Tag Archives: Victor Garber

“Health Care and Cinema”

August 24th, 2009

In its first season, Nurse Jackie has struggled to come to terms with what show, precisely, it wants to be. This is not to say that the result of this identity crisis has been an unentertaining piece of television, as in many ways the show’s tonal inconsistency is intricately linked with the central character’s struggle to live two different lives. But the show has certainly been strongest when both its comedy and its drama have felt more intricately linked with something emotional and human about these characters. The reason most viewers (that I know) have gravitated towards Zoey is not only that she’s hilarious, but also because that humour derives from clearly drawn character traits that are realistic in their neuroses, and that don’t feel forced in the context of the series structure.

Which is why I have nothing but reservations about the show’s trajectory having seen the first season finale, where it seems as if the show veers into an entirely different and fundamentally wrong direction that creates a cliffhanger which feels sensationalist to a point that robs the show of its dramatic impact. Showtime’s Weeds has been doing these types of finales for years, but in that show Nancy Botwin was over her head in early seasons running into situations that spiral out of control as a result of both her own decisions and circumstances far outside of her control. However, in that instance, the dire consequences feel like they are part of the show’s drug trade universe, both logical in terms of the show’s structure and indicative of someone who is new to this world.

However, Jackie is not new to the world of adultery, or drug addiction. Her flaws are not new or sudden, but rather longstanding questions that she has simply been ignoring or eliding for the past number of years. Her life is a web of lies, certainly, and we saw two weeks ago that she is willing to cause herself more pain in order to maintain her facade. However, the way the finale portrays the unraveling of that world makes it seem as if Jackie hasn’t thought about this moment, and that the reality of it would drive her not only to turn her back on the people around her but also to fall apart personally and professionally.

Where the finale goes wrong is that all of this takes place with either cheap dramatic shorthand or through oddly placed character emphasis, resulting in a contrived and forced cliffhanger akin to Weeds’ surreality as opposed to this show’s more grounded humanity.

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