“Constance Carmell Wedding”
June 25th, 2010
In some ways, there could never be a perfect finale for Starz’ Party Down. The show is about people confronting the fact that they might be living their finale, that working for a catering company may be the highest rung they will climb in southern California, and so “endings” are inherently unnatural. Instead, the characters are in a constant state of waiting to become, working hard or hardly working towards the end goal of achieving great success in their chosen field. And so while this may well end up the series finale (due to Starz reinventing itself as a genre network under new management and the middling ratings for the series) of Party Down, it is an episode about failed beginnings more than endings.
While very funny and quite poignant in a number of areas, “Constance Carmell Wedding” suffers a bit under the weight of those final moments, unsure of who would be returning for the following season or if there would even be a following season. Constance’s return is most welcome, and the focus on career goals is well met, but there’s a point where a half-hour comedy just can’t carry the weight of beginnings, endings, reunions, unions and everything else in between.
However, let’s not pretend this means I won’t miss the show should it truly be done, or that I didn’t find the second season to be particularly strong: while it may not have all come together perfectly, it was a confident second season which built on the first season’s success without abandoning its winning formula, and I sincerely hope that the show gets a reprieve if only to see what a third season would look like for these character I’ve come to admire.
“The Lunar Excitation”
May 24th, 2010
“What’s life without whimsy?”
In the age of Ausiello (a dark age if I’ve ever heard of one), there are no more surprises: we’ve known for months that Sheldon would be “getting a love interest” in the form of Mayim Bialik, so any of the sudden shock at the events of “The Lunar Excitation” never really materializes. We’ve had months to think about how the show was going to negotiate Sheldon experiencing something vaguely approaching a romantic connection after having made the argument that the character is “in love with science,” so it’s not like we didn’t know this was coming.
The question for me was just how they would maneuver Sheldon into this situation, and how they would either maneuver him out of it or transition into a new facet of his personality. Ultimately, the final two questions are going to have to wait until next season, but I quite liked “The Lunar Excitation” in terms of how it got Sheldon to the point of being willing to (sort of) put himself out there (quasi-)romantically. It’s not, perhaps, the complex investigation of Sheldon’s social interactions which speaks to his greater neuroses that some part of me desires, but when you consider what this storyline could have become I think we have to consider ourselves lucky: Jim Parsons remains funny, Sheldon’s character is never compromised, and the series resists “duping” Sheldon into becoming a part of the charade.
“The Lunar Excitation” actually does quite well with both of its storylines, delivering a nice parting note for Penny and Leonard which leaves their relationship in a more complicated place than I had imagined heading into the summer. The finale also had a certain energy to it, with the sense of whimsy which was absent in the show during some of its third season episodes restored. It’s a whimsy which bodes well for the fourth season, even if I do have some questions about just how this is all going to play out in September considering the events in the episode.
And frankly, I’m just glad that I’ve got something to chew on with the show, considering its propensity to tie things off in a neat bow.
“The Spaghetti Catalyst”
May 3rd, 2010
I was complaining earlier tonight that How I Met Your Mother never properly played out the post-relationship awkwardness for Barney and Robin, so it feels strange to be commending The Big Bang Theory for not trying to elide the consequences of Leonard and Penny’s breakup in the last original episode (which seems like it was forever ago).
However, I shouldn’t be surprised: the show loves awkwardness, especially when it is at the expense of its geeky characters, so of course they’re going to revel in Leonard’s self-pity for a while. However, the show ended their relationship because they were tired of it, so it’s no big surprise that “The Spaghetti Catalyst” isn’t actually an episode about Leonard or Penny. Instead, it becomes a Sheldon episode, giving Jim Parsons some solid material as he finds himself trapped between his best friend and someone who he has put too much effort accommodating into his life for him to stop being friends with her.
The result, eventually, is a return to the pre-relationship status quo, an eventuality that I’m okay with in the end but which I thought required one shortcut too many at the expense of the character who made the episode so watchable.
“The Wheaton Recurrence”
April 12th, 2010
There are two things that the Big Bang Theory isn’t particularly good at, and they include handling serious dramatic situations within its comic tone and the integration of guest stars beyond their initial appearance. The show has always shied away from any sort of realistic emotional tensions in favour of a cheap joke, and characters like Christine Baranski’s Dr. Hofstadter were novel upon their first appearance and felt like a big ol’ sitcom cliche in their next.
“The Wheaton Recurrence” does little to change either of these facts, even if one could argue that there was positive momentum on the emotions front. There’s a difference, ultimately, between actually dealing with emotions and featuring emotions in a major storyline: while this episode forces Penny and Leonard to consider the state of their relationship, it’s something the show should have done a long time ago, and something that we should have seen some evidence of in earlier episodes. Nothing about their revelations feels particularly natural, and the lack of either a rising action or a proper denouement makes any sort of “event” in the episode seems like a wasted opportunity.
Which, I guess, is preferable to a waste of time.
“The Large Hadron Collision”
February 8th, 2010
Generally speaking, I consider myself a “Sheldon’s Advocate.” While the show often suggests that Sheldon is acting selfishly, that his ignorance to social norms is sometimes replaced by a cruel elision of interests other than his own, I tend to give Sheldon the benefit of the doubt, taking his side in those situations because the show so often pits the other characters against him without any logical reason beyond it being funny when they make fun of him.
However, I don’t want it to seem like I believe Sheldon is entirely without fault, or that only episodes which paint Sheldon in a positive light are enjoyable. I thought “The Large Hadron Collision” was a solid episode, one which had Sheldon at his most selfish but seemed like it used that to its advantage, with Sheldon making arguments which hinged on his ignorance to the influence that having a girlfriend would have on Leonard’s decision. It isn’t a complex depiction of the character, perhaps, but it’s a consistent one, and the resolution to the story was clever enough that even without Sheldon having a redemptive moment it felt true to the character.
And in the end, that’s all I ask for, other than a quick death to Bazinga.
“The Einstein Approximation”
February 1st, 2010
Jim Parsons does not need catchphrases, nor does he need running jokes. Over three seasons, Jim Parsons has consistently demonstrated comic timing and abilities that define this character in ways beyond “gags,” and which have made the character endearing when some of his actions could be seen as insufferable.
And so I don’t entirely understand why the writers seem to believe that Sheldon can best be defined by such shallow humour, as it makes what might have otherwise been a great episode (in that it focused entirely on Sheldon) into a frustrating one. The episode teetered on the edge of taking Sheldon into some potentially compromising places in terms of how the show treats the character, but it also showed a lot of great qualities of Sheldon when at his most obsessively one-minded. However, by occasionally falling back on his “catchphrases,” it ended up rubbing me the wrong way even if some of the content involved was hitting the mark.