May 21, 2010 · 4:25 pm
“Over There: Part 2”
May 20th, 2010
When Fringe began, its “pseudoscience” was a vague conspiracy – the “Pattern” was ill-defined and faceless, a series of circumstances with no causation and thus no real emotional stakes. Over time, the show worked to provide a face to the threat (the villainous Mr. Jones, the shapeshifter taking Charlie’s form, etc.), but even then it was largely putting lipstick on a pig. Even when the show introduced another universe, that universe felt so abstract that it seemed like the show becoming more complex without any real effect on my enjoyment of the series.
However, the back end of the show’s second season has gone a long way to personifying the show’s science fiction; while it may be cheating to make John Noble’s Walter (and Walternate) central within the storyline, and the introduction of “alternate” versions of existing characters enables some shortcuts, it can’t be denied that the other reality has finally come into its own with both parts of “Over There.” Willing to blur the lines between evil and empathetic, the show delivers the sort of story which is unquestionably complex but which feels like it stems from decades of conflict and challenging character dynamics rather than a conflict created to fit a season finale.
I just hope nobody thinks it’s going to last.
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Tagged as Alternate Universe, Analysis, Episode 22, Fauxlivia, Finale, Fringe Division, John Noble, Leonard Nimoy, Olivia, Over There, Part 2, Peter Bishop, Review, Season 2, Season Finale, Television, TV, Walter Bishop, Walternate, William Bell
September 18, 2009 · 3:49 pm
“A New Day in the Old Town”
September 17th, 2009
From the very beginning, I’ve said that Fringe is a cross between Alias and The X-Files, two shows that were pretty similar to begin with. While The X-Files leaned more towards the blatantly supernatural, both shows dealt with elements of prophecy which linked investigators with the events transpiring, and each dealt with the impact of bureaucracy on such investigations. So when J.J. Abrams created Fringe, in some ways it was an example of a creator taking an element of one of his earlier shows and simply expanding it into a new arena. There is not a huge leap between Rambaldi and the Pattern, and at various point in Fringe’s first season you could see Abrams (along with Orci, Kurtzman, etc.) tweaking the formula in an effort to avoid what happened to Alias, where serialized storytelling overran any chance of the show maintaining a procedural structure.
But at the end of the first season, Fringe truly came into its own. Once the show started more carefully considering the impact of the pattern and really indulging in its serialized side of things, the show picked up a new head of steam. Early complaints about Anna Torv’s performance mostly melted away, and the show should some skill in how it handled the conclusion of Mark Valley’s time on the show and eventually how it introduced the fairly huge development of an alternate universe. By linking said alternate universe both to Peter’s sense of identity and to Walter’s damaged mental state, and by placing the mystery of William Bell directly within it, it became part of the fabric of the show as opposed to tearing it all apart. When we panned out and discovered the Twin Towers still standing in said universe, it was a shocking moment that showed a series very much in control of its own destiny, and not just a collection of leftover ideas from Alias or The X-Files.
And to be honest, I think “A New Day in the Old Town” is probably a far better episode than I’m about to give it credit for, as its ‘big twist’ fundamentally took me out of the episode and right back into feeling as if this is Alias: Part Two for Abrams, in some respects. While parts of the episode really felt like the show that I came to really enjoy at the end of last season, there were other parts which were designed to capture new viewers and to trick unsuspecting viewers into feeling sad, or concerned, or anything else. It’s a trap that is often considered necessary for procedurals (which Fringe technically is), but by delaying the resolution to last season’s cliffhanger and providing a simulation of conflict it felt as if the episode was all about that big twist at the end…and when that was Abrams blatantly ripping himself off, I guess I’m just not as excited about this episode as I expected myself to be back in May.
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Tagged as A New Day in the Old Town, Alias, Anna Torv, Birthday, Charlie Francis, Cow, Custard, Entertainment, Episode 1, Evil Francie, FOX, Fringe Division, J.J. Abrams, Philip Broyles, Premiere, Ratings, Season 2, Season Premiere, Television, the Bible, The X-Files, TV, Twist, Walter Bishop, William Bell, Windshield, X-Files