Review: NBC’s The Event
September 19th, 2010
What is the function of mystery?
You might feel that this is a particularly silly question, but I think that television producers are beginning to misinterpret just what makes mysteries a key component of television drama. Yes, the most basic definition of mystery is uncertainty, so there is a certain value to keeping your audience guessing throughout your narrative. However, mystery is about more than guesswork and confusion; it is about suspenseful situations, and about the way each individual character responds to their uncertainty. In other words, a good mystery isn’t an elaborate conspiracy unfolding in fractured narratives designed to obscure the truth; rather, a good mystery is one which the viewer experiences as opposed to one which has been explicitly created for their consumption, one where the characters and the audience share the same feelings of suspense or uncertainty as the series continues.
This is all a fancy way of saying that NBC’s The Event – which debuts at 9/8c on Monday, September 20th – is a show which tries so hard to be mysterious that it loses track of basic principles of storytelling: with a chronology designed to confuse, and with characterization that ranges from vague to non-existent, there is nothing for the viewer to latch onto but the elephant-sized mystery in the room. And yet by organizing the pilot as a series of neon signs with flashing arrows pointing towards the mystery, the manipulations necessary to create said mystery become readily apparent, and render The Event an exercise of zeitgeist-chasing self-indulgence.