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Breaking Bad – “Caballo Sin Nombre”

“Caballo Sin Nombre”

March 28th, 2010

“It’s not about taking sides.”

When parents separate, the divisions which emerge are complicated and often resistant to black and white definitions. While one partner may believe that the separation is in fact definitive, the other likely believes it is temporary or just a bump in the road. Children may want to take sides in order to try to bring the conflict to a close, but then they are told that it isn’t about taking sides but rather about being supportive and basically riding it out.

But in the world of Breaking Bad, it’s all about taking sides: the people who succeed in this world, the people who are holding the keys to their future, are those who accept that things can be black and white, and that they are the ones who choose one side or the other. It is those who attempt to sit in between, to act one way but try to live as if they are the other, who end up choking to death, or end up so throwing a pizza onto a roof. By trying to keep one foot in each world, by trying to prove that grey areas are the way to go, these people only hurt the people they love while failing to impress the people that could kill them.

“Caballo Sin Nombre” is a mediation of sorts on this idea, and it continues to establish that the certainty of human agency is integral to the future of Walter White and his black or white life.

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Season Premiere: Fringe – “A New Day in the Old Town”

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“A New Day in the Old Town”

September 17th, 2009

From the very beginning, I’ve said that Fringe is a cross between Alias and The X-Files, two shows that were pretty similar to begin with. While The X-Files leaned more towards the blatantly supernatural, both shows dealt with elements of prophecy which linked investigators with the events transpiring, and each dealt with the impact of bureaucracy on such investigations. So when J.J. Abrams created Fringe, in some ways it was an example of a creator taking an element of one of his earlier shows and simply expanding it into a new arena. There is not a huge leap between Rambaldi and the Pattern, and at various point in Fringe’s first season you could see Abrams (along with Orci, Kurtzman, etc.) tweaking the formula in an effort to avoid what happened to Alias, where serialized storytelling overran any chance of the show maintaining a procedural structure.

But at the end of the first season, Fringe truly came into its own. Once the show started more carefully considering the impact of the pattern and really indulging in its serialized side of things, the show picked up a new head of steam. Early complaints about Anna Torv’s performance mostly melted away, and the show should some skill in how it handled the conclusion of Mark Valley’s time on the show and eventually how it introduced the fairly huge development of an alternate universe. By linking said alternate universe both to Peter’s sense of identity and to Walter’s damaged mental state, and by placing the mystery of William Bell directly within it, it became part of the fabric of the show as opposed to tearing it all apart. When we panned out and discovered the Twin Towers still standing in said universe, it was a shocking moment that showed a series very much in control of its own destiny, and not just a collection of leftover ideas from Alias or The X-Files.

And to be honest, I think “A New Day in the Old Town” is probably a far better episode than I’m about to give it credit for, as its ‘big twist’ fundamentally took me out of the episode and right back into feeling as if this is Alias: Part Two for Abrams, in some respects. While parts of the episode really felt like the show that I came to really enjoy at the end of last season, there were other parts which were designed to capture new viewers and to trick unsuspecting viewers into feeling sad, or concerned, or anything else. It’s a trap that is often considered necessary for procedurals (which Fringe technically is), but by delaying the resolution to last season’s cliffhanger and providing a simulation of conflict it felt as if the episode was all about that big twist at the end…and when that was Abrams blatantly ripping himself off, I guess I’m just not as excited about this episode as I expected myself to be back in May.

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