Tag Archives: Kevin Spacey

The 2008 Television Time Capsule: Recount (HBO)

timecapsulerecount

Made for Television Movie

Airdate: May 25th, 2008

While many of the selections in the 2008 TV Time Capsule deserve Emmy attention in their future, this is one selection that has already made its way to Emmy glory. I watched Recount over the summer, and much like Generation Kill it follows a highly political event in America’s history, taking us behind the scenes of the 2000 Federal Recount which decided whether George Bush or Al Gore would become President of the United States.

As with Generation Kill, we know the ending already: this doesn’t, however, make the film any less powerful. With great turns from Kevin Spacey, Tom Wilkinson, Bob Balaban, Denis Leary, and especially Laura Dern as Catherine Harris, the film manages to elide the candidates themselves while maintaining all of the momentum of those final moments. By focusing on the minutia, the lawyers and the campaign staff and the people who handled the various recounts, the film revels in not the result of the film (the cancellation of the recount and the victory of George W. Bush) but how that result was felt by the people who fought on both sides.

The film shouldn’t have been the success it was: written by Danny Strong, best known for his stints on Buffy the Vampire Slayer and Gilmore Girls as an actor and not a writer, and directed by Jay Roach, best known for his directorial work with Mike Myers, it didn’t feel like it had the kind of prestige you often see from these HBO “Special Events.” But its quality, and its eventual Emmy win, are a testament to the work of both men, rising to the challenge; you could tell this was an intensely personal project for all involved, a fact which took a potentially clichéd piece of political opportunism in the buildup to the ’08 election and turned it into a darn great television movie.

Like Generation Kill, the film poses questions about what might have been, but there is more distance here: yes, Bush’s presidency has played a largely detrimental role over these eight years, but as we head towards his final days as President there is an end in sight. The film never feels like propaganda, but Recount is nonetheless the kind of sort of statement that democracy needs: it presents people committed to the process in a way that nearly changed history, and if that inspired anyone to the polls in November then the film deserves its place in the Time Capsule that much more.

[For more details on the Cultural Learnings 2008 Television Time Capsule, click here!]

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60th Primetime Emmy Awards Preview: Nominations Predictions for The “Other” Awards

When people predict the Emmy Awards, they predict the big awards: the ones with names we recognize, the ones that we’ll see on TV, and the ones that we’ll remember when the show is over. However, there are dozens of Emmy Awards given out each year, and when the nominees are announced Emmy fantatics like me will be poring over the epic list looking not just for the usual suspects but rather some of the trends that emerge elsewhere.

And it’s really a question of trends more than individual categories – I can’t possibly predict a category like Best Direction in a Comedy Series, but I can tell you who is likely to be kicking around and what kind of shows will perform well in the category. It’s one last bit of Emmy coverage before we head into tomorrow, where I’ll have live coverage of the nominations themselves followed by the full list of nominees and full analysis of how things went down. In the meantime, let’s discuss the “Other” awards, ranging from writing to directing, guest acting to individual performance, and everything in between.

Outstanding Writing in a Drama Series

Trend: The category is usually used to represent the best in episodic television along with the year’s standout pilots. It’s considered one of the best categories, mainly because of said high quality.

Changes: Unlike last year, there’s no show that is going to dominate with a large number of episodes in the tradition of The Sopranos – only Mad Men has a chance at that.

Watch for: Lost’s “The Constant” seems like a lock unless something goes hideously wrong (Even last year, with the show snubbed, they won a nomination for “Through the Looking Glass,” while the Mad Men, Breaking Bad and Damages pilots might represent new series on the list.

Repeat Offenders: Ronald D. Moore was a surprise nominee for Battlestar Galactica last year, so he could be back. Meanwhile, since three Sopranos episodes made the cut last year, there’s room for some returns – David Simon is likely back in the race for the finale of The Wire, for example.

Outstanding Directing in a Drama Series

Trend: A huge, expansive category representing quality drama pilots and standout segments of established series.

Changes: We don’t know if we’ll see yet another seven nomination kudos list, but if we do it means more of the same from the Academy.

Watch for: In terms of the year’s pilots, it’s a pretty safe bet you’ll see cinematic Damages and intoxicating Mad Men on this list (Alan Taylor, who directed the Mad Men pilot, won for The Sopranos last year). As far as other series go, expect Lost’s Jack Bender to pop up again.

Repeat Offenders: Battlestar Galactica could see another nomination here, but Heroes and Friday Night Lights are likely both going to miss the cut. There could be other series, however, that would be more than willing to step in and fill the gap (The Wire and Dexter, in particular).

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