January 25th, 2010
I don’t have a whole lot to say about this week’s new episode of Human Target, which aired in its normal Monday timeslot on CTV and which airs Tuesday at 9pm (due to the State of the Union on Wednesday) on FOX: it’s another fun episode that continues to care very little about believability, but because each hour is its own self-contained 40-minute action film it isn’t really that big of a deal. I don’t have any sort of fancy or complex thematic introduction to my thoughts on the show, so I’ll just suggest that people enjoying the show so far should tune in.
However, I do want to say a few things about where the show sits at the moment, and whether the episodes we’re seeing out of order are adding up to a distinct impression of Christopher Chance and his universe of sorts, so I shall nonetheless analyze the episode after the jump.
January 20th, 2010
Airing out of order, “Rewind” is either trying to complete the trains, planes and automobiles trifecta for Christopher Chance’s various missions or trying to simply put the show’s best foot forward in its second episode out of the gate behind American Idol. I’d be worried if it was the former as the show can only go so far when Chance is trapped on a moving mode of transportation with no chance of escape, but I think the latter is their primary goal here.
And it works really well, because the hour is certainly an improvement over the already solid pilot. Not only does “Rewind” feature one of the most extensive uses of in media res storytelling I’ve seen in television for a while, but it also taps into both the potential comedy and the potential mythology present in the series. It is a ludicrous hour of television from a physic perspective, but in terms of delivering action and suspense while maintaining a light-hearted sense of humour and revealing some deeper shades of Christopher Chance and the work he does the episode is quite successful.
Fox 2009-2010 Fall Schedule
May 18th, 2009
FOX has always performed well in the Spring, but this year they managed to do something they hadn’t in the past: they were smart with their scheduling in the Fall, used House as a lead-in as opposed to a lead-out, and managed to put together two shows (fall debut Fringe and midseason Lie to Me) that were stable enough to earn a spot on their 2009-2010 schedule. They did it with the help of both House and American Idol as lead-ins, of course, but they were intelligent in the way they used those spots, and their Fall Schedule feels more stable as a result.
The question now, of course, is whether they can maintain that momentum, which they will try to do with a highly aggressive schedule that demonstrates that FOX is willing to compete in the Fall…at the risk of running one of its franchises into the ground, throwing one of its new shows out into the wild on its own, and holding its new offerings until midseason.
So even when you think they’ve got the hang of things, FOX has to go and shake things up to prove that, no matter how consistent they may seem at times, they’re always going to pull out a new trick or two.
The full schedule, with my analysis, after the jump – if you’re looking for all the official images and press releases plus plenty of analysis, I suggest you head over to Televisionary where Jace has it all covered.