Tag Archives: Tracy Morgan

30 Rock – “Senor Macho Solo”

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“Senor Macho Solo”

January 8th, 2009

For 30 Rock, the comedy is often to be found in the details: it isn’t that the broader plots themselves are that comically complex, but rather that the way they are executed offers enough individual quirks to elevate the series above most other comedies on television.

Tonight’s episode was a test of this particular theory, because its three storylines were all pretty thin on paper; more accurately, they were probably post-it notes somewhere. “Liz mistakes dwarf for child,” “Jenna plays Janis Joplin,” and “Jack hooks up with mother’s nurse” are all storylines that either feel like brainstorms from existing storylines, excuses to justify the existence of characters and having Jane Krakowski sing, and Fey and Co. digging through season two of Friday Night Lights and realizing that maybe the Carlotta storyline would be better if it was purposefully played for comedy.

Ultimately, I feel like “Senor Macho Solo” works because of the show’s ability to pull some really great comedy out of these situations, but there will come a point where the show will need to feel less like it’s pulling itself in opposite directions.

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30 Rock – “Believe in the Stars”

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“Believe in the Stars”

November 6th, 2008

One Word: Oprah.

Okay, two words: Octuples Tennis.

Okay, fine, two more words: Monster Claw.

I could really go on and on with this, folks – what tonight’s 30 Rock lacked in plot development or quiet moments of reflection it gained in sheer insanity, ranging from enormous numbers of social experiments of varying morality to the idea that anyone could watch Boston Legal nine times (I kid, fans of Boston Legal – people should be able to reach ten).

It was an episode that was chock full of the types of witty retorts, slightly askew proverbs, and drug-induced sleep crimes that the show is confident enough to indulge in as it starts its third season. While the aforementioned Oprah Winfrey guest appearance was indeed a central point of the episode, the real standout here was the ability for the show to work around that: the entire episode felt enough that, when Oprah turned out to be not everything she was cracked up to be, it didn’t feel like the show had lost its big ending. Instead, it felt like we were getting something that distinctly belonged to these entirely unhinged characters.

And by showing such unwavering commitment to those principles, it’s hard not to love 30 Rock right now.

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60th Primetime Emmy Awards Preview – Supporting Actor in a Comedy Series

If there’s something to say about the Supporting Actor category for comedy series, it’s that it has far too many candidates, largely due to the nature of television comedy. There are just a lot of male comic performers who steal their respective shows, emerging from the spotlight of the “stars” if you will. When there are three of television’s biggest comedies with two contenders each, you know that the competition is going to be extremely difficult.

And yet, when it comes to narrowing the category down to winners, it’s been a bit too predictable in recent years: since 2002, only three people have won the award (Brad Garrett with 3, David Hyde Pierce with his fourth, and Jeremy Piven with two in the last two years). The result is that it’s not the kind of category that really opens itself up to new talent, even when like last year it had it staring in its face with nominations for Rainn Wilson, Kevin Dillon and Neil Patrick Harris.

But the hope is that history won’t repeat itself: with 30 Rock emerging with a few new candidates, a breakthrough comic role for a drama specialist, and a few fringe contenders, Piven’s reign might just be over as Emmy voters decide to go with something fresh and new. Or, if I know Emmy voters, Piven will walk with his third trophy, not undeservedly but unfortunately.

[Sorry for advance for a lack of YouTube links: Entourage clips are limited and NBC is uppity about clips thanks to Hulu, which I’d use if I could access it from Canada. My apologies!]

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Emmy Awards Preview – Nominee Analysis: 30 Rock

While it certainly didn’t come out of nowhere, considering that it had nominations in both lead acting categories, 30 Rock’s Emmy win last year was still a bit of a surprise. However, it was a pleasant one, and signaled and onslaught of critical praise and accolades for a series that (at that point) seemed to be on shaky ground where it matters most these days: ratings.

But with a third season guaranteed and more hardware in the closet, 30 Rock has gone from the upset victor to the perennial frontrunner for the 60th Annual Primetime Emmy Awards. And with great power comes, well, great responsibility; in this instance, responsibility to pick the right submissions to reflect the season’s quality.

Outstanding Comedy Series

Submission: Unknown

My Suggestion: “Secrets and Lies”

It’s hard to pick a single episode to encapsulate an entire season: I think the show’s smartest segment has to be “Rosemary’s Baby,” for a lot of reasons I’ll discuss further below, while part of me gravitates towards “Greenzo,” featuring a fantastic David Schwimmer in the title role. However, I like “Secrets and Lies”: it has a great storyline featuring Baldwin and perennial Emmy favourite Edie Falco, a couple of great moments for Tracy Jordan, and the fantastic ending sequences as corporate republicans reveal their inner demons. Regardless of which they actually choose, however, the deal is sealed either way.

Chances: Definite Nomination.

Lead Actress in a Comedy Series

Tina Fey

Submission: “Episode 210”

My Suggestion: “Sandwich Day”

In this instance, my suggestion isn’t hostile: the last pre-strike episode may have been rushed, but Fey knocked both her initial interaction with and her late-night phone call sessions to the co-op board of her new apartment out of the park. In particular, the image of Fey on the phone while walking on her treadmill and drinking a glass of red wine while proclaiming that she bought a black apartment stuck with me for a long time. However, “Sandwich Day” had Fey doing what she does best: being neurotic and eating on camera (plus looking really attractive in the dress on the left. An argument could also be made for “Succession,” as Liz goes corporate, but something about that episode didn’t sit right for me.

Chances: Definite Nomination.

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