“Day of the Moon”
April 30th, 2011
[Note: while this does not air until a bit later this evening in the U.S., I’m embracing my independence from any one particular country to post my review when it’s finished so that those who watched in the U.K. can discuss it in a more timely fashion. Accordingly, if you want to avoid spoilers, don’t keep reading.]
It’s the time of year when writing about television on the side must take a back seat to writing about television in an academic (and, over at the A.V. Club, “professional”) fashion, and so it’s unfortunate that a weekend filled with paper writing had to collide with “Day of the Moon.”
In truth, I could probably handle writing about an episode like next week’s, where the show returns to its isolated adventures with only subtle nods towards a larger serialized storyline. I could evaluate the appeal of the situation (which next week features Downton Abbey’s own Hugh Bonneville, I believe), consider the ongoing character dynamics between the Doctor and his companions, and then be merrily on my way.
With “Day on the Moon,” I could actually be here for a day. It’s a compelling episode, filled with enough good ideas to carry three episodes of a lesser show, but it also ends up with enough loose ends that actually going through and analyzing them in a satisfactory fashion would be impossible given my current time crunch.
But, I do want to make a few points about the episode, given that I am sure there will be oodles of speculation to be done over the course of the season regarding what we saw here and given the fact that I very much enjoyed it.
Doctor Who? My question exactly.
This is not to suggest I don’t know the basic premise of Doctor Who: he’s an omniscient figure who travels through time/space solving exotic problems with the help of assistants (wait, I think it’s companions). However, I’m fairly certain there’s a deeper mythology here than “he’s mortal enemies with those ugly robot dudes that I think are called Daleks,” which means that going into Doctor Who: Waters of Mars (which according to the press kit is the second of the four final “movies” that David Tennant is doing before running off to star in an NBC pilot) my knowledge of this universe is a cribbed together collection of tidbits gleamed from pop cultural exposure and a couple of random episode viewings during the Eccleston period.
But, as was the case earlier this year when Russell T. Davies created an enormously compelling, stand alone piece of entertainment with Torchwood: Children of Earth, Doctor Who: Waters of Mars (which airs tomorrow night, December 19th, at 9pm ET on SPACE in Canada and on BBC America in the U.S.) is capable of engaging just about any audience. While it doesn’t have Children of Earth’s real world commentary on government corruption or anything so complicated, it tells a tightly driven story that at its core speaks to the inherent dilemma of being a man who is capable of changing time but only to a certain extent, and the plight of humans out to save the planet but finding themselves at the precipice of placing that planet in even further danger.
The result is a very compelling piece of television in its own right, but one that feels like a turning point for this character as he David Tennant prepares to say goodbye to what is very clearly a career-making role.