April 12th, 2010
“It’s not having feelings for two people that matters; it’s what you choose to do about them.”
I was very ready to write a very sarcastic opening to this review: the gall of series creator Liz Tigelaar to contend that the love between Baze and Cate, or the love between any of these characters, was unexpected. The show wears its heart on its sleeve, so we knew from the beginning that Cate and Baze shared a connection, and there were more than enough hints towards it being something more than just sexual tension along the way to make this finale all about Team Baze vs. Team Ryan in some circles.
I still think the title is a bit of an oxymoron (in that we went into this finale very much expecting something at least marginally sappy, if not majorly sappy), but “Love Unexpected” ends up working extremely well by avoiding, or more accurately dancing around, the “love triangle” on the surface. The surprise, in many ways, is that the show manages to confirm rather than tear apart its various definitions of love while playing on the tension surrounding cold feet and unspoken attractions. Despite what one would call a thrilling conclusion, one that was most certainly expected, the show uses it to reinforce notions of family, self-empowerment, and tragedy in a scene that is endlessly complicated but which doesn’t feel like it over-complicates the show’s message.
It’s a delicate balance, but “Love Unexpected” manages to find a middle ground between a romantic fairytale and a frank depiction of humans being human, as characters make choices inspired by fantasy but grounded in reality – if this show is robbed of a deserved second season, it had absolutely nothing to do with the show living up to its creative potential.
January 25th, 2010
Alan Sepinwall has a good review of this week’s second episode of Life Unexpected where he discusses the curse that is the never-ending pilot, where a network puts pressure on a show to restate/revisit its premise in early episodes in order to hook in new viewers (like, for instance, those who tuned in tonight when they found out the CBS comedies were in repeats). He points out that, at TCA, Liz Tigelaar argued this actually made sense for this show, as a situation this complicated would actually be quite unstable, and it would be unrealistic for it not to in some way repeat the initial tension we saw in week one.
I think she’s right, but I think that “Home Inspected” also manages to find a couple of intelligent shortcuts to navigate its way through the challenges of this process. I wouldn’t argue that the episode is perfect, or that some of those shortcuts aren’t a bit overstated/melodramatic, but the episode manages to maintain the show’s pilot momentum even in its redundancy, which is something any show in its position should strive for.
January 18th, 2010
When a network attempts to change its brand identity, it’s always an interesting balancing act. On the one hand, the network wants to be able to sell advertisers and viewers on the fact that they are new and exciting, charting a progressive path into the future. However, on the other hand, no network can entirely rebrand, so there will be remnants of the former identity kicking around both in order to provide a sense of stability for both advertisers and viewers alike.
Life Unexpected won’t be the last time I talk about this particular phenomenon this week (Hint: the other will be on Friday), but it’s definitely a show that hearkens back to The WB more than anything else in The CW’s lineup. It’s created a really interesting critical reaction to this show, where everyone points out how much it doesn’t fit the current CW brand and that, considering the critical opinion of said brand, it is better off for it. And I’m not going to deviate from this script: the show evokes Everwood and Gilmore Girls far more than Gossip Girl or Melrose Place, and I’m certainly not going to complain about that.
I do wonder, though, where the audience that watches a show as sweet and heartwarming as this one is currently located. I appreciate what the show has to offer, and I would certainly suggest that you check it out if The WB’s brand of charming drama series were up your alley, but I can’t help but wonder if the WB brand has become so stratified that the people who were silently sitting in their living rooms thinking to themselves “I wish there were shows like the WB used to have” have moved onto other networks (like ABC Family) and aren’t going to look past the network’s new brand.
I want to be wrong, though: I quite liked Life Unexpected, and I’d like to think shows like this could still succeed in this day and age.