“The Department of F*cked Up Family Services”
May 3rd, 2010
The challenge of the half-hour series intent on eroding the boundaries between comedy and drama is that a half-hour is not a lot of time. While hour-long series have the benefit of 40-50 minutes in which to draw out key themes or lay the groundwork for exciting climaxes, a show like United States of Tara has roughly 23-26 minutes in which to effectively accomplish the same thing.
In some cases, shows settle with telling less story, accepting that they can’t deal with issues as complicated as series with longer running times, but what’s struck me about Tara this year is that they’re not holding back. Not unlike the second season of Sons of Anarchy, it doesn’t feel like the show is saving stories for future seasons, or drawing things out. They know they don’t have time to waste, and they know the stories they want to tell, so Diablo Cody and Co. are just barreling on through with some pretty substantial success.
In the process, though, the show hasn’t been entirely transformed: the show has a much faster pace than last season, with more sources of conflict and a less predictable central protagonist, but the stories still come from someplace honest, and there are still scenes which feel like quiet ruminations amidst the chaos of it all. “The Department of F*cked Up Family Services” deals with a lot of pent up frustration from previous episodes, but it does so within a structure which manages to tell its own story at the same time – it’s not rocket science, really, but the show has a really strong hold on it this season.