air, its opportunity for success has shrunk dramatically.

The thing is, a lot more could have been done: FOX could have premiered the show behind an episode of American Idol, something that is increasingly common and that their other new drama, Lie to Me, is likely getting on January 21st. Nothing about this move seems even remotely like a network that is fully behind this show: and would premiering it a week early and avoiding the ominousness of Friday the 13th really have killed them?

I’m excited for Dollhouse, even as someone who outside of Firefly and Dr. Horrible is woefully behind on my Whedonverse viewing, but these signs keep popping up that this show is cursed. I don’t want to be a harbinger of ill-will towards the series’ fate, and I would love to feel more optimistic, but considering that repeats of NCIS and other crime procedurals are the shows performing best on Fridays something tells me that FOX’s attempt to rekindle The X-Files’ success in the timeslot a decade ago isn’t going to work…and if this means that Whedon’s fans are going to have to pick up FOX’s slack at promoting one of his series AGAIN, I don’t think this is the kind of deja vu the show is trying to discuss.

Below the jump, though, let’s take a look at what the rest of FOX’s January schedule brings us – to be honest, it’s quite reasonable, if frustrating for fans of the network’s science fiction dramas.

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