Tag Archives: 2009 Upfronts

Upfronts Analysis: The 5 Worst Showings of the 2009-2010 Upfronts

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The 5 Worst Showings of the 2009-2010 Upfronts

May 25th, 2009

I am quite aware that there is something problematic about judging series based entirely on quick clips, but in many ways that personifies the upfronts process: it’s about making snap judgments, analyzing a show based on its potential when placed through the advertising machines of its respective network. It is true that there are some shows which are only hurt by this process, but then there are others which are so far removed from anything approaching humour or drama that I really don’t think they can be saved.

As a result, this is not a list of the worst shows during the 2009-2010 upfronts, but rather those which have the longest way to go in order to convince me that somehow, some way, they could be entertaining television. There may end up being more disappointing shows this fall/midseason, or shows which fall apart due to showrunning conflicts, but in their very setups/clips/execution these shows have demonstrated absolutely nothing to convince me that they are worth watching (some shows, like FOX’s Brothers which appears to be just downright awful, is so far off my radar that I haven’t even bothered watching the clips, which may explain its absence).

And so the uphill battle begins.

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Upfronts Analysis: The 8 2009-2010 Shows I’m Looking Forward To

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The 8 2009-2010 Shows I’m Looking Forward To

May 22nd, 2009

Every year when the madness of the Upfronts begins, there’s a deluge of video clips of the various new shows arriving. In some ways, I’m kind of an awful TV critic, since I hadn’t watched a single piece of video from any of the new shows until late last night.

Admittedly, when it comes to scheduling, I often find the various moves and strategies more entertaining than the programming itself (with only a few clips available, and usually very polished ones that hide a show’s flaws), but it just seemed like this year’s upfronts weren’t catching me as it relates to the shows themselves. There wasn’t one big show that, based on its cast or its premise, jumped out at me as something that I would absolutely have to watch, no pilots that I had followed extensively and really wanted to see make it to series, or anything like that. It got to the point where, when I did sit down to start watching video clips, I didn’t expect to find much at all to be excited about.

In the end, though, I ended up putting together a list that surprised me both in its length and its quality. No, there isn’t that one big pilot that really threatens to dominate my TV viewing, but there’s eight shows where based only on clips I’m ready to commit to giving the show a shot in the Fall. I still want a chance to dig into the pilots before making any sort of final judgment, but in the meantime there’s a collection of series which show that, although I don’t think this year’s lineup has one breakout hit in it (I’ll get to why in a second), it is very diverse in its areas of strength.

I’ll get to some of the shows I’m already canceling in my head, as well as those which are going to be pilot dependent, over the weekend, but for now let’s take a look at the eight shows (counting down from 8 to 1, because rankings are fun) I’m excited about for next season.

[Note: I’m not including Glee, since I’ve seen Glee, and you can go to iTunes or Fox.com to watch Glee, and I already know I’m going to enjoy it, and have in fact already enjoyed it.]

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Upfronts Analysis: CBS 2009-2010 Fall Schedule

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CBS 2009-2010 Fall Schedule

May 20th, 2009

If you’re looking for surprises, why the heck are you watching CBS?

It’s the question we face all the time, really, and I’m sure advertisers feel the same way: CBS never really gives them any reason NOT to buy ads on their shows, considering that they are by far the most consistent network, but at the same time they make so few changes every year that it’s hard for the ad buyers (or us as critics) to really get excited about what they have to offer.

Their new shows are really the only thing of much interest usually, but admittedly I think that their schedule changes this year are quite perplexing and worthy of some analysis. CBS is a network that is trying to maintain their existing image while building new hits, but two decisions in particular are quite strange and indicate a sign that CBS is trying to look further into the future than it might seem like at first.

Full schedule and analysis after the jump.

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Upfronts Analysis: NBC 2009-2010 Fall Schedule

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NBC 2009-2010 Schedule

May 19th, 2009

NBC is not a network of surprises: it announced its new shows at its Infront presentation, we’ve known about Jay Leno moving to 10pm for ages, and even Chuck’s renewal was something that was pretty well guaranteed before today’s upfronts presentation. At the same time, the network’s schedule is perhaps the most interesting of the major networks since, with less primetime real estate than CBS or ABC, they are working on a whole new schedule and forced to make some important decisions.

It’s a better schedule than I expected, to be honest: yes, the network has been forced to make some tough decisions (My Name is Earl and Medium cut, but potentially returning on another network – FOX and ABC interested in Earl, CBS likely to pick up Medium), but they’ve been pretty smart in how they’ve scheduled everything else. With smart strategies for launching their new comedies, and one last attempt at seeing whether Heroes’ audience is capable of serving as a lead-in, NBC has at least leveraged what momentum they have going into this year (not much) to try to create a schedule that could keep them out of last place.

Even with all that work, though, ten to one Leno ends up keeping them there.

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Upfronts Analysis: ABC Fall Schedule 2009-2010

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ABC Fall Schedule 2009-2010

May 19th, 2009

ABC is the one network this year whose strategy appears to be “let’s order a ridiculous number of new shows,” which is really quite interesting in this economic climate. The network isn’t in a bad position, per se, but its been through a rough development patch where this past year brought the failure of three out of four of its major sophomore series (Private Practice being the only survivor) as well as the failure of all but one of its midseason replacements (Castle being the only one who managed to pull it together, and even then only with the support of the Dancing with the Stars lead-in). Their staple shows have remained fairly strong, with Lost, Grey’s Anatomy, Desperate Housewives and Brothers & Sisters all remaining solid performers despite industry-wide drops in ratings, but they were in need of some new blood.

Their solution, however, is going to be a rather interesting experiment, especially when we consider the way in which the network is programming those new series, and just how many of them they have working for them: ordering a mix of legal, procedural, and science fiction dramas on top of four (count ’em) four new comedies, the network is banking on people being ready to laugh and, more importantly, to embrace shows in the 10pm timeslot with NBC out of the running.

Let’s take a gander at the highlights, shall we?

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Upfronts Analysis: Fox 2009-2010 Fall Schedule

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Fox 2009-2010 Fall Schedule

May 18th, 2009

FOX has always performed well in the Spring, but this year they managed to do something they hadn’t in the past: they were smart with their scheduling in the Fall, used House as a lead-in as opposed to a lead-out, and managed to put together two shows (fall debut Fringe and midseason Lie to Me) that were stable enough to earn a spot on their 2009-2010 schedule. They did it with the help of both House and American Idol as lead-ins, of course, but they were intelligent in the way they used those spots, and their Fall Schedule feels more stable as a result.

The question now, of course, is whether they can maintain that momentum, which they will try to do with a highly aggressive schedule that demonstrates that FOX is willing to compete in the Fall…at the risk of running one of its franchises into the ground, throwing one of its new shows out into the wild on its own, and holding its new offerings until midseason.

So even when you think they’ve got the hang of things, FOX has to go and shake things up to prove that, no matter how consistent they may seem at times, they’re always going to pull out a new trick or two.

The full schedule, with my analysis, after the jump – if you’re looking for all the official images and press releases plus plenty of analysis, I suggest you head over to Televisionary where Jace has it all covered.

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