Tag Archives: Lindsey McDonald

Cultural Catchup Project: “Dead End” (Angel)

“Dead End”

September 29th, 2010

You can follow along with the Cultural Catchup Project by following me on Twitter (@Memles), by subscribing to the category’s feed, or by bookmarking the Cultural Catchup Project page where I’ll be posting a link to each installment.

I remember way back when I started writing about Angel, and made some comments regarding Wolfram & Hart; as usual, the comments couldn’t help but hint at future developments, noting that there was much to come from this particular organization (a fact which was not really a spoiler, since I was aware the series had some legal elements in its future).

What makes Wolfram & Hart work is that they are simultaneously omnipresent and marginal: while they always seem to have a hand in things, their background role in the majority of threats against Angel keeps them one degree away from pure evil. We know that the firm is certainly capable of evil, and their facilitation of evil activities is certainly something we would consider to be fairly evil, but there is always that sense that the firm as a whole is not truly evil in the sense that we may want them to be. It’s why Angel’s decision to allow Darla and Drusilla to kill the room full of lawyers and their spouses was so problematic: while some of those people, like Holland, deserved to die, the rest seem relatively innocent, and that relativity makes the firm’s position complicated.

It also helps that Lindsey McDonald, central to “Dead End,” has wavered (along with his colleague, Lilah Morgan) as it relates to their connection to the evil at the heart of the company. While Lindsey ultimately chose against leaving the company during those past conflicts, the tension allowed him to seem separate from, perhaps even a victim of, the company’s grasp. It’s a separation which finally comes to its logical conclusion in “Dead End,” although in a way which places Wolfram & Hart into a slightly more direct definition of evil.

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Cultural Catchup Project: Fighting the War (Angel)

Fighting the War

July 31st, 2010

You can follow along with the Cultural Catchup Project by following me on Twitter (@Memles), by subscribing to the category’s feed, or by bookmarking the Cultural Catchup Project page where I’ll be posting a link to each installment.

At first glance, “The Shroud of Rahmon” was a fairly unimportant episode: caught between “Darla” and “The Trial,” it seems strange to offer a standalone tale of Gunn’s cousin getting in over his head, featuring a mysterious shroud which brings out the worst in those in its presence. It’s not the worst story in the world, tying in with Elisabeth Rohm’s Kate, but it seems like a distraction from the fact that Darla is somewhere out there, and I don’t need to see someone sing karaoke to know that the series’ destiny very clearly awaits her return.

However, as the series embraces its destiny in the episodes which follow, we see that the Shroud was a bit of foreshadowing, a sort of preview of what we were about to see. While Angel’s previous high point to date, the Faith crossover, was in some ways dependent on our connection to Buffy and the arcs which started on that series, the run of “The Trial,” “Reunion” and “Redefinition” feels as if it wholly belongs to this series, even with a number of familiar faces in the mix.

This is largely because these episodes are not about Darla, or Drusilla, or about Wolfram & Hart – rather, they are first and foremost about Angel, about who he has become and what precisely he believes he can do. It is not that these other characters lack nuance, or that their stories stop progressing, but rather that their actions all work to force us to reconsider Angel’s heroism. What was once brave becomes reckless, and what was once heroic can very quickly become inhumane – Angel makes decisions which would to an outside observer make one believe that Angelus had in fact returned, but we see enough to know that his soul is perfectly intact.

It is simply the soul of a soldier, is all.

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