Tag Archives: Television

Brothers & Sisters: “The Feast of Epiphany”

“The Feast of Epiphany”

January 13th, 2007 

In my current insomnia, brought on by a mutating cold that just won’t go away without a fight, I figured I’d take the time to comment on last night’s episode of Brothers & Sisters. The danger of this January strike situation is that some shows are returning with almost no notice – in the case of this series, I had completely forgotten it was scheduled to return. The show’s general success in the ratings demonstrates that viewers certainly didn’t tune out, but the fact remains that this one flew a little under the radar.

The whole point of the episode, of course, was that things can only fly under the radar for so long before they will blow up in your face. The episode dealt with the aftermath of McAllister’s war heroism being called into question, and then the whole slew of other underlying secrets and lies floating around. It also opened the door for an incestual potential relationship to lose its taboo, while also giving me false hope that we’d be saying goodbye to one of our regular characters. It was a busy, and ultimately fulfilling, hour of television.

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The “Winners” and “Losers” of the 2008 Golden Globes Awards

Last night, the 2008 Golden Globes were a ludicrous and fascinating experiment of NBC’s incompetence (Sepinwall tears them a new one here) and a sense that what we were watching was memorable not due to any of the winners but rather because it was just difficult to watch. I tried to LiveBlog it, which was a horrible mistake in every possible way, but it did get me thinking about something.

You see, usually we consider the concepts of Winners and Losers in terms of who won awards, but that really isn’t the question here. The real concern is that by not airing the awards, some of the Golden Globes buzz which could benefit these performers in their future award races or in their future ratings/DVD sales. The lack of hoopla actually hurt some of the winners, dampening the effect of what would have been an entertaining surprise victory.

So let’s look at a bit of an unconventional concept of “winners” and “Losers” after last night’s intriguing events.

Winner – 30 Rock

Yes, it lost Best Comedy Series. And yes, it also ludicrously lost Best Actor in a Comedy Series when David Duchovony beat Alec Baldwin. But Tina Fey’s victory shows that an American-made, New York shot comedy series with little to no connection to the international markets (Although Interrogation Bear might differ) is capable of winning even when it’s not Alec Baldwin, which may end up as all of the respect that the HFPA has to give.

Loser – Mad Men

I would have paid money to see the stunned reaction of the partying attendees to Jon Hamm’s win as Best Actor in a Drama Series, but instead we got Billy Bush’s quip about how it was humorous for an actor to have the name “Hamm.” The impact was entirely gone – it was a great endnote for critics and those who enjoy fine television, but the general population will easily shrug off both Hamm’s win and the series’ eventual triumph in Best Drama Series. Still, this is a qualified sense of loser – it’s a winner in my mind, certainly.

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The Amazing Race – Season 12, Episode 10 – And Then There was Three…

“Sorry, guys, ‘I’m not happy to see you’”

January 13th, 2008

There’s no suspense in the opening this week: Phil flat out tells us that someone is going to be eliminated tonight. It’s time to narrow us down to the final three, and there’s no team with an easy ride – Ron and Chris have been working well as of late, but they still have their issues. However, it becomes clear early on that the real battle is between the slow, the bickering and the disadvantaged.

Donald will invariably hold back Nicholas, although the team has persevered through worse. Nathan and Jennifer are fine under normal circumstances, but the least bit of pressure destroys their relationship. And TK & Rachel have a Speed Bump standing in their way, along with a three hour disadvantage. Who will fall behind? Who will live to see next week’s finale? Read on to find out.

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And the Winner is…The 2008 Golden Globe Awards LiveBlog

9:00pm: Welcome to the “Golden Globes Winners Special,” which is just a terrible name for this thing. Also of note: someone from NBC is in Nova Scotia (I, for the record, am also in Nova Scotia), which means that nominee Ellen Page is most certainly winning this evening. That’s good to know.

9:01pm: A seriously melodramatic opening here which leads to…the tackiest set ever with Access Hollywood setpieces. That’s…ugly.

9:03pm: It’s now time for analysis straight from the morning talk shows, as the cast of Access Hollywood begin with the nominees for Best Supporting Actress. And, wow, these graphics are awful. It’s Blanchett, Roberts, Ronan (Atonement), Ryan, Swinton – it’s Ryan or Blanchett in this case, methinks.

And the winner is…Cate Blanchett for I’m Not There, a strong precursor for her when she struggled in the critics’ prizes.

9:04pm: Billy Bush just totally said that Cate Blanchett can’t win for playing a man – this commentary is ridiculous. And now Television Supporting Actor, which gets no time for me to write down each candidate. And the winner is…

Jeremy Piven for Entourage? Frak, people, stop giving him awards: I love Piven, I really do, but this is getting ridiculous. Dillon is more noteworthy, and for that matter so is Ted Danson. People need to stop doing it, immediately.

9:06pm: Oh wow, I can’t type this fast: Lead Actress – Drama. Arquette, Close, Driver, Falco, Field, Hunter, Sedgwick. Who’s going to take this one home: it’s Glenn Close for Damages, which is somewhat surprising in a tough category. And we get more commentary regarding these people, which is really offputting…yet fascinating.

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The 2008 Golden Globe Awards – TV (Comedy) and Film Predictions

At 9pm EST this evening, viewers across America will tune into NBC (Or E!, or TV Guide Channel) and enjoy the coverage of the 2008 Golden Globe Awards News Conference. Yesterday I covered the TV Drama side of things, and this afternoon I’ve got the Comedy and Film awards. I’ll be posting live from the press conference (aka Live from the TV Lounge where I’ll be watching the press conference) this evening, along with my thoughts on The Amazing Race. I’ll probably post tomorrow night about Sarah Connor Chronicles, which debuts post-Football tonight on FOX – you can read my thoughts on the pilot from August here, and I’ll have my thoughts on tomorrow’s second episode in its regular slot (Mondays at 9) sometime over the next couple of days.

Comedy Series

  • Californication
  • Entourage
  • Extras
  • 30 Rock [Myles Choice / Predicted Winner]
  • Pushing Daisies

There are some occasions where the Golden Globes’ focus on newness cannot possibly overcome the power of a sophomore series just getting its due. Considering that 30 Rock was left out last year in favor of Ugly Betty, now is the time for the Globes to honour its growing success and hilarity. Out of the two new series in the category, I’d say Pushing Daisies would have the advantage, and obviously it would also be a deserving winner. Still, I think that Tina Fey and Co. have this one, although this is in no way a definitive prediction.

Best Actor in a Comedy Series

  • Alec Baldwin, [30 Rock] [Myles’ Choice / Predicted Winner]
  • Steve Carell, [The Office]
  • David Duchovny, [Californication]
  • Ricky Gervais, [Extras]
  • Lee Pace, [Pushing Daisies]

He’s certainly the best actor in the category, even amongst a fairly decent crowd, but history is against Alec Baldwin picking up this trophy again – the Globes don’t tend to like repeat winners. In terms of other options, Duchovony has a certain mystique about him and Pace is starring in the “it” show of the moment. However, let’s not leave out Carell, who still does great work on The Office, and Gervais DID win the Emmy. I think it’s the gluttony of other options which convinces me that we can forget tradition – Baldwin is too great on 30 Rock, and too big a star, to lose this award.

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Strike Finale Night: Grey’s Anatomy, 30 Rock, Ugly Betty

Last night saw three shows (Two I rarely blog about) finish their seasons prematurely due to the Writers’ Strike. It is unfortunate, of course, because this means two and a half less hours of television each week (Thursdays will never be the same). Alas, let’s take a quick look at how these shows managed with finales which were, well, not meant to be finales. (I’ll be back with Friday Night Lights tonight and Golden Globes nods tomorrow, assuming this cold doesn’t destroy me).

Grey’s Anatomy – “Lay Your Hands On Me”

This quasi-finale was a solid episode which at least felt like a conclusion to a story or two. Central to the episode is Bailey’s son being injured in an accident, extenuating the marital issues we saw before the break. Bailey blames herself, blames Hahn for keeping her out of surgery, and eventually accepts a healer who is able to pull Tuck back to life.

This was fine, but I actually felt like it felt too much like Emmy bait for Chandra Wilson, even when her character is as great as she is. We’ve had a lot of Bailey in recent weeks, ever since the Gizzie backlash became apparent. We had her fantastic episode with her childhood crush, we had her altercation with the Nazi in “Crash Into Me,” and now we have this tearful and emotional storyline here. I’d actually argue she was far more likable in the first episode, and thus it would be the better choice. Wilson was as great as ever here, but it felt a little bit too melodramatic.

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The 2008 Golden Globe Awards – TV Preview

I have a lot of fond memories of the Golden Globe awards, although none of them are really fond for the reasons that Dick Clark and the Hollywood Foreign Press Association would like them to be. For example, Elizabeth Taylor’s drug-induced reading of “Gladiator” remains in my view the definitive way of vocalizing the title of the film – I seriously doubt that this was supposed to be the definitive moment of my Golden Globes experience, but there you have it.

The Golden Globes are perhaps the only major awards that people want to give away, as seen when Ving Rhames tried to hand his off to Jack Lemmon a number of years ago. They have some value as a precursor to the Academy Awards, and they certainly provide a nice party for the guests in attendance, but the awards themselves have obviously taken a backseat to the spectacle. As a result, the recent decision to cancel the award show itself due to the writers’ strike really kind of kills whatever fun existed in this process, and allows us to focus solely on the awards themselves.

To be honest, it’s fairly bizarre: it becomes about winners and losers, without the added bonus of seeing who is the most intoxicated. Something about that just feels wrong, but I’m willing to go with the flow – while I will refrain from extensive film-analysis at what is ostensibly a TV blog, I’ll probably end up covering the Oscars in greater detail. With the Globes, however, let’s focus on television.

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Gossip Girl – Season Finale – “The Thin Line Between Chuck and Nate”

“The Thin Line Between Chuck and Nate”

January 8th, 2008

[As you may be realizing, this is the review of Gossip Girl’s mid-season finale that aired in January. The show’s first season finale, “Much ‘I Do’ About Nothing” aired on May 19th, and Cultural Learnings has all the details in its full detailed review!]

While I can think of greater losses thanks to the Writers’ strike, Gossip Girl is somewhat unfortunate considering that it is still struggling to find its creative stride. Gossip Girl mentions that all a story needs to blow up is for an unexpected twist, but I really don’t think that this is the solution to the series’ problems. The O.C. didn’t become exemplary teen programming when it gave people pregnancy scares, but when it made us care about these people more than we were really intended to. And while Gossip Girl has made strides in this direction, there are important steps it seems to be skipping in its desire to raise the “with child” question.

But in the end the skipping of these steps was perhaps in the best interest of certain of the series’ characters – Chuck, Serena and Blair finally regained some of their humanity that has occasionally been absent. Nate is a lost cause, and Dan is pretty well consistent, which leaves these three individuals as the characters that need to be resolved. They are all over the map when faced with this crisis, but it also differentiates between their true colours and their affected personalities. The episode also returns Jenny to our central narrative, and signals a sign that Gossip Girl might be creatively on the right track when it returns post-Strike.

To discuss the thinning of the line, read below for the details.

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ABC Resurrects ‘The Mole’ for Summer 2008

[EDIT: Welcome, more recent visitors. As you’ve noticed, ABC has started airing quick snippets to help preview the return of the Mole. If you seen anything involving a premiere date or any more information, feel free to comment below!]

They just don’t make reality series like The Mole anymore. Some of the more recent shows can be described as an amalgam of various parts: Survivor meets The Apprentice, or The Amazing Race meets Big Brother. It seems as if truly original ideas in the reality competition field are all but gone, which one might think is only further evidenced by ABC’s decision to bring back an old reality show to fill their summer schedule. It seems like it’s just another series coming back because of the Writers’ Strike, a lame attempt like American Gladiators to cash in on an existing property.

But there’s something different about The Mole, both in terms of the nature of its return and the quality of the programming. The show’s first two seasons were fantastic examples of how to do reality television: it was smart, humorous, and featured personalities that we rooted for. It had twists and turns that didn’t feel choreographed, and surprised the contestants as much as it surprised the audience or vice versa. Its return, according to the story being circulated today by Variety, was a labor of love from original producer Scott Stone, whose original shingle has dissolved and who had to fight to regain the lapsed rights to make it happen.

Can you imagine someone fighting for the lapsed rights to any other canceled reality series from this period? Sure, two celebrity editions which followed were not quite appointment television, but the original was beloved and has enjoyed a strong word of mouth credibility in recent years. A lot of this has to do with its host, Anderson Cooper – while he’s since moved onto bigger things at CNN, and thus won’t be returning to the series, his big break was acting as the lovably sarcastic and mysterious guide for this journey.

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10 Shows to (Hopefully) Watch in 2008 – #1 – Jericho

When it came to selecting which series would be number one on Cultural Learnings’ list of 10 Shows to (Hopefully) Watch in 2008, I had to make a decision that perhaps doesn’t reflect my own personal taste. In terms of shows I’m most looking forward to watching, I can’t possibly rank anything above Lost or Battlestar Galactica, two series I can’t get enough of. However, last summer it became very clear that in covering TV it is important to not just use your own opinions to guide you, but also to recognize shows and fans who go above and beyond, and whose impact on television as a whole is sure to be one of the biggest stories of the year. As a result, here is the number one selection.

A year ago, I had written off Jericho. After losing interest shortly before the series went on hiatus in the fall, I was barely paying attention when the series returned in February only to struggle against tough competition. As its fanbase eroded, and as CBS left it off of its fall schedule, I was amongst those who rationalized its demise – it was never a strong demo performer, CBS can fill the slot with CSI Reruns and get better ratings, and the show never really set the world on fire anyways. And now, half a year later, I believe that Jericho is the most intriguing series to be airing in 2008.

The Nuts for Jericho campaign which emerged last summer was at first charming, and then interesting, and then mindblowing. It transitioned from a small-scale fan initiative to something that has changed the way viewers interact with networks. On one hand, I think that some fan groups have the wrong idea – it isn’t that Jericho fans sent food that made them successful, so the recent Journeyman campaign featuring Rice-A-Roni isn’t quite as effective. It was that the nuts which made their way to CBS headquarters were both intrinsically linked to the series and part of an outpouring of support which was spontaneous and powerful.

While there will be further fan campaigns, there will never be one as surprising and effective as the one to save this CBS drama – fans who had been discounted by the network turned out in large numbers and mobilized in record time. Whether the fans were posting on the CBS Message Boards or starting their own blogs (Such as Jericho Monster, Jericho Junction or Jericho on CBS), ordinary people from across America and across the world were uniting behind a show that they loved. The result was perhaps the greatest comeback story in the last decade of television, and a story that captivated the attention of bloggers everywhere, particularly here at Cultural Learnings.

But if 2007 was the year in which Jericho rose from the ashes, it is in 2008 that it must prove itself. While the show earned a shortened second season of seven episodes thanks to the efforts of fans, the series must rely on those fans to turn out when the show returns to CBS at 10pm on February 12th. While a fantastic story unfolded last year, it is now time to see whether midnight will strike before this Cinderella story can continue. Will Jericho’s return be a final hurrah before the show leaves the airwaves for good, or will this comeback stretch on into 2009 and beyond? Well, it’s kind of hard to tell at this point.

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