June 1, 2013 · 9:14 pm
“Endless Forms Most Beautiful”
June 1st, 2013
When I attended the Television Critics’ Association Winter Press Tour in January, BBC America presented a panel for Orphan Black, a new drama series originating from Canada (where it airs on Space). It was an interesting panel to attend, because none of the critics in the room had no opportunity to watch it: while we were shown a quick trailer to help give us context, most of the questions were actually asking for more information as opposed to specific responses to the series. What we saw looked interesting, and the panel was enjoyable, but it was an exploratory exercise in a space where greater context is necessary to achieve any real insight.
Reading back over the transcript of that panel, and revisiting this fun interview Will Harris did with the three stars in attendance, I couldn’t help but smile. In retrospect, there are plenty of hints there about the show Orphan Black would become: a fearless, balls to the wall science fiction pleasure that’s smart as hell. Co-creator Graeme Manson was asked about the possibility of flashbacks, to which he responded “Yeah, actually, none at all. We really, really like a story that’s like a runaway train that keeps you on the edge of your seat and has you not sure whether the story is going to take a hard left or a hard right.” Tatiana Maslany was asked about the challenge of playing multiple roles, and explained “Yeah, it’s a challenge, the different arcs. You know, there’s so many arcs to it. So it’s a bit of a mind — I keep wanting to say the wrong word.”
The wrong word is the right word in this case: Orphan Black is a mindfuck, and ends its first season with another segment in the runaway train first season, one that becomes four climaxes in one by the time it reaches its conclusion.
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Filed under Orphan Black
Tagged as Alison, Analysis, BBC America, Canada, Clones, Cosima, Endless Forms Most Beautiful, Felix, Helena, Neolution, Review, Sarah, Season 1, Season Finale, Space, Tatiana Maslany, Television, Toronto, TV
October 19, 2009 · 10:14 pm
October 19th, 2009
So, this was pretty awesome, eh?
I don’t know if there’s many episodes of an American comedy series that likely work far better for Canadians than Americans, but I think this is probably one of those examples. Much of “Duel Citizenship” took the form of a pretty standard episode of the show, with Ted turning into an unwilling third wheel on a trip with Lily and Marshall, but the story of Robin’s need to consider becoming an American citizen turned into a love letter to Tim Hortons (which is a famous Canadian coffee chain, in case you weren’t aware) and in many ways another sign that this Robin’s character (and the show) has more of an appreciation for Canada than the jokes might initially indicate.
The result is a solid episode of How I Met Your Mother from the perspective of someone who finds the jokes to be at Canada’s expense, and a kind of fantastic episode for those of us who “get” the Canadian side of the storyline in a way that others cannot. All in all, it’s an episode I had a lot of fun with, albeit for the love of my country more than my love of the rest of the episode.
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Filed under How I Met Your Mother
Tagged as American, Barney Stinson, Brawl, Bryan Adams, Canada, Canadian, Cobie Smulders, Coffee, Crumpet Manor, Curling, Currency, Dual Citizenship, Duel Citizenship, Entertainment, Five Dollar Bill, Gazola's, Goodbye Sparky, HIMYM, Hockey, Kenny Rogers, Lily, Marshall, Neil Patrick Harris, Peeing, Proclaimers, Product Placement, Road Trip, Robin, Tantrum, Ted Mosby, Television, The Hoser Hut, Tim Hortons, Toronto, TV