Monthly Archives: April 2007

Heroes – “Five Years Gone” Recap & Analysis

Why ‘Five Years Gone’ was a Colossal Misstep

Honestly, this episode was a bloody mess. It was chaotic, confusing, in the end fairly pointless, and to be entirely honest with you I thought it was comic book television at its worst. It didn’t build any characters outside of those directly involved, considering that won’t be taking place after Hiro saves the day, and it was a return to the crowded attempts that the show struggled with early on.

‘Company Man’ was great TV because it was focused, isolated, well-made. It wasn’t a comic book come to life, but real television drama. Instead, ‘Five Years Gone’ was an incredibly frustrating attempt to pander to that audience through various constructs and theories that never turned into a cohesive story. This episode could have been Hiro’s ‘Company Man’, but instead it attempted to do FAR too many things without realizing that this doesn’t make for good television. Its conclusion was a rushed mess without resonance or meaning, instead of an epic showdown. It was just ridiculous.

I’d read ‘Five Years Gone’ as a comic book. As an episode, it just wasn’t good enough. For all the details, though, read on for the full recap.

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Heroes Flashes Forward: Previewing ‘Five Years Gone’

So tonight, Heroes will be flashing forward five years into the future (As it will occur if the bomb goes off). Considering that the show had a great deal of success with flashing backwards with ‘Company Man’, will ‘Five Years Gone’ be able to achieve the same? Well, to be honest, I don’t really think so.

You see, the thing about Company Man is that it details things that actually happened. Like Lost, its flashbacks were designed for us to gain a better understanding of the show’s characters. We were able to understand the past dealings within Primatech, Mr. Bennet’s history with Claire and that organization, and in the end we got perhaps the best 42 minutes on television this season. The reason was that it mattered; it was an episode that felt like something substantial, something tangible, something meaningful.

The thing about Five Years Gone is that it will not, ever, actually matter in the core storyline. I’m no comic book fan, I’ll be honest, and this seems right out of that industry; the cheap, gimmicky flash forward into a hypothetical scenario of what could happen. The reality is that Sylar will actually be defeated (Zachary Quinto is a guest star, after all), and that Peter is likely to live. This scenario that we’re seeing, one of where the bomb goes off, is extremely unlikely to actually happen. If it was going to happen, if the things in this episode were going to pass, why would they be showing them to us now? It’s clear that things will not go down this way.

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Plagiarism Patrol: ‘Brothers & Sisters’ goes royal

Television writers are like any of us, really; they live normal lives with the same types of interactions with popular culture as the rest of us. They watch the same television shows, experience the same classic cinema, and likely watch the same Academy Award nominated films as we do. In fact, after watching tonight’s episode of Brothers & Sisters, I am convinced that writers Alison Schapker and Monica Breen (Late of ‘Lost’ and ‘Alias’) most certainly saw one of the films nominated for an Oscar this year. For, you see, they most assuredly ripped off the basic premise of Stephen Frears’ The Queen for tonight’s episode, ‘Bad News.’

This week, one of the many storylines revolved around a helicopter crash which claimed the life of a young speechwriter who Senator McAllister (Rob Lowe) had been hard on. Kitty (Calista Flockhart) was very emotionally distraught over this, considering that she had been the one who decided that Steven would be in the chopper instead of her and the Senator. This is the real plot of things, but in the process there was an exchange that was quite literally ripped out of The Queen.

After the crash has taken place, Kitty insists that McAllister needs to address the people, and he is aghast at this suggestion. For him, this is a personal matter, and he doesn’t believe that he should have to make it a public issue. Kitty, however, insists that the people need to know how to react, and that there are people who are counting on him to set an example. The people need you, Senator McAllister!

For anyone who has seen The Queen, this likely sounds very familiar. The entire film revolves around the reaction, or lack thereof, from the royal family (Queen Elizabeth II, portrayed by Academy Award winning Helen Mirren, specifically) to Princess Diana’s tragic death. For Elizabeth, this was a private manner for her son and her grandchildren, and she felt that she had nothing to say to the public. Newly elected prime minister Tony Blair (Portrayed extremely well by Michael Sheen), however, believes that it is the Queen’s role to comfort her subjects in this time of mourning.

I seriously doubt that this was pure coincidence, although I can’t real blame Alison and Monica for turning to The Queen for inspiration; it was well-handled in that film, and it was well-handled on Brothers & Sisters as well. The show seems to like to treat Kitty as its star, and sometimes I don’t really buy it…but her storyline this week held resonance, so I guess that plagiarism was successful in this instance. I guess if you’re going to rip off something, a first-class piece of screenwriting from Peter Morgan is probably a good place to start.

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Dear Television: Enough with the Metaphors.

It’s now officially May Sweeps (It started on Thursday evening), which means that all serial dramas are heading into their final storylines leading into their season finales. This means that they’re working overtime to make sure that everything is lined up perfectly, and that we as viewers are along for the ride. And, trust me, I understand why they do this. However, for the love of all things holy, quit it with the blatant metaphors and anvil-heavy examples.

Get it? It's a maze!

I know that Gilmore Girls is heading into its final series of episodes in what could still potentially be its last season (More on this at some point in the coming weeks, methinks), but does it need to be designed entirely based on metaphorical situations to place its characters in. It began two weeks ago with the hay maze. You see, you can’t go around the maze, you have to confront it. Just like Lorelai and Luke need to confront their mistakes in the past, instead of just going around it. Because it’s faster that way. And then Rory and Logan were going into the maze, and there was two directions to go in, and they went in the same one. Get it? Because he’s totally on her side, because the maze told me so! I honestly felt fairly stupid watching it, as if the show didn’t feel that I, as a viewer, was capable of figuring it out without an anvil-like metaphor.

And then they did it again a week later! I know that even Amy Sherman-Palladino (Creator and former showrunner) used metaphors to get across her points, but it never felt so blatant. In this episode, Lorelai and Luke tried to reconnect. In the same episode, Lorelai’s car breaks. Now, she goes car shopping with Luke, but she doesn’t enjoy it or the cars she sees. You see, she doesn’t want a new car, she wants her OLD car. Just like she doesn’t want this new awkward Luke relationship, but rather her OLD banter-filled, dented relationship with the diner-owner. Do you get it? Because Luke is just like her car.

And yet, its popped up elsewhere as well.

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Filed under Desperate Housewives, Gilmore Girls, Grey's Anatomy, Television

An Open Letter to Zap2it.com Regarding Spoilers

Dear Zap2it.com,

I have been a reader of your site for the past number of years. I stumbled across it in my search to gain TV ratings data, and it has become a permanent stop on my entertainment news trawling ever since. It offers a wide range of commentary, quick news updates, and an occasionally biting sense of humour within its briefs that I find to be quite engaging. And yet, despite all of these positive qualities, I have a serious beef with you. Why?

Because you have spoiled more episodes of Survivor for me than I could count on my two hands.

Survivor is one of those shows, as I was discussing last week I believe, that I don’t often watch live. It is much more often that I am waiting to watch it until at the very least Friday afternoon, having not yet found the time to peruse it. And yet, during that time, I would like to be able to spend some time at Zap2it.com…but I cannot.

You insist on placing a picture of the evicted castaway on your main page, sometimes unavoidable when loading it. When Anthony was eliminated earlier this season, I knew before watching the show because I headed to Zap2it to see if the ratings were up yet. This, effectively, makes the show’s last 15 minutes absolutely worthless. In essence, these episodes of Survivor are being ruined for me.

I know that you’re trying to bring people in to read your recaps (Hell, I write my own recaps of shows all the time), but is putting a picture of the castaway eliminated REALLY necessary? Just slap a picture of Jeff Probst up there, include a little headline which hints at the episode’s actions, and then save the photo for the From Inside the Box post itself. It’s so frustrating to know that a simple change like this one could keep people from unwillingly discovering who was unfortunate enough to get the boot the night previous.

You need to realize that this is the age of TiVo, where people will often have not watched a show for a few days after it airs. This is especially true of Survivor due to the large amount of programming within its timeslot. There’s Ugly Betty, ABC’s award-winning drama. There’s Smallville, for the young teen set. And then there’s The Office and My Name is Earl for the 18-49s. And, for the unintelligent, Are You Smarter than a 5th Grader? on FOX. There are a lot of options here that people might choose over Survivor…and they are.

But this doesn’t mean that people aren’t watching; the recent Nielsen data regarding same-week DVR viewings showed that Survivor gained two million viewers compared to its initial same-day viewing total. That’s two million people who didn’t watch the show that night, and yet who would be entirely capable of mistakingly coming across that picture when browsing your site.

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Breaking News: Studio 60 returns May 24th at 10/9c

Well, this is a pleasant surprise. I was looking to see if perhaps Studio 60 might be replacing the finishing Raines after this week’s episode, and stumbled across something I was certainly not aware of.

According to NBC.com (And spread further by Zap2it), Studio 60 on the Sunset Strip will be taking over for ER on May 24th (That’s a Thursday) at 10pm EST. This is fantastic news for those of us who want to see how this season comes to a close. There’s still at least five episodes of the show remaining to air, and there’s still an off chance that it could be picked up for next season. However, I don’t expect this to happen.

You see, while it’s great that it’s coming back, that timeslot is going to be death. There’s no lead-in whatsoever, and while I’m glad to see it’s not being dead zoned on Fridays it’s still going to be a tough battle against the lead-outs from CSI (Shark) and Grey’s Anatomy (Maybe Men in Trees? Depends, really).

Either way, get ready to complain about pretentious writing and people who just can’t sleep together without bringing religion into it. And, if you’re me, kind of enjoy it all despite those aspects of it.

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What Should You Watch Tonight? – Friday April 27th

Let’s face it, the Box Office race isn’t too interesting this weekend (Nicholas Cage’s Next, Stone Cold Steve Austin’s The Condemned and Justin Chatwin’s (Locke’s FBI-investigator grow-up friend on “Lost”) The Invisible), so I figure that a night in with some television might well be in order. As a result, here’s three picks for the evening’s TV lineup.

8pm – Six Degrees (Online at ABC.com)

Sure, it might not be on your television, but it’s something new to watch if you were a fan of the ABC drama during its initial run. Unable to take advantage of its Grey’s Anatomy lead-in, the show was shelved to the side months ago and even after a brief return on Fridays found no traction. As a result, ABC has decided to stick with Grey’s Anatomy repeats (A show which does NOT repeat well) instead. Still, for those craving something, head to ABC.com today to check it out.

9pm – Raines (“Season” Finale)

I use airquotes because, barring some form of circumstance we are unaware of, a second season for Raines is just a psychotic image in the mind of the show’s lead character. The pilot didn’t capture me, and the show’s early cut to only 7 episodes didn’t really help either. It just didn’t connect with viewers, and NBC will be looking for something else to fill this timeslot. For those who enjoyed the show, however, it gives its likely swan song tonight.

10pm – Law & Order

In what could be its last back of new episodes, Law & Order returns from a hiatus with an episode that commercials promise will be classic Law & Order. Something to do with asylum and something crazy that happens. All I know is that my Law & Order piece couldn’t be much more true at this point; Criminal Intent is doing an Astronaut attempted murder/kidnapping story on Tuesday, which is entirely played out in the media. We’ll see if these kind of problems lead to the downfall of the Mothership, in which case this could be our last batch of new episodes.

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Thursday Night TV Club Showdown: April 26th, 2007

Three comedies. Three episodes. Two guest stars. One product recall. One season finale. And, in the end, one champion. Will the victor be The Office, recently named the show with the greatest percentage viewer increase through same-week DVR viewings? Or perhaps 30 Rock, the little show that could celebrating its 1st Season finale with a 2nd in the bag, despite some Alec Baldwin-related drama? Or could it be the veteran Scrubs, still facing a possible cancellation and coming off of an overly emotional story arc around a character death? We’ll have to find out.

The Office“Product Recall”

It opened with perhaps the best cold open in weeks, featuring Jim mimicking Dwight to a tee. It continued with an episode that featured, for perhaps the first time in weeks, a moment for every single character.

We’ve got Dwight preparing the Office for a press conference by placing Karen, Ryan and Pam out front while placing a plant in front of Phyllis. We’ve got Andy and Jim’s bonding on the school visit over some “The Lion Sleeps Tonight” (No one can possibly resist a good “Awimbawa”). We’ve got Michael botching a press conference and threatening to call the “Ungrateful Biatch Hotline” in front of a reporter. Then you have Angela making customer service calls, Kelly breaking into some B-A-N-A-N-A-S, Creed being his usual sketchy self in delightful fashion, and…it was just a fantastic ensemble episode of the office. It didn’t get too caught up in recurring storylines, and yet still seemed believable (Unlike Michael’s trip to the roof during safety training). It was grounded, strong in character, and is perhaps one of the best episode’s of the season.

30 Rock“Hiatus”

30 Rock delivered some good laughs, including a few from guest star Sean Hayes, but the problem is that it was really much more mired up in recurring storylines that never really came to a satisfactory conclusion. Tina Fey is a great comedy writer, she really is, but she isn’t used to “season long storyline arcs” or “season finales.” The result, really, is an episode that kind of felt like the episode of The Girlie Show within the episode itself: it was too short, too uneventful, and some of it just wasn’t funny enough.

I like that it dealt with some things extremely well (Colleen, Jack’s Mother, was bloody delightful, and the Star Wars references were cute), but parts of it just didn’t seem necessary. The Office has built a mythology which has allowed its more plot driven episodes to have meaning, but 30 Rock hasn’t done this yet. It needs to build to that point, and it hasn’t done it yet; Liz’s breakup with Floyd and Jack’s with Phoebe felt like meaningless diversions to build to some form of dramatic conclusion that was neither a) conclusive or b) dramatic. It just kind of all ended…with some funny lines throughout, but it wasn’t what a finale really needs to be. I’d almost rather it forget about the drama altogether and stick to make tight, slick half-hours of television.

Scrubs“My Turf War”

Perhaps in the exact opposite direction to The Office or 30 Rock, I actually quite prefer Scrubs when it heads into more dramatic character territory. Too often recently the show has gone to quirky comedy as a first resort. For perhaps the first time in a long time, Scrubs came to the table with an episode that reminded me of the season one episodes I’ve been enjoying recently. It was structured in ways that dealt with each character to a certain degree, and ended on a “cliffhanger” that felt actually, well, real.

It attacked on two fronts, instead of trying to cover nearly four of them as in past weeks. It introduced guest star Keri Russell as a college sorority sister for Elliot, who was funny enough and brought some actual tension into a relationship we haven’t seen in weeks: J.D. and Elliot. Their dynamic is a great part of past seasons, and it was nice of them to return to it in a non-sexual way…well, for now, anyways. And then, concurrently, they were able to deal with the battle between Dr. Cox and Turk, long raging, in a real fashion. The Janitor had his own little subplot that was in the background, Carla and Dr. Kelso had a small role, and the episode ended with Keith proposing to Elliot as J.D. realizes that being Elliot’s best friend might not be as easy now. It had dramatic impact, it had real character shifts, and it had a sense of an ensemble that it hasn’t had in awhile.

And the winner is…

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Catching up with ’30 Rock’

So, tonight the best new comedy of the season finds itself ending its season outside of the usually comfy spot of May Sweeps. Usually, this would be a sign for concern, but against the odds NBC renewed the show for a second season. Instead, 30 Rock is ending early since it had to return earlier due to Andy Barker’s struggles, and so it can make way for Supersized editions of The Office, My Name is Earl and Scrubs throughout May. But, I figure that tonight’s finale is actually continuing quite a few storylines, so here’s a little bit of catchup for those interested.

Liz Lemon (Tina Fey)

Her Life Thus Far: Started show as showrunner for The Girlie Show, a sketch comedy show on NBC, had to hire an unstable comedy actor due to new management, was forced to change the name of her show, was set up with a woman and considered her sexuality, got back together with her ex-boyfriend who sells pagers, found out that her ex-boyfriend was a pervert when he was on “To Catch a Predator,” almost made out with a relative, got attacked by her boss’ ex-wife for stealing him away from her, struggled to keep her writing staff in check, shot someone at the Source Awards, mistakingly received flowers meant for someone else’s girlfriend, was charmed by said flower-giver, attempted to break up his relationship by getting his girlfriend fired, failed, but she left anyways, and then she started dating Floyd, who was good to her, but he ended up breaking up with her to go to Sunny Cleveland to his perfect life while she remains toiling in New York trying to figure out a way to make Jack see that his fiancé is a manipulative gold-digging whore. [Video: Liz in Retrospect (Plus a Preview of the Finale)]

Jack Donaghy (Alec Baldwin)

His Life Thus Far: Took over Television and Microwave Oven Programming for General Electric, which put him in direct control of The Girlie Show, which he changed the name of, and whose creator he felt needed serious help, who he then forced to write a product integration skit which he ended up acting in despite a hilarious 5-day shoot for an informational video, which he followed with a relationship with Condeleeza Rice, followed by a battle with his ex-wife (Played delightfully by Isabella Rossellini, who should totally be a regular next season), and then portrayed his powers of negotiation and comedy and weird doctors, and then proved his inability to think about all of this when he set off fireworks in the middle of New York City, which was an absolute failure and resulted in GE trying to take away his control over the Microwave Oven division, which put him down in the dumps, which resulted in him buying pretty art pieces from a creepy fake-British woman with hollow bones (like a bird, we get it Phoebe) who Jack proposes to out of desperation, flies to Paris with her, falls asleep during sex, and then is convinced by the fiancé that Liz is just jealous when she attempts to convince him out of his crazy plan. [Video: Jack’s Words of Wisdom (YouTube)]

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The Cultural Learnings Magic 8-Ball: Idol’s “Most Shocking Elimination” Prediction

I’ve shaken my magic 8-Ball with the following prediction:

Will American Idol’s most shocking elimination ever in fact be a complete lack of an elimination in a moment of spiritual togetherness and happiness?

“Count on it.”

It is now 8:51 EST. We’ll see if the 8-Ball is correct in believing that no one will be eliminated on tonight’s episode of American Idol.

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