“Constance Carmell Wedding”
June 25th, 2010
In some ways, there could never be a perfect finale for Starz’ Party Down. The show is about people confronting the fact that they might be living their finale, that working for a catering company may be the highest rung they will climb in southern California, and so “endings” are inherently unnatural. Instead, the characters are in a constant state of waiting to become, working hard or hardly working towards the end goal of achieving great success in their chosen field. And so while this may well end up the series finale (due to Starz reinventing itself as a genre network under new management and the middling ratings for the series) of Party Down, it is an episode about failed beginnings more than endings.
While very funny and quite poignant in a number of areas, “Constance Carmell Wedding” suffers a bit under the weight of those final moments, unsure of who would be returning for the following season or if there would even be a following season. Constance’s return is most welcome, and the focus on career goals is well met, but there’s a point where a half-hour comedy just can’t carry the weight of beginnings, endings, reunions, unions and everything else in between.
However, let’s not pretend this means I won’t miss the show should it truly be done, or that I didn’t find the second season to be particularly strong: while it may not have all come together perfectly, it was a confident second season which built on the first season’s success without abandoning its winning formula, and I sincerely hope that the show gets a reprieve if only to see what a third season would look like for these character I’ve come to admire.
“Jackal Onassis Backstage Party”
April 23rd, 2010
“It’s no picnic being the boss, huh?”
When we write about Party Down, we tend to focus on the premise over the characters. Part of this has to do with the fact that we’re all preparing for the fact that the show might lose many of its characters if it gets a third season, so there’s a vested interest in emphasizing its revolving locations and the general focus on struggling actors/writers/show business folk working to support their dreams over Henry or Casey. While we’re attached to the characters, who were certainly one of the most important parts of the hugely enjoyable first season, it’s the diverse engagements that really set the show apart, and which have formed the basis for its most enjoyable episodes.
“Jackal Onassis Backstage Party” reminds us that these characters are very funny, but it also reminds us that the show isn’t used to handling quite this much character. While the dynamics of the first season cast took some time to develop, they eventually formed into something truly fantastic; however, it was rare that the show seemed like it was really spending a lot of time introducing, or renintroducing, or “changing” character dynamics. The second season premiere has to go through a lot of exposition, which keeps the humour from rising to the level achieved last season, but the central premise remains strong, and the changing dynamics work in the show’s favour at the end of the day.
“Stennheiser-Pong Wedding Reception”
May 22nd, 2009
There’s an argument to be made that Party Down is the season’s strongest new comedy, and it’s one that has become progressively easier to make as the season continues. Not to disparage Better Off Ted (which is good but not particularly revolutionary), or The United States of Tara (which was a drama before it was a comedy, realistically speaking), but this out of nowhere Starz series from Rob Thomas and John Enbom simply presented the most complete comedy to debut. A strong ensemble cast is supported by a series of constantly changing party scenarios, ranging from the ridiculous to the personal, where recognizable actors show up as guest stars to complicate the lives of the characters involved; it doesn’t sound too complicated when you really think about it, but it’s essentially an absurdist procedural dark comedy series, and one that has been remarkably consistent.
“Stennheiser-Pong Wedding Reception” is a strong way to end such a consistent season, if not the show’s best episode: like many other comedies, the show is often as its most effective when dealing with heavier dramatic material but at the same time can lose something of its essence. The presence of Kristen Bell (Veronica Mars) helps to elevate the finale from a comic level, and Jennifer Coolidge’s continuing guest stint in place of Jane Lynch brings something fun to the table, but this episode is far less about the scenario than it is about the characters. While the series has often ignored the reality of catering in order to allow the characters to mingle about and face little to no actual work, here the whole point is that there is real work: this is the real world, and if you can’t take the heat get out of the barn.
And by the end of the episode, everyone but Henry sort of does.
“Celebrate Ricky Sargulesh”
May 8th, 2009
Outside of some belated thoughts on the series’ pilot, I haven’t spent much time blogging Starz’s Party Down – things have been pretty busy during a majority of its run, and I ended up falling a bit behind before catching up a few weeks ago. Plus, the critics received the entire season ahead of time, so Alan Sepinwall (in particular) has been posting highly detailed reviews every week that, combined with the series’ remarkable consistency, have made my own desire to write about the show fairly minimal.
But “Celebrate Ricky Sargulesh” was just so damn genius that I had to put in my two cents about the ways in which it was emblematic of the best qualities of the season’s strongest new comedy (sorry, Better Off Ted). The show follows a pretty basic formula, taking its cast of characters and placing them into a new ridiculous setting each week. This, in and of itself, makes the series feel particular fresh: because it doesn’t follow the traditional sitcom model of focusing on a single place or particular atmosphere, the show is able to vary its storytelling and its focus from episode to episode, and the characters are able to have a broad range of experiences without the show feeling too gimmicky.
What really makes an episode like this one work, though, is the way in which setting and character interact. The setting was perhaps the series’ most outlandish, a Russian mafia “celebration” of a mobster’s acquital for murder, with a ridiculous guest performance by Steven Weber that still has me laughing. However, the reason the episode was so strong is how much this appealed to the side of these characters that they’re forced to hold back while working as cater waiters: by tapping into their desire to be celebrities, or their highly active imaginations, everyone but Ron were able to at least partially enter into that part of their lives that being a cater waiter was supposed to make impossible, and out of fear for his own life Ron has to let it happen.
There are very few comedies on television were the most fundamentally ridiculous of scenarios can actually say more about characters than something inherently dramatic, and Party Down can certainly enter that club with this gem.