February 10th, 2011
Perfect Couples is, ironically enough, rife with terrible couplings, or at the very least dichotomous components. The theme song, from Carl Newman of The New Pornographers, is catchy to the point that I want it for a ring tone; the opening credits, meanwhile, are a hideous mess. I am legitimately a “fan” of Kyle Bornheimer, while Olivia Munn is quickly becoming a form of kryptonite. The show is all over the map, and thus each episode becomes about parts rather than the whole; however, since the show actually wants it to be about the whole in the way it links the three couples together, there’s an inherent tension there that makes watching, and liking, the show quite difficult.
And yet I sort of like enough of it to be on board. “Perfect Jealousy” isn’t brilliant, and parts of its broad humor don’t work, but I wonder if this might be as close as we can get to balance in the force.
“Chuck vs. the Anniversary”
September 20th, 2010
I didn’t realize it until I sat down to write this review, but I think this might be the last weekly Chuck review for quite some time here at Cultural Learnings.
This is not so much a reflection of the relative quality of “Chuck vs. the Anniversary” as it is a reflection of what kind of show Chuck has become over the past season. When I posted my review of NBC’s Chase earlier today, someone commented that Chuck similarly lacks character and consequence: they were joking, of course, but the latter point (consequence) stuck with me heading into tonight’s premiere.
This is still a show I enjoy, and a show I plan on continuing to watch, but I think Chuck has reached the stage where it no longer interests me critically. The season seems like it is onto a solid start, but it is a start which takes absolutely no risks, taking some potentially interesting new ideas and quickly absorbing them into the show’s existing structures.
And as pleasant as that is, I think it might be the point at which weekly reviews no longer feel like a good use of my time.