Tag Archives: Josh Hopkins

Cougar Town – “The Damage You’ve Done”

“The Damage You’ve Done”

October 13th, 2010

When Cougar Town changed (for the better), it could have completely ignored its past: considering that Jules dating younger men was a failure, there was every ability for the show to just pack up and move on.

However, while the show did change its focus to the community developing amongst the characters, “The Damage You’ve Done” actively unearths the show’s past. Jules runs into one of her ex-boy toys, someone who I had completely forgotten existed, and the show returns to an event that I had no recollection of which it could have swept under the rug.

And yet, in some ways it’s Lawrence and Biegel showing off: they’re sticking their tongue out at the skeptics, proving that the community they’ve developed is strong enough to withstand explosive secrets. However, at the same time, the episode is not without its consequences, maintaining the sense of weight that the show has carried even as it has established its casual atmosphere.

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Cougar Town – “Feel a Whole Lot Better”

“Feel a Whole Lot Better”

May 5th, 2010

In Scrubs’ first season, J.D. and Elliot were two people who should logically be together: they were clearly attracted to one another, they were both young and attractive, and they were the male and female leads on a television comedy series. However, in the span of a forty-minute episodes entitled “My Bed Banter & Beyond,” the two characters decide to embark on a relationship after spending a day in bed having sex and chatting about the future of their relationship. The episode cuts back and forth between their time in bed on that first day and their attempts to make the relationship work in the real world, and at the end (spoiler alert), they realize it was all a mistake, and just as we finally see them part as young lovers on that first day we see them broken apart a few weeks later. It was a really fantastic episode of television in terms of breaking down and psychoanalyzing the show’s decision to not follow through on that pairing, and it was the sort of subtle and effective storytelling that would abandon the show and that relationship until the show’s eighth season.

I was just saying to my friend Colin yesterday that Cougar Town is shaping up into a spiritual successor to Scrubs in certain areas, so it’s fitting that the show would introduce its own play on that episode and its functions with “Feel a Whole Lot Better,” another in a pretty long line of really strong episodes for the show. Playing out the “Will They, Won’t They” outside of the thralls of young love and within the dynamics of two divorcees trying to keep from being lonely for the rest of their lives, the episode plays out the consequences from Jules and Grayson’s hookup last week by having the characters lie to themselves about the dramatic conflict apparent in the story. While the episode skips over some of last week’s subtexts that could have made this even more complicated, they manage to squeeze in a lot of story which transforms last week’s hookup into something definitive.

And thus the transformation from “What the hell is this” to “the new Scrubs” continues.

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Cougar Town – “Everything Man”

“Everything Man”

March 31st, 2010

I feel as if “Everything Man” was written as some sort of ridiculous joke, fitting for the night before April Fool’s Day. My point is not that the episode wasn’t funny, but it seemed like the writer drew three things out of a hat and had to turn them into an episode, or perhaps it was the result if an improv session; they asked for a location and got bathroom, they requested an object and got talking toilet, and they asked for an occupation and got photographer.

I thought the episode had the signs of something that never quite fit together, trying to force too much action into that enormously large bathroom  and never quite bringing together the separate storylines, but the show was having so much fun with its individual parts that I can’t really hold it against them. While some shows try to pretend that they’re more cohesive than they really are, Cougar Town knows when it’s forcing things, and that self-awareness goes a long way to keeping an episode like “Everything Man” moving; the impressive thing, really, is that it ends up a fairly nuanced investigation of the show’s romantic tension by the end of the half hour.

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Cougar Town – “Don’t Come Around Here No More”

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“Don’t Come Around Here No More”

November 4th, 2009

It’s been a while (since, you know, the show’s pilot) since I’ve visited Cougar Town from a critical perspective, as the show has largely stood to serve as background for my Modern Family review writing. There are worse fates for a series, of course, such as not watching them at all, but with Cougar Town I feel as if there’s a definite need to say something about a show that’s been unfairly maligned in some respects and quite fairly attacked in others.

There were moments in the first six episodes of the show that it became the show that some critics and viewers make it out to be, an overacted farce of an insufferable woman dating a younger man. But what I liked about the show was that it was never just that show, never just a show about that particular phenomenon. Instead, the show was about a woman dealing with a lousy ex-husband who remains in her life, an overly critical best friend, a dependent co-worker, a sarcastic son, an antagonistic neighbour, etc. And what makes me stick with the show is that for all of Courteney Cox’s overacting (which is truly bad at points) is that, by and large, I like those character. I like Bill Lawrence’s writing style, I like the dynamic between the different characters (Bobby remaining friends with Ellie’s husband, for example), and I think there’s an engaging show here.

And to be honest, I thought “Don’t Come Around Here No More” brought it out. With Jules’ boyfriend out of the picture, the show becomes a show about a “cul-de-sac crew” rather than about simply Jules’ character, and even elements of the episode which in theory should have amplified Jules’ worst qualities connected for me. It’s still not a perfect series, but this half-hour was a lot of fun and I’m not going to pretend my Modern Family review wasn’t later because of it.

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Series Premiere: Cougar Town – “Pilot”

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“Pilot”

September 23rd, 2009

Pilot season is really kind of an awkward time, when you think about it. If you’re going to be a “breakthrough” show (like Modern Family, which aired before Cougar Town), you need to move outside the bounds of the traditional pilot to surprise and excite. However, part of the nature of a pilot is tempering expectation, creating a template for your series which won’t always be smooth and which in some instances might not even be that compelling. It’s an episode where you open the episode with a conceptual scene that establishes your premise set to a hip indie music selection, and the result can often be a sense that this is “just another pilot.”

But there’s nothing inherently wrong with that. Yes, Modern Family deserves its accolades, but Cougar Town is a solid if unspectacular pilot for a show that has amassed a pretty impressive supporting cast, a fantastic lead actress, and sets up a premise which could on the surface result in diminishing returns and yet could just as easily turn into a really engaging premise for a sitcom. It is certainly not subtle, but with Bill Lawrence behind the scenes and some elements of interest I’m definitely willing to stick around Cougar Town for a while.

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