Tag Archives: Holland Manners

Cultural Catchup Project: Fighting the War (Angel)

Fighting the War

July 31st, 2010

You can follow along with the Cultural Catchup Project by following me on Twitter (@Memles), by subscribing to the category’s feed, or by bookmarking the Cultural Catchup Project page where I’ll be posting a link to each installment.

At first glance, “The Shroud of Rahmon” was a fairly unimportant episode: caught between “Darla” and “The Trial,” it seems strange to offer a standalone tale of Gunn’s cousin getting in over his head, featuring a mysterious shroud which brings out the worst in those in its presence. It’s not the worst story in the world, tying in with Elisabeth Rohm’s Kate, but it seems like a distraction from the fact that Darla is somewhere out there, and I don’t need to see someone sing karaoke to know that the series’ destiny very clearly awaits her return.

However, as the series embraces its destiny in the episodes which follow, we see that the Shroud was a bit of foreshadowing, a sort of preview of what we were about to see. While Angel’s previous high point to date, the Faith crossover, was in some ways dependent on our connection to Buffy and the arcs which started on that series, the run of “The Trial,” “Reunion” and “Redefinition” feels as if it wholly belongs to this series, even with a number of familiar faces in the mix.

This is largely because these episodes are not about Darla, or Drusilla, or about Wolfram & Hart – rather, they are first and foremost about Angel, about who he has become and what precisely he believes he can do. It is not that these other characters lack nuance, or that their stories stop progressing, but rather that their actions all work to force us to reconsider Angel’s heroism. What was once brave becomes reckless, and what was once heroic can very quickly become inhumane – Angel makes decisions which would to an outside observer make one believe that Angelus had in fact returned, but we see enough to know that his soul is perfectly intact.

It is simply the soul of a soldier, is all.

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Cultural Catchup Project: Two Steps Forward, Few Looks Back in “To Shanshu in L.A.” (Angel)

Two Steps Forward, Few Looks Back in “To Shanshu in L.A.”

July 11th, 2010

You can follow along with the Cultural Catchup Project by following me on Twitter (@Memles), by subscribing to the category’s feed, or by bookmarking the Cultural Catchup Project page where I’ll be posting a link to each installment.

“To Shanshu in L.A.” is no “Prophecy Girl.”

I can’t resist the comparison, as both episodes find their respective series still searching for their identity while closing their first season, looking for a source of momentum. Don’t get me wrong, I like “To Shanshu in L.A.” just fine, but what felt so natural for Buffy (a final showdown with the season’s “Big Bad,” a first glimpse at the evil which sits underneath Sunnydale) feels comparatively contrived when it happens to Angel. While Wolfram & Hart have been built up all season, and there is some really successful subtle serialization in the episodes leading up to the finale, the finale leaves nothing to the imagination beyond the mysteries of “What Does the Prophecy Mean?” and “Who’s in the Box,” which really won’t matter until next season. The resolutions to these mysteries are exciting, and I very much like where the show is heading in terms of its plot, but the episode plants its thematic flag at base camp instead of trying for the summit.

If a great season finale wraps up the season’s storylines while looking forward to what happens next, “To Shanshu in L.A.” is only really successful with the latter, although that’s by design: the show is clearly not done with a majority of the elements introduced this season, so it makes sense that it wouldn’t feel like “Prophecy Girl.” Yes, I’d argue that the episode reflects some of the ways in which Angel lacks the momentum inherent to the conclusion of Buffy’s first season, but it’s yet another example of the show charting its own course, and even with some of my concerns about the way the episode is designed I’ve very excited by the world it has created and its potential moving forward.

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