Tag Archives: Television

Modern Family – “The Incident”

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“The Incident”

October 14th, 2009

This is going to see like a really weird connection, but one of the things that I found really interesting about The CW’s Privileged was how quickly it dealt with its built-in back story. The show was dealing with an estranged mother and a distant father in its central protagonist, and it got both out of the way quickly…in fact, perhaps too quickly. The show never quite felt as purposeful when it moved past those interesting dynamics, and while they were important parts of its early identity it seemed like they could have been burned off more slowly to heighten their impact.

However, Modern Family makes an enormously compelling argument for getting back story out of the way, or at the very least the value of back story in the early stages of a sitcom’s development in particular. While the show is essentially checking off a list of recurring character we’ve yet to see (Benjamin Bratt was just cast as Gloria’s ex, for example), the seamless integration of Long into the cast only brings out more of our characters, and the way the episode depicts a past “Incident” is a hilarious piece of back story that does nothing to diminish what could be introduced with time. On a drama, a character like Long evokes the same kind of emotions each time she returns, and the show can only go there so many times. On a sitcom, however, as long as things remain funny and as long as a diverse set of characters are involved, you can keep on bringing her back with minimal loss of comic value.

And considering where this episode starts off at on that front, DeDe could be a funny recurring player on the show for seasons to come.

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The Middle – “The Floating Anniversary”

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“The Floating Anniversary”

October 14th, 2009

I could take a gander at Cougar Town tonight, considering that I remain really perplexed at people who can’t seem to get beyond the show’s premise and Cox’s overacting to see a show that has a really strong emotional core, but since I didn’t get to cover The Middle’s pilot I figure I should discuss the show’s third episode. The show is not as inventive as Modern Family, or as diverse as Cougar Town (which I find more cohesive), but it is a solid family comedy that’s a bit reductive of Malcolm in the Middle but could have had a much worse fate.

What makes the show work is that it features good performances and has a surefire sitcom premise that is inarguably charming. I think the kids are decently engaging, Patricia Heaton and Neil Flynn make believable parents, and perhaps more importantly the show has something to say about families dealing with an economic crisis. Where the show loses points in how it tends to stick to the same jokes, and how it relies too heavily on Patricia Heaton’s performance without letting the other parts of the show get their due.

“The Floating Anniversary” is perhaps the weakest episode yet, if only because it feels the least like an ensemble piece: while the pilot logically placed the emphasis on the biggest star who is at the heart of the show, I think the show needs to branch out beyond its stereotypes in order to really grab my attention.

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Sons of Anarchy – “Falx Celebri”

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“Falx Celebri”

October 13th, 2009

When I fall behind on a particular show, chances are that it’s not intentional. I don’t “decide” to not get around to watching the most recent episodes of Dexter before the DVR goes kaput, it just sort of happens in the midst of catching up with everything else I didn’t get to post-vacation. With Sons of Anarchy, this is equally true: after simply not getting around to the season’s fourth episode, the fifth was a casualty of the vacation and it was only last night that I caught up with the adventures of SAMCRO.

And they have been adventures this season, one that has been the very definition of rollicking. It’s the season where storylines never sleep: while it and Mad Men are at the top of the serialized drama food chain right now, their approaches this season could not be further apart. While Mad Men likes to isolate its stories on a particular set of characters, the very point of Sons of Anarchy’s second season is that you can’t escape the coming storm, and that no one (not Tara, not Gemma, not Hale) is capable of standing on the sidelines and avoiding the fray. Rather than trying to depict a slow and tragic fall, the season has never shied from the fact that Zobell is not kidding around, and that the Sons are in some serious trouble.

Some general thoughts on the last few episodes and more detailed thoughts on “Falx Celebri” after the jump.

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Being Erica – “Cultural Revolution”

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“Cultural Revolution”

October 13th, 2009

I think what I find most interesting about this, the fourth episode of Being Erica’s second season, is that it has largely moved away from any sort of “change” resulting from its missions. There was a point before where what Erica did in her trips to the past would actually change the future, not always in ways as dramatic as in “Leo” but in small ways like sleeping with the nerdy poet at the Lake instead of her jock boyfriend. Those kinds of changes are something the show isn’t actually interested in so much, primarily because Erica’s life has largely stabilized and there is accordingly less of a need for fundamental change.

It does mean that “Cultural Revolution” is anything but revolutionary, positing a “What If?” scenario less to see how it would change the present and more as a test run for a current life’s dilemma. The episode suffers slightly due to a lack of suspense as to what decision Erica is going to make, but overall it’s another solid entry that sticks to the show’s formula in a pleasing fashion.

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The Good Wife – “Fixed”

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“Fixed”

October 13th, 2009

The Good Wife is a solid show, and a lot of this has to do with a very solid premise. What works about the show is how versatile it can be, even within each of its various elements. As a legal workplace drama, the show covers an extensive range of potential cases, and because Alicia is a junior associate it means she could end up doing a variety of jobs (like digging through files, or second chairing a bigger case) whether they’re representing the plaintiff or the defendant.

The show is ultimately a procedural, but it’s managed to be quite the chameleon. This week’s episode follows the basic formula, presenting a legal case that dominates the episode while Alicia is similarly burdened by her husband’s indiscretions. However, they’ve done an impressive job of providing variety in both of these departments, to the point that the twists and turns in either storyline are still effective.

The show is never going to blow me away, per se, but it’s nonetheless impressed me so far.

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The Big Bang Theory – “The Pirate Solution”

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“The Pirate Solution”

October 12th, 2009

Usually, my reviews of The Big Bang Theory end up devolving into my frustration with the show’s treatment of Sheldon (a subject that many disagree with) and the ill-advised nature of Leonard and Penny’s relationship (which pretty much everyone agrees with, outside of a vocal minority), but “The Pirate Solution” is a rare occasion where I get to focus my analysis elsewhere.

I often feel that the show is held back by is adherence to the sitcom tradition of a fundamental lack of character development, focusing instead on character interaction. There are episodes where I totally buy into the value of this, accepting that although it holds the show back it nonetheless can result in some really fun comedy. However, there are episodes like “The Pirate Solution” which focus their attention on a character and in the process remind us that while some have turned into full-featured individuals others have, well, not.

Raj Koothrappali is a character who, like Penny, is a good foil for nearly every other character, but when you isolate him on his own things become starkly simple. Kunal Nayyar is an engaging actor, but the problem with Raj is that his lack of development is proving detrimental. When the show designates a Raj episode, it means the show recycles cliched India jokes and once again has Raj’s inability to speak to women prove detrimental. I won’t argue that this isn’t entertaining, as I think the Raj parts of this episode were charming; however, I think that there’s a point here where I wonder why Raj needs to be reduced to these stereotypes, and at what point his evolution would only improve the show’s dynamics.

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How I Met Your Mother – “The Sexless Innkeeper”

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“The Sexless Innkeeper”

October 12th, 2009

In the season premiere, we essentially got a confirmation that How I Met Your Mother would be dipping into the well of the double date: after struggling for a few seasons to integrate a drama-free Lily and Marshall into the show’s set of couples, they kind of gave up late last season with Hannigan disappearing to have a baby. The result is that, while Barney and Robin are a newer couple and in need of development, it’s perhaps more important that the show use this opportunity to remind us of Lily and Marshall’s value (as a couple, individually isn’t really a question) to the show’s dynamic.

“The Sexless Innkeeper” is simultaneously a justification for why we haven’t seen much of their individual life since they moved into their new apartment and a sign that the show really should have been going out of its way to do so. I don’t think that they should have rushed another couple together, but the addition of a two-couple dynamic lets them play stories that they’ve clearly wanted to dabble in without much of an opportunity. As Ted says at one point, couples need other couples, and Lily and Marshall only needed another couple to bring back what I enjoyed about their characters.

It really only had two jokes, but one was clever and the other was committed to by four really great comic actors and featured a whole lot of HIMYM-style intricacies (like The Best Night Ever.com, another meta-website), so it’s a very enjoyable half-hour of comedy.

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Mad Men – “Wee Small Hours”

madmen2“Wee Small Hours”

October 11th, 2009

“I can’t do this all by myself”

Sally’s teacher, sitting in Don’s car in the middle of the night, says that she is going to read her new class “I Have a Dream” on the first day back to school. However, she also indicates that they already know it: I don’t think she’s insinuating that they’ve heard the speech, but rather that there is something in child-like innocence that embraces the image of a dream and of a better future.

The entirety of “Wee Small Hours” is not about civil rights at all, but it is about characters confronting the demons in their past in an effort to move into the future. For Don Draper, a new relationship begins to mirror an old one, and for Salvatore Romano a long-standing response has suddenly put his career into jeopardy. And then there’s Betty Draper, wide-eyed and naive to the point of childhood, and let applying her innocence less to an understanding of Dr. King and more to a petulant child who wants what she can’t have but then doesn’t want it once she has it.

It’s yet another installment in a compelling but slow-paced series of episodes, ones which feel designed to show these characters searching the depths of their emotions and not quite sticking the landing, so to speak.

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The Amazing Race Season 15 – “Cambodia”

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“Sean Penn, Cambodia, Here We Come!”

October 11th, 2009

The job of being an editor on The Amazing Race is really a tough one. In each episode, you need to turn the unsuspenseful into the suspenseful, and emphasize the zany in the mundane. Of course, it helps that often The Amazing Race is suspenseful, and that it is often extremely zany, and that the cast of characters involved can often enhance both of these elements. As such, it is likely every editor’s dream to receive a team like Zev and Justin, who deciding that Phnom Penh is actually Sean Penn, and who strike up a hilarious and fantastic relationship with their cab driver Thierry.

However, the editors also have to come to terms with how, precisely, they’re going to send someone home. Last week, Marcy and Ron got sent home after struggling with a Detour (they were just too slow, plain and simple), so Marcy got a lot of talking heads about her father’s time in Vietnam. The episode was a sendoff, albeit it a slight one, a last hurrah. In other instances, the editors love playing up irony or the impact of a single mistake, and sometimes they even play a game of Schadenfreude.

But as the teams race through Cambodia, the editors have the toughest job of all: turning triumph into adversity in a split second. It’s a chance of pace the episode handles with the grace of a newborn giraffe, heightening my sympathy for the difficulty of the editors’ job while also lowering my interest in this season, all in one fell swoop.

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Cultural Catchup: The Week in Comedy

After a week away in New York, which was really exciting, I came back to a pretty huge backlog. While I might not end up reviewing any individual shows beyond Mad Men (which went up earlier tonight), I do want to be able to comment on the comedy of the past week or so. Drama might be a bit more intimidating (was two episodes behind with both House and Sons of Anarchy), but we’ll see if we get to that in the days ahead (Reality won’t be there at all: Top Chef was predictable, Runway was boring, Survivor was expendable, and Amazing Race was a week ago and similarly uneventful).

For now, thoughts on (deep breath) The Office, Community, Parks and Recreation, Glee, How I Met Your Mother, The Big Bang Theory, Saturday Night Live, Modern Family, Cougar Town, The Middle and Greek (phew!).

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