“The Mountain and the Viper”
June 1, 2014
“Traditions are important – what are we without our history?”
One of the perils of being a book reader watching Game of Thrones has been the fact that so many of the biggest moments have been “surprises” in the context of the narrative. We look to events like the Red Wedding, or the Purple Wedding, or Ned Stark’s fate on the Steps of Baelor as key events in the narrative, but we can’t necessarily share the anticipation of those events with viewers who have no idea they’re coming.
This is why “The Mountain and the Viper” is such a fun episode as a reader writing about the show. For once, the show has built in its own hype machine, setting up the trial by combat and building suspense for it over the past two episodes. The week off for Memorial Day could have negatively affected momentum, but it’s worked nicely to give them another week to set up the stakes of this conflict. As readers, we may have the benefit of knowing how the battle between Gregor Clegane and Oberyn Martell ends, but at least our anticipation for seeing how the battle plays out onscreen is something that we can share with non-readers.
Just as we can both share the slight impatience created by an episode that waits until the bitter end to get to its eponymous showdown.
“The Wolf and the Lion”
May 15th, 2011
“How long can hate hold a thing together?”
One could argue that Game of Thrones tells the story of two houses – this would be categorically untrue, especially given the ways in which the series expands in subsequent volumes (or seasons, considering its renewal), but the battle between the Lannisters and the Starks is obviously at the heart of this particular narrative. Even those who were fundamentally confused by the pilot, and perhaps even by subsequent episodes, were likely able to draw out that these two families are what one might term “a big deal.”
“The Wolf and the Lion” obviously makes this distinction clear, to the point that the story follows the two families almost exclusively – ignoring The Wall in its entirety, and foregoing a trip across the narrow sea, the episode narrows in on the mutual hatred which fuels these two families as they each try to go on with their lives as members of the other families attempt to either kill them or bring them to justice. And yet, at the same time, this narrowing is misleading on at least a few levels, given that this episode also delves a bit further into a few other houses which will become more important as a the series goes on.
In other words, despite technically being narrower in its focus, “The Wolf and the Lion” actually does some important work in broadening the scope of the series within these two particular areas. It’s a necessary step forward for the series, a strong statement for its commitment to the depth of this story.
“Cripples, Bastards, and Broken Things”
May 8th, 2011
The timing of the next few episodes of Game of Thrones couldn’t be worse on a personal level – it’s a busy time of year for me, what with the end of the semester, and it’s coming just as the series is entering some more distinctly complex episodes. While I had hoped to get these reviews done in advance, the truth is that things just became busy too quickly, meaning that I won’t have time to dive as far into “Cripples, Bastards, and Broken Things” as I might like.
However, because of this, I do want to focus in on one part of the episode in particular, comparing and contrasting it with the episode surrounding it. Jon Snow’s time at the Wall is maybe my favorite central location of those introduced early in the series, and it is in large part due to the work done in this episode. Part of this has to do with my affection for the new arrival introduced here, but it also has to do with some key decisions which give the storyline a sense of camaraderie and humor which is more or less absent from the rest of the storyline.
It’s also a part of the story which disappears for two weeks, which means focusing my analysis on it makes even more sense given that I’ll have plenty of time to discuss Ned’s investigation into Jon Arryn’s death, the viciousness of the tournament, and the slippery nature of the metaphorical dragon in the weeks ahead.