Tag Archives: Tristan Wilds

90210 – “Lucky Strike”

“Lucky Strike”

September 9th, 2008

The only noteworthy thing about 90210’s third official episode is that there is nothing worth noting.

Okay, so I’m not going to end the blog post there, that seems like it would be a poor strategy. There’s actually a lot of little things that the show is doing right, but for the most part it is struggling to define itself as anything even close to memorable. The show just isn’t going out on any limbs here: while there is something very breezy and attractive about this universe, when the “big events” do take place they feel like plot devices and little else. The setup here is so transparent, so lifeless that it is the very definition of rote, and the only thing bringing any life to the equation is cameos and callbacks to the original series that I am purely ignorant to.

So while I actually think the cast is stepping up to the plate here, I can’t say that the producers are giving them enough to do.

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Series Premiere: 90210 (2008)

“We’re Not in Kansas Anymore, The Jet Set”

September 2nd, 2008

“That’s what a blog is supposed to do, make problems”

When The CW chose not to send screeners of their latest show out to critics, they were making a statement. Now that viewers have been able to see the show for themselves, we can finally discern what exactly that statement was: was it that the show is so poor that the network didn’t want critics ‘making problems’? Or, more positively, was it just that there are so many reasons to watch this show that they decided the critics were irrelevant?

I can understand the argument: between nostalgia and teen girls, a majority of 90210’s potential audience is probably already aware of the series’ existence. So those of us who either choose to or are employed to look past our personal interest to answer the question of whether or not the series is actually any good are not what they’re interested in.

But I don’t think they really needed to be quite so scared of our kind: no, the show is not a new standard in teen drama, and its various archetypes don’t offer the type of wit or charisma of even the network’s Gossip Girl, but if we’re judging the series on its ability to offer flashy melodrama with just enough substance to keep it afloat, 90210 lives up to its hype.

However, only time will tell if the real people The CW wants watching are going to feel the same way.

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