Tag Archives: NBC

30 Rock – “Sandwich Day”

“Sandwich Day”

May 1st, 2008

If there was something that I was missing in the first batch of post-strike episodes of 30 Rock, it was whimsy: while there was plenty of humour, there were few instances where the show was moving at the same pace that it had in the past. It hasn’t been poor, not at all, but this was the first time that things were moving at the same speed as we’ve seen before.

This week, everything just felt lighter: Liz felt more silly (in a good way), Jack felt more panicked, and the storylines felt like they were on a level that matched the usual madness of the storylines. To this point, it felt like the plots didn’t match the tone, and here we are with an episode that seems right.

That’s not to say it’s better than what we’ve seen: Floyd’s return pales in comparison to Dennis’, there was nothing close to last week’s expanded Amadeus metaphor, and the drinking contest storyline was fairly slight compared to some of the others we’ve seen. However, it was a breezy and enjoyable half hour nonetheless.

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The Office – “Night Out”

“Night Out”

April 24th, 2008

So, yes, I am extremely late blogging about the most recent episode of The Office. This isn’t because I didn’t like it, but rather that after a long, long day of packing and moving things I didn’t particularly feel like watching anything that I knew I would be viewing critically (It’s inevitable). As a result, I chose to watch the second season of Project Runway (Which, now that it won a Peabody, doesn’t qualify as a guilty pleasure), and only last night sat down to glimpse at the latest The Office had to offer.

I was admittedly quite satisfied with the episode, as it demonstrated the show’s willingness to step outside of the Office while maintaining the character interactions that make the series function. It was great to see a corporate falling out that actually makes sense (Why couldn’t we have had that for Jan?), and the office storyline was slight but certainly demonstrative of a side of Jim and Pam which we rarely see.

And there’s really not much more to say: it was funny, it was entertaining, and it showed some interesting sides of characters. But, let’s go into a bit more detail, shall we?

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30 Rock – “Succession”

“Succession”

April 24th, 2008

I’ll be getting to Office and Grey’s Anatomy in the morning (Depending on how the last one strikes my fancy, same goes with Ugly Betty for that matter), but on this ridiculously busy night of television I certainly think that 30 Rock wasn’t on its game all the way through. I admittedly was a bit distracted by the thrilling conclusion to the Montreal Canadiens game, but something about “Succession” didn’t, quite, succeed.

The return of Will Arnett is certainly a strong development, and he was delightful as usual, but the storylines never quite clicked in this one: Tracy had nothing to do, Liz was totally out of character (And slightly too far for it to remain funny throughout), and the succession storyline was too predictable by half. And yet, then someone saved the day in a billowing cape.

It was Dr. Spaceman in a brilliant scene (And apparently a sendoff of Amadeus, I hear?)

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30 Rock – “Subway Hero”

“Subway Hero”

April 17th, 2008

When I say “Hero,” you say “Dennis.”

Okay, so that’s a bit oversimplified, but tonight’s episode of 30 Rock was certainly a return to form after last week’s funny, but off-balance, return. In retrospect, “MILF Island” had some good humour, but its central reality show parallel felt unnecessary and forced at the end of the day. Part of the show’s charm is how breezy everything is, that things fall into place and storylines weave in and out with little respect for the laws of traditional act structures. Ultimately, although it was the point of the episode, the traditional reality show arcs just don’t have the same effect.

However, with the return of Dennis the Beeper King came hope, a whirlwind of an episode that benefited greatly from a little extra polish around the edges. While it still feels as if the episode didn’t quite finish off, with Guest Star Tim Conway never quite integrating into the central storyline, it was funny, quick and smart (On a general level, as the sum of its parts) from beginning to end, something that can’t be said of last week’s episode.

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The Office – “The Chairmodel”

“The Chairmodel”

April 17th, 2008

On its surface, and in its synopsis, “The Chairmodel” was about Michael Scott overcoming an offscreen breakup with Jan by pining over a model he finds in a catalogue. On the surface, his immediate attempt to get the entire office to set him up seems like the typical office scenario: Michael makes a fool of himself multiple times, we all laugh, Dwight plays along, and then Michael comes to a false epiphany that is just so twisted it hurts. It’s a formula that works, and it was nice to return to this type of strong structure that is indicative of the latter fall episodes.

But, leaving the episode, is anyone really thinking about Michael? After Pam’s landlord was given reason to hate Pam forever, the real story kicked in: Pam pondered moving, Pam tested the waters for moving in with Jim and that she wouldn’t do it if she was engaged, and then Jim did it: he said it was coming. An engagement, he said, was going to happen – Pam played along, but her face right afterwards showed some trepidation. And then Jim, in a talking head, says he wasn’t kidding, pops out a ring, and then saying the most twisted thing of the entire episode:

“I bought it a week after we started dating”

Which may be the most compelling argument ever that Michael and Dwight might not be the dumbest people on this show after all.

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Le Cheval Mort – Lamenting the Immortality of ‘Scrubs’

I had time to watch Scrubs’ return episode live on Thursday of last week, but I turned off the T.V. after The Office ended. There were a lot of reasons for this, most directly that I’ve been watching Scrubs on DVD for the past couple of weeks and was perhaps Scrubbed out. Or, maybe I was too afraid that the relative lack of quality in recent episodes would make me even more frustrated with ABC’s inevitable decision to keep the show for an eighth season (Thus making it a dead horse, which is what the title means in French – no, I don’t know why I wrote it in French, it just sounded better).

Watching the DVDs has been a quick process, almost too quick: I know the tragic turn of the 5th season is coming, and I’m stopping before it starts just to maintain what appreciation I have of Bill Lawrence’s sitcom. And it is an appreciation: the first and second seasons are great television, and it was really unfortunate the show got no Emmy attention until the “dark ages” beyond season four (Which is itself a bit of a mess).

But I decided I was going to give the show a shot, and say down on Sunday night to watch the show’s return following the Writers’ Strike. And, for a good nineteen minutes and fifty seconds, I have to admit it: Scrubs was in good form.

And then reality kicked back in.

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The Office – “Dinner Party”

“Dinner Party”

April 10th, 2008

Although I don’t particularly want to watch last night’s episode of 30 Rock again before writing a review, I’m going to have to in order to find at least one good thing to say about it. In the meantime, however, the more positive note of the evening (outside of the Montreal Canadiens’ 4-1 victory – woot) is the return of The Office with a difficult task: how does one live up to what was finally the first home run of the season, the pre-strike finale featuring Michael and Jan’s boardroom standoff?

You could tell that they were returning from the Strike – there wasn’t a great sense of time, and the events of the boardroom were only vaguely mentioned. That is the real struggle of the strike, a loss of momentum amongst the storylines that often tie the series together. There was one area where they picked up the slack, though, which I’ll get to after the jump.

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Deeply Superficial: Why NBC is the Prettiest Network on Television

[Due to a lot of commitments I’m a little late getting involved, but there’s still time for everyone to go back and enjoy South Dakota Dark’s Deeply Superficial Blog-a-Thon. I might be jumping in at the end, here, but many others have been busy throughout the week, so check out Todd’s index posts for all the details. In the meantime, here is my own contribution.]

NBC: Television’s Prettiest Network

If there is something to be said about Peacocks, it’s that their beauty is pretty much their only defining quality. It’s not as if a peacock does anything interesting outside of being attractive to look at – they don’t seem to have a personality or a story, but rather a lot of pretty feathers.

Now, I won’t say that this is true of the entirety of NBC’s television lineup, of which there are some shows I greatly enjoy (See: The Office, 30 Rock). However, they also have a bunch of shows where people are ridiculously attractive, beyond any sense of reason even. It makes NBC’s series flashy in a way that is honestly disarming – if people were this attractive in my life, I’d probably want people filming it at all times…although I’d probably detract from the process.

[Note: The following are the Top Five Prettiest Shows on NBC, ranked by a combination of level of superficial attractiveness and the level of guilt I would have if they ranked above #3 on any list I ever create. As a result, the most superficially pretty series might not be #1, because it would destroy my soul.]

5. ER

It is no coincidence that George Clooney emerged from within the world of NBC’s central medical drama, a rife location where enormously pretty doctors work in order to save the lives of famous guest stars. What I always enjoy in my brief forays into the world of ER is when they try to depict one of their characters in a gritty scenario, hiding their beauty in order to emphasize the dire situation at hand. However, let’s give credit where credit is due: the people on ER look closer to real-life doctors than say the enormously pretty Grey’s Anatomy cast.

Sidenote: STAMOS!!!

4. Heroes

When Heroes began, its two biggest heartthrobs were Ali Larter, the duplicitous Niki/Jessica, and Milo Ventimiglia, who portrayed the all-powerful Peter Petrelli. And, while I think that Peter has certainly had his moments, it is no coincidence that the series’ two prettiest individuals have become some of its most redundant and frustrating from a storyline perspective. Mainly Niki. Ugh.

Hayden Panettiere, who portrays the young cheerleader Claire, is perhaps the next down the line, and her storyline has been a frustrating fluctuation between great (See: Company Man) and awful (See: Most of the 2nd Season). I don’t really know how her prettiness relates, exactly, but I’m sure there’d be an equation if I had time to really delve into it. On the whole, Heroes is an attractive series, but attractiveness isn’t exactly a sign of an enjoyable character.

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Friday Night Lights – “Humble Pie”

“Humble Pie”

January 25th, 2008

The WGA Strike afflicting Hollywood was supposed to be a blessing of sorts for Friday Night Lights, as it stands as one of the only series left with a considerable number of episodes in the can. However, it is obviously also a curse, as “Humble Pie” came across as a stagnant filler episode that provided (attempted) payoff for contrived storylines introduced in the previous episodes.

This is not to say it was all bad: I was happy to finally return to the world of Jason Street, and the Landry storyline was effectively charming to allow me to ignore the lack of post-traumatic stress in his vicinity. But, they were mere sidenotes in an episode that otherwise didn’t seem to go anywhere, and never really settled on what it wanted to be (What DOES Friday Night Lights think it is, anyways?). The result was something that, really, someone could miss and not really mind all that much. And that’s not the Friday Night Lights that can leverage this strike situation.

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Season Finale: Chuck – “Chuck Versus The Marlin”

“Chuck Versus The Marlin”

January 24th, 2008

I’ve decided to actually post this after the episode airs, as a courtesy considering that it is a bit of a suspenseful ride of sorts. After “Chuck Versus The Undercover Lover” was amongst the best episodes of the series yet, it’s hard not to see this as a bit of a step backwards in terms of its comic timing in particular. The first episode was certainly funnier, and perhaps more enjoyable, but I think that “Chuck Versus The Marlin” is nonetheless an important and entertaining episode of the series.

It’s particularly strong as a cap of sorts to the first 13-episodes of Chuck’s existing 22-episode order. Both of these episodes do an admirable job of marrying the show’s three elements (Chuck’s Spy Game, Chuck’s Family, the Buy More), and here it comes together in a plot that seems meaningful at this stage of the season. I worry that things will prove largely repetitive if this formula continues, and I hope that the magical hopefully seen this season back nine addresses this, but for now it’s a solid if unfortunately early season finale for the series.

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