“The Damage You’ve Done”
October 13th, 2010
When Cougar Town changed (for the better), it could have completely ignored its past: considering that Jules dating younger men was a failure, there was every ability for the show to just pack up and move on.
However, while the show did change its focus to the community developing amongst the characters, “The Damage You’ve Done” actively unearths the show’s past. Jules runs into one of her ex-boy toys, someone who I had completely forgotten existed, and the show returns to an event that I had no recollection of which it could have swept under the rug.
And yet, in some ways it’s Lawrence and Biegel showing off: they’re sticking their tongue out at the skeptics, proving that the community they’ve developed is strong enough to withstand explosive secrets. However, at the same time, the episode is not without its consequences, maintaining the sense of weight that the show has carried even as it has established its casual atmosphere.
May 19th, 2010
Jules Cobb loves plans. She makes the argument in “Finding Out” that plans make everything better, an argument which is proven correct as an elaborate plan at the end of Cougar Town’s first season finale ends up working just as she and Grayson had predicted.
Of course, the irony is that Cougar Town is a show which threw out its plan early on in its first season – I’ve written enough about the show’s transformation to not necessarily feel like going over it again (Todd VanDerWerff’s review of the finale nicely captures it, also), but suffice to say that the show is completely different now than it was when it started. However, rather than one plan being replaced by another, the show has largely gone without a plan: sure, Jules and Grayson eventually got together as the show seemed to be gesturing towards, but each episode doesn’t feel like it’s playing into a particular formula, or that it’s forcing characters into particular moulds. Rather, each episode seems like it stems from characters hanging out, or characters dealing with facts of life, or characters just acting like human beings and following their whims.
“Finding Out” has all of the show’s characters struggling to figure out how to manage what is unquestionable a “plot development” which threatens to undermine the show’s sense of laidback stability, and Grayson does come up with a plan that allows them to micro-manage the situation to their benefit. However, the way that plan plays out within the show itself is so wonderfully handled (and the rest of the episode around it so gosh darn fun) that the balance never wavers, and the show handles its transition into a new era and into a second season with the same confidence that it has showed in recent episodes.
In other words, there’s no better time than the present to get caught up for September.
“Here Comes My Girl”
November 25th, 2009
Thanksgiving is a holiday about family, which when deployed in television does one of three things. The first is to emphasize the cohesiveness of a particular group of characters who work seamlessly when brought into the same setting. The second is to emphasize the sheer chaos that results from the show’s personalities coming together, to either comic or dramatic purposes. The third, meanwhile, is to demonstrate that the show is a convoluted mess where bringing the characters together is a futile exercise that will fail to provide interesting television.
What’s helpful for ABC’s 9pm comedies is that both of them have built their identity around the idea of family, to the point where bringing the gang together is like second nature to the two shows. Cougar Town has really started to charm me as of late, and “Here Comes My Girl” is yet another fine episode that brings together this group of individuals into a family of sorts that’s just an enormous amount of fun to watch bounce off of each other. And “Fizbo” is perhaps my favourite Modern Family episode yet, taking advantage of the chaos at the heart of this family and bringing things to a satisfying (and also sort of sweet) conclusion.
It made for a really comforting hour of television comedy, which is what the timeslot has been providing (on average) all season.