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Season Premiere: Torchwood: Miracle Day – “The New World”

“The New World”

July 8th, 2011

It’s a familiar story by now: like a large number of other critics, Torchwood was pretty far off my radar until Children of Earth (which I reviewed here), the show’s third series/season that took the critical world by storm. In fact, I saw Children of Earth before I started watching Doctor Who, so it also stood as my first engagement with Russell T. Davies and the somewhat spirited debate that surrounds his televisual output.

Miracle Day, the subtitle for the show’s fourth series/season (although I guess season might be more apt given that it is aired in the U.S. ahead of its U.K. premiere), comes with a great deal more baggage. While I believe Children of Earth would stand on its own merit, I do think that the element of surprise was part of its appeal two years ago. Not many shows suddenly make a dramatic leap in quality in their third season, and the unique miniseries structure (five parts airing over five days) made for a real sense of “Event” programming that stood out in the crowd. It wasn’t just that Children of Earth was good, it was that it seemed perfectly designed to make a real statement, a statement that creates definite expectations for Miracle Day.

In truth, those expectations are sort of unfair for two reasons. The first is that the show is returning to a weekly format, and a ten-episode format, which means that the pacing of the show will be dramatically different – this isn’t going to come out of the gates with the same swagger, which will likely dampen its impact. The second, meanwhile, is just a matter of hype: thanks to the increased attention created by Starz’s involvement in the production and critical appreciation of Children of Earth, this project has been on the North American cultural radar. Going into tonight’s premiere, I pretty much knew everything that was going to happen, meaning that “edge of your seat” was transformed into a much more passive viewing experience.

This is not to say that “The New World” isn’t good television, or that the show is heading in a weak direction, but there’s just nothing here to really make us sit up and take notice – instead, we’re meant to sit back and enjoy the ride, which does reveal some of the procedural mechanisms that get Miracle Day off and running…or, more accurately, jogging. However, at the same time, there are some questions related to the production of the miniseries that are somewhat intriguing in their deployment here, which is what I want to discuss in relation to tonight’s premiere.

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Perfect Couples – “Perfect Jealousy”

“Perfect Jealousy”

February 10th, 2011

Perfect Couples is, ironically enough, rife with terrible couplings, or at the very least dichotomous components. The theme song, from Carl Newman of The New Pornographers, is catchy to the point that I want it for a ring tone; the opening credits, meanwhile, are a hideous mess. I am legitimately a “fan” of Kyle Bornheimer, while Olivia Munn is quickly becoming a form of kryptonite. The show is all over the map, and thus each episode becomes about parts rather than the whole; however, since the show actually wants it to be about the whole in the way it links the three couples together, there’s an inherent tension there that makes watching, and liking, the show quite difficult.

And yet I sort of like enough of it to be on board. “Perfect Jealousy” isn’t brilliant, and parts of its broad humor don’t work, but I wonder if this might be as close as we can get to balance in the force.

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