Tag Archives: Project Runway

Project Runway Canada Season Two – “Episode Three”

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“Colour Me Right”

February 10th, 2009

Some people design for night. Some people design for day. Other people…well, other people design future sailor pants.

This is pretty much the story of the third episode of Project Runway Canada’s second season, a dreaded group challenge really demonstrating the kind of dividing lines that we’re used to seeing. It’s a really smart challenge for actually testing these people: not only do they have to begin considering how to design for both day and night, but having a specific client experience with a colour palette and everything also lets the judges see if any of these people are in fact colour blind. Combine it with placing them into pairs to see if their design skills can handle the pressure, and it shows us a new side of these designers.

The thing is, though, that it was actually enormously predictable: no one here showed any real progress, and at the end of the day you could have called this one from the moment the teams were picked. This group might shows some potential, but I’m not convinced there’s much growth potential outside a core group.

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Project Runway Canada Season Two – “Episode Two”

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“Claim to Fame”

February 3rd, 2009

Early in the season’s second episode, Jessica observes that something is beginning to change around these parts: after the first week where everyone was concerned about staying, they enter into one of two modes. They either, like Jessica and a few others, switch from survival mode to awesome mode, or they switch into a mode where all they have is personality-driven drivel. It’s a sad existence for those few, and it is not very surprising that they are amongst those who are almost out the door by episode’s end.

They might be designing a dress for Elisha Cuthbert, but considering that her requests are for a dress for a “night on the town” it’s not like this makes her very special. Instead, it’s a test of the designers’ ability to design a simple dress in a way that isn’t too ugly, and that isn’t too much for them to handle. It isn’t surprising, really, that it is the people who spend more time feuding and ranting during the conception phase are those who can’t put together a dress to save their lives in the end.

But in the end Jessica is right: we don’t get much of a sense of any major design emergences here, instead focusing more on personalities. And considering that they’re dressing a celebrity, I guess it makes sense to focus on some of the people only concerned about trying to become one through the world of reality television.

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Season Premiere: Project Runway Canada Season Two – “Episode One”

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“Fashion is a Battlefield”

January 27th, 2009

[If you’re looking to view the episode online, you can do so at Global’s website, but only if you’re in Canada. If you’re outside of Canada, well, be patient!]

My first experience with any sort of Project Runway was, for a brief moment, stumbling upon an episode of Slice’s Project Runway Canada wherein they were making dresses out of umbrellas. I only watched for a few minutes, but it looked intriguing enough. Eventually, I decided on a few recommendations that I should give the show a try, and I ended up going through three seasons of the U.S. edition during the first half of last year. The show is simply a strong reality competition series: there’s a reason it won a Peabody, after all.

But Project Runway Canada, which I went back to and completed as I was waiting for new episodes of the fourth U.S. season to begin, was in itself an entertaining project. Done on a fairly small network but featuring high production values, there were even things about this particular import that I preferred to the original version. It has a supermodel host (Iman, Mrs. David Bowie), it has a mentor who is respected in fashion circles and quite affable (Brian Bailey), and it has judges that, while not particularly famous, still have those kinds of quirks that make them the right people to be judging these contestants. The show at no point felt like a low-rate ripoff of the original, for one, but more than that had its own identity that kept me engaged until, eventually, Biddell walked away the winner.

It’s been a long time since that finale, and Project Runway Canada has made it to the bigtime with a primetime slot on National network Global. The parts are more or less still the same, but the location has been altered (the show moves from Toronto to the nation’s capital in Ottawa), and the new contestants have not yet really emerged with any sort of identities. The show had some lucky casting last time around, and while the jury is still out on that the things that made the show stand out for me remain: this is a no nonsense, straightforward, well-produced and entertaining piece of reality competition programming, Canada or no Canada.

And apparently, it’s also a show that was designed to break people both mentally and physically, as fashion really is a battlefield in the show’s first episode.

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The 2008 Television Time Capsule: Project Runway – “Season Four Finale”

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“Season Four Finale”

Season Four, Episode 14

Airdate: March 5th, 2008

I was watching Definitely, Maybe over the holiday break, a charming film that I quite enjoyed, but it fell into a rather frustrating cliché. Narrating a story to his daughter about the dark ages that were the early 90s, pre-internet and pre-cell phone as it was, he adds that it was also a time without reality television.

I am aware that the vilification of reality television is neither new nor entirely unwarranted, but I remain perplexed that people are still unwilling to differentiate between good reality television and bad reality television. This idea that it is some sort of scourge was, indeed, a potential truth when every network was parading out show after show, but that pattern seems to have largely ended: not only is America’s taste for the genre subsiding, based on recent trends, but what shows have survived have for some reason stood the test of time.

I decided to limit myself to one reality television show for the time capsule (partially as a punishment for the Emmy hosting disaster), and the decision ended up being easy: Survivor has the ratings, The Amazing Race has the Emmys, but Project Runway has a Peabody Award and the distinction of being the show that perhaps surprised me most in 2008. While it was late last year that I discovered it for the first time, since then I’ve watched five seasons (if we count Project Runway Canada) and continue to be impressed.

Yes, the fourth season was far superior to the fifth, and the show is not immune to some of the casting issues that plague most reality series, but by the time the designers get to Bryant Park I care more about fashion than I ever thought possible. More than any other reality show I’ve seen, talent is a deciding factor: while some challenges lead to unfair eliminations based on some wacky expectations, both seasons airing in 2008 ended with winners who felt like they had been on a journey and matured as a designer along the way.

In picking a single episode, it is very easily the show’s fourth season finale, the victorious moment for flamboyant Christian Siriano. The show’s youngest and most cocksure designer, he emerged as a true sensation: talented, entertaining, and full of one-liners and catchphrases. The show’s fifth season largely felt so dreary because everyone, compared to Siriano, felt like an imitation.

But Runway never feels that way, charting its own course in the reality television waters and being all the better off for it. The show is also memorable this year for its off-air wranglings, with Bravo and Lifetime fighting over rights to the series and delaying Season 6. When that is eventually resolved, let’s hope the series stays on the right track.

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[For more details on the Cultural Learnings 2008 Television Time Capsule, click here!]

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Cultural Learnings’ 2008 60th Primetime Emmy Awards Predictions

Last year, during this important period of the pre-Emmy festivities, I had a bit more time to really delve into some key issues. This year, things are busier, but that doesn’t mean that I’m not going to make some prognostications about the end results. I’m going to be discussing more themes and the like tomorrow in my Emmy Preview, but for now let’s get to what we really care about: predicting who is actually going to walk home with Emmy Awards.

Outstanding Drama Series

  • Boston Legal (ABC)
  • Damages (FX)
  • Dexter (Showtime)
  • House (FOX)
  • Lost (ABC)
  • Mad Men (AMC)

There is some wiggle room here, as each some has something (Pedigree, viewership, buzz, etc.) that makes it stand out, but there is nothing on this list quite as emphatically received and, more importantly, different from your standard fare than Mad Men. I’ll discuss more of this tomorrow, but its combination of a small network, a small fanbase, fresh-faced actors and its attention to detail will be unstoppable.

Lead Actor in a Drama Series

  • James Spader (Boston Legal)
  • Jon Hamm (Mad Men)
  • Michael C. Hall (Dexter)
  • Hugh Laurie (House)
  • Bryan Cranston (Breaking Bad)
  • Gabriel Byrne (In Treatment)

This is a category where only one thing is important: that James Spader finally loses. Either Hamm, C. Hall or Laurie are in a position to usurp last year’s winner, and I’ve got my money on Michael C. Hall. After getting snubbed here last year, and with his show in the big race, voters might choose to recognize his brave and fantastic performance even when the show itself loses them with its dark atmosphere. But, this is maybe the night’s most up in the air race.

Lead Actress in a Drama Series

  • Sally Field (Brothers & Sisters)
  • Kyra Sedgwick (The Closer)
  • Holly Hunter (Saving Grace)
  • Glenn Close (Damages)
  • Mariska Hargitay (Law and Order: SVU)

This race, however, is not up in the air at all. Its highly serialized nature and red herring use might keep it from being the best drama series on television, but there is no way that Emmy Voters can ignore Close’s pedigree with such a richly portrayed character (even if I’d argue that character isn’t nearly as important as voters might think it is to the show’s success).

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Cultural Learnings’ 2008 60th Primetime Emmy Awards Nominations Predictions

When I started my Emmys coverage for this year’s ceremony a while ago, I (as always) had a lot of plans: previews of every category (Got through a lot), reviews of every submitted episode (Almost got through those), and all sorts of other grand schemes that never come to fruition. This is the nature of being a television critic of sorts: you have a lot to say, but balancing it and the rest of your life (See: Watching Television, clearly) can be a bit of a challenge. Let it be known I took most of that free time doing my duty and finally watching shows like The Wire, Six Feet Under and Flight of the Conchords.

However, there’s no way I could possibly procrastinate on writing up my various predictions. Predictions are one of those things that I think about more than I write about (I tried writing more this year, and after a while it petered off). Great sites like AwardsHeaven or Coco at the Movies or TV with Abe keep detailed lists for weeks or months ahead of time updating when the Top 10s come out, but I tend to ruminate a bit more introspectively. We’ll see how that goes this time around, when our access to the Top 10 lists for various categories makes this task easier, yes, but also far more competitive. But, I’m not in it to win it, so to speak; I’m just an Emmy fanatic who enjoys the thrill of participation.

So, without further adieu, my predictions for the nominations for the 60th Primetime Emmy Awards.

Outstanding Drama Series

  • Boston Legal (ABC)
  • Damages (FX)
  • House (FOX)
  • Lost (ABC)
  • Mad Men (AMC)

This is a very hard category to call, and admittedly I’m following my own interests here: there’s every chance of Grey’s Anatomy replacing Lost on this list based on its popularity alone, but something tells me that Lost’s episode submission (The fantastic “The Constant”) will elevate them through. Mad Men and Damages represent the new crop of summer cable hits, while Boston Legal and House should ride baity submission and Hugh Laurie, respectively, to nods.

Lead Actor in a Drama Series

  • James Spader (Boston Legal)
  • Jon Hamm (Mad Men)
  • Michael C. Hall (Dexter)
  • Hugh Laurie (House)
  • Bryan Cranston (Breaking Bad)

The first four are pretty much locks: while his show is too bloody to make it into major categories, Hall’s Emmy pedigree and the fantastic nature of his performance should get him the nomination he deserved last year. Meanwhile, “should have won before” Laurie and newcomer and Golden Globe winner Hamm will try to dethrone undefeated Emmy king Spader, and that last slot is up for grabs. I’ve gone with Bryan Cranston’s brave performance in the AMC series, one I need to finish watching at some point (Only got through the opening two episodes). Gabriel Byrne is the other option, but I believe that if Cranston made the Top 10 people were watching, and he would have performed well on the panels.

Lead Actress in a Drama Series

  • Sally Field (Brothers & Sisters)
  • Kyra Sedgwick (The Closer)
  • Holly Hunter (Saving Grace)
  • Glenn Close (Damages)
  • Mary McDonnell (Battlestar Galactica)

Those following the Emmy race will sigh at that last name – while the first four are more or less locks based on name recognition and showy performances, the fifth candidate in this category is somewhat more open. However, with previous nominees like Mariska Hargitay and Minnie Driver waiting in the wings, the chances of an actress from a science fiction series breaking through are slim. However, frak that kind of logical thinking: I want to have hope, for once, that they’ll see through the Science Fiction and discover a tremendous performance that is worthy of consideration.

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My Boys – “The Shirt Contest”

“The Shirt Contest”

June 26th, 2008

Having just jumped on the My Boys bandwagon in the past week, this is the first time I’ve been able to catch an episode on the night of its airing. It’s a pity, then, that it was an episode that was so slight, a mere distraction with a central reality show parody that never quite clicked for me. There’s three storylines here, and none of them are really given anything to do. While I don’t miss PJ’s insipid Baseball cliches that opened each episode, part of me does miss episodes that felt more cohesive.

That’s not to say that the episode wasn’t funny, nor that the storylines are on a poor trajectory – rather, the pace of the storylines just seems a bit too slow. After they spent an episode in Italy, and spent last week with PJ searching for a man, it seemed like things were rebooting this week, and the result is less Andy (Never a good quality in an episode) and more of Brendan and PJ’s newest career moves.

And in one case, this is good news for an oft forgotten character; in the other, it’s an odd half-storyline that feels like we’re waiting for a payoff.

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