Monthly Archives: April 2007

Lost – “D.O.C.” Recap

Six Questions About “D.O.C.”

1. Okay, what does D.O.C. stand for?

Date of Conception, which is an important distinction to the episode. You see, if you conceive a child off the island (Rousseau, Claire), you’ll be a-ok. If you did so on the island, well, it’s kind of up in the air. This distinction is explained by Juliet, who appears to have secret knowledge relating to the “abandoned” medical hatch.

2. So how’s the sex life on the island?

Well, let’s think back to who exactly has had sex on the island. We’ve got Jin/Sun (Although we never really saw that coupling), clearly, considering the result of the ultrasound, but what about Kate/Sawyer? The end of the episode seems to indicate that Kate might be pregnant as well. And if that’s the case, would Ana Lucia have been pregnant should she have not been, well, shot? And what does this mean for pretty well anyone who has sex? I assume that people are having sex on the island (Come on, it’s been a long time now), so does this mean that there is a whole lot of pregnant women walking around? It raises a lot of interesting questions.

3. Is Juliet’s motivation any clearer?

Yeah, not so much. Although, at the episode’s end, we get a fairly substantial glimpse into her true emotions…while at the same time confirming her greatest motivation is in the hands of Ben and the Others. We still, however, don’t know why she’s working with him even in her apparent distain for every fiber of his being. The episode certainly showed that she is certainly still going along with Ben’s plan, but yet she doesn’t seem to be as much of a true believer as we saw in “One of Us” two weeks ago. It’s still very, very vague.

4. Who is this parachute girl exactly?

We still don’t have an answer to this question, let’s be fair. We know that she speaks a whole bunch of different languages, we know that she seems to know a lot about Oceanic 815, but we’re currently missing a name, an identity, and an answer to our questions about why she knew Desmond’s name, why she had a copy of the photo. We got a few new questions, if anything, as opposed to any sort of answers. It was somewhat overshadowed, though, by the fact that Mikhail came back from the dead to save her life. I am much more interested in his miraculous recovery from apparently having his brain blown out than I am about this woman.

5. Is Jin and Sun’s Back Story any interesting?

I’d argue it is, but I worry that it’s a little bit repetitive. I think, though, that it did a good job of reflecting the episode’s themes (Unsure as to her relationship with Jin, questions of the past coming back to haunt you, etc.) while having its own little narrative. This was a big episode for Sun’s character, and I think that her concern over Jin’s past showed some strong development. The arc of the story flowed well, and showed the level to which she wants their relationship to work; she basically sacrificed their marriage over it. Their story is a fantastic tragedy, and this episode continued this.

6. Any big revelations?

YES. Okay, this blew my mind. You know how so many times people have these crazy adventures, and then they don’t actually TELL anyone else about it, so it’s like this big secret. Well, in this episode, they revealed that they DO talk. In fact, they knew a lot of details about it. Honestly, this is kind of mind blowing for me. They should do this more often.

…oh, you mean other than that? Well, there was sort of the fact that Oceanic Flight 815 was already discovered. They found the plane. There was no survivors. Naomi (Parachute Girl)? She’s totally just there for Desmond, not these apparently dead people. That’s kind of intense, really…but I’m more impressed that they actually communicated. That’s a breakthrough right there.

But these questions don’t cover everything in the episode, although it does cover most of it. Much like last week, this episode was really quite centered on Sun/Jin and didn’t deal with a broad range of issues or anything. If you want all the details, however, continue reading for a full recap.

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Cultural Catchup: April 25th

Wow, so much is going on right now…

Idol Gives Back, McNutts provide Commentary

So, tonight was the first part of the rather epic Idol Gives Back event on American Idol, and the singing was just…ok. I thought Jordin was pitchy in the beginning, contrary to the judges, but really there wasn’t much to really say about the performances. There is a lot to say, however, on the subject of the cultural ramifications of Idol Gives Back. The elder McNutt has taken an interest in it, and I’ve assisted in analyzing and considering the issue over at McNutt Against the Music. I implore all of you to go over and check it out, it’s quite interesting (I even bring up Baudrillard!).

…in which McNutt and McNutt discuss “Idol Gives Back” – McNutt Against the Music

What’s up with the Boys of Entourage?

Joe asks, and Joe receives; I have, indeed, not talked about Entourage since its recent Season 3.5 premiere. My thoughts? First episode back was good, the second was dull and annoying, while the third got things back on track thanks to some classic Ari and the absolutely stunning Carla Gugino. Ari/Lloyd have been a powerful force thus far, and I think it’s making me more and more frustrated with Vince and Eric. While the latter two are all caught up in the drama of it all, unable to escape their juvenile ways, Ari and Lloyd have this great rapport that just kills me. They’re currently saving Entourage, and I think that they’re perhaps my favourite duo on TV right now.

The Post-Elimination Speech Revenge: Dancing with the Stars and Reality Legitimacy

So, I haven’t been paying too much attention to Dancing with the Stars, but I’ve seen enough to know that the show is suffering the same fate as The Apprentice: its contestants are losing respect for the program. It’s one thing for viewership to fail, but the past two weeks has seen Clyde Drexler and Heather Mills give absolutely biting exit speeches that attack parts of the show’s structure.

Drexler ended last week attacking the judges for expecting non-dancers to be so good. Reasonable? Absolutely not. But it’s still tough to hear for producers. And this week, Heather Mills prepared an entire speech in which she voiced her views on animal rights (unsurprising, but it really pissed off Tom Bergeron who told her to “save her speech for another venue”) and pointed out that she feels bad since her partner (Johnathan) would not be unemployed thanks to her exit. I seriously doubt the show wanted us to think about unemployment when watching ABC’s reality television programming.

The Apprentice had a similar problem, in that after a specific board room the team just laughed as they left, failing to take Trump seriously in the least. Is reality TV becoming so transparent that contestants are no longer willing to isolate themselves? If this is the case, what does this mean for future shows? Is reality TV finally becoming less desirable, less idealistic? I guess that’s a question to ponder.

Today is a pretty crazy day for me, as I’m packing up and heading home. I should be back home in time for some Idol Gives Back and Lost blogging, however, which could mean a long night in front of the HDTV. Mmmm. High-Definition.

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Heroes – ‘.07%’

Heroes – ‘.07%’

[Previously on Heroes: Well, there’s a lot to cover, so head over to ‘When we Last Left Our Heroes…’ for some more detail. The result is a Linderman-specific narration of the last episode and the head space of each character. Perfect moments frozen in portraits. Together, they can tell the future]

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When We Last Left Our ‘Heroes’…

Monday April 23rd is the date that everyone has been looking forward to, when Heroes returns from its almost two month long hiatus for its last batch of new episodes. However, since it’s been awhile, I figure we should revisit the status of each of our Heroes in order to refresh our memory after the hiatus acted went all ‘Haitian’ on our brains.

Edit: Wish to know what happens in ‘.07%’, the new episode? Check out the recap here: “Heroes: ‘.07%'” 

Claire

Status: On the run from Primatech.
Psychological State: She recently discovered that her grandmother has been involved in her life in some capacity, and that she and the Haitian are both trying to keep her safe. Plus, she might never see her parents again. She’s in a bit of a tough shape, and it might even make her dye her hair to cope with it all. Just a hunch.

Nathan

Status: Appearing on “Linderman’s Kitchen,” a cooking show where Linderman blackmails political candidates to doing his bidding while making vegetarian delights.
Psychological State: Considering that Linderman just offered him the Presidency, I’d say that he’s pretty happy on one side, and morbidly concerned on the other. Plus, Linderman both has sharp knives and the ability to have him killed, so I think he’ll probably take the deal. Just a hunch.

Hiro

Status: Transported into the near future, post-bomb, with Ando and experiencing the carnage that ensues…although he now has the sword in his possession. Huzzah!
Psychological State: He’s kind of depressed about, you know, utter desolation, but he’s got his abilities back so it’s looking up for Hiro’s role in future episodes. After slumming in Las Vegas for awhile, he deserves a chance to break free.

Mr. Bennet

Status: Apprehended, along with his wife, by Primatech thanks to the shape-shifting hero recently brought into the show.
Psychological State: He recently had his memory wiped, but was smart enough to inform his wife ahead of time. Of course, he wasn’t smart enough to realize that the shape-shifter would take his wife’s form and fool him into revealing that he had some knowledge of Claire’s whereabouts. Which puts him in a little bit of turmoil.

Peter

Status: Shoved up against a wall by Sylar and currently having a large incision being placed into his skull which is resulting in a rather alarming amount of blood.
Psychological State: Well, Sylar is kind of trying to kill him, so I think he’s probably a tad bit frazzled. He could also be considering whether or not he’s quite mastered Claire’s healing capability, and whether or not anyone is nearby to try to help him. Like Claude, perhaps. Who knows.

Sylar

Status: Shoving Peter up against a wall and cutting his head open.
Psychological State: In my view, Sylar’s a great multi-tasker. He’s planning out tomorrow’s grocery shopping, and wondering if Peter maybe has a power that gets blood out of clothes easier. Because that would be spectacular, those dry cleaner bills are murder.

Mohinder

Status: Attached to the ceiling of his apartment while bleeding out onto the ground.
Psychological State:LOVE HANGIN’ LOVE HANGIN’ HA HA HA.” [See 1:30 of the link for the reference. Be warned: It’s Muppets.]

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Saturday Night Live (April 21st, 2007) – Scarlett Johansson & Bjork

Due to an unfortunate circumstance of having a particularly fiendish acquaintance in possession of my property, I was unable to actually watch Saturday Night Live. However, for a short time, every single skit was on YouTube. So, I have “watched” it. And here’s some links that will likely go down, but at least a few of you could enjoy it.

The Digital Short – Roy Rules

This is really, really, really not funny. Is it kind of cute in some of its jokes? Sure, Andy Samberg has good timing and the production is strong. And it does a good job of not peaking too early, and doesn’t outlive itself too easily. I just think it’s a bit too crude, too simple, for me to really embrace it. After last week’s digital short was a biting social satire (violence or no violence), it was somewhat disappointing for this descent into low brow humour.

SNL – Regis & Kelly – Ivanka Trump

Considering that Regis is returning from his Triple Bypass Surgery this week, this is a timely sketch return that benefitted from the rather fantastic cuts to Armisen’s Howie Mandel (He’s no Kattan’s Gillman, but he’ll do). However, Ivanka is actually far more full of life than the sketch gave her credit for. And now here I am revealing my secret fascination with Ivanka Trump. Sigh.

Weekend Update

I have a lunch meeting, so I am unable to completely finish watching this, but it started on a mildly humorous note. And the “Really!” back and forth was, well, really funny regarding Gonzalez. I approve.

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Disorder in the Court: The Fall of ‘Law & Order’

In the criminal justice system, the people are represented by two separate yet equally important groups: the police who investigate crime and the district attorneys who prosecute the offenders. These are their stories.

These iconic words signal the start of one of the longest-running television dramas of all time. Dick Wolf’s Law & Order began airing on NBC in 1990, and has resulted in three sister shows, multiple spinoffs, and 17 seasons of justice being served. There had been crime dramas before Law & Order, there had been legal dramas before Law & Order, and yet there was something about the show that connected with viewers in a new way. For me personally, the show represents an opportunity to get entirely engrossed in each week’s case. You see it from beginning to end: you’re there when the body is discovered, you’re there as the police search for clues, and you’re there when the legal team takes over.

It was this format that brought the show a great deal of success, including an Emmy for Outstanding Drama Series in 1997. It became a show that NBC could count on for critical praise, ratings success, and even some media buzz when it came time for its many cast changes (which never seemed to hurt the series) or its stories which were ‘ripped from the headlines.’ And, thanks to the joys of syndication, you can basically watch five episodes a day without changing the channel if you switch over to TNT. The result of all of this was a certain level of prestige around ‘the mothership’ of the Law & Order franchise. Even with the rise of Special Victims Unit to ratings supremacy and awards attention, there was still something powerful in Sam Waterston laying down the law. There was still life within Law & Order.

And yet, now, there are stories like this one. And this one. Law & Order, the mothership, is sinking. What led to the fall from grace for this once venerable drama? The answer is a whole lot of things, and its ability to recover from them will entirely depend on Dick Wolf’s ability to kiss up to NBC Executives.

Five Reasons For the Fall of

Law & Order

1. CSI: Crime Scene Investigation
It began airing ten years after Law & Order came onto the air, and yet seven years later pulls in over three times as many viewers. Law & Order, up until CSI came onto the scene, was the only real procedural in town. While there were other successful shows, no doubt, CSI was the first criminal show of this nature to emerge as a bonafide hit at the level of Law & Order. It provided a distinctly modern tilt, the forensic analysis portion of each individual crime, and was able to do it with an assortment of relatable characters. It had the procedural qualities of Law & Order, but it was also flashy, hip, and 21st century cool. Law & Order, meanwhile, was sticking to its traditional guns. In a time when television became flashier, Law & Order simply sat back.

The problem is that as it sat back a trend formed. CSI’s success would lead to everyone and their mother developing procedural dramas. This trend has suddenly placed Law & Order, once head and shoulders above the rest, as just another drama which takes on a single crime per week. There is a reason that Law & Order hasn’t received an Emmy nomination for outstanding Drama series since 2002; it’s because CSI became the cool kid in town, and after that point there were so many procedurals that the academy became numb to the entire genre. With the arrival of CSI, Law & Order’s “gimmick” died. While the show itself didn’t change, the level of potential cultural impact it once had disappeared, and the prestige and image of the show was forever tarnished. Now, CBS’ Numbers (A Procedural crime drama about a math geek and his FBI Brother) is defeating Law & Order on a weekly basis.

Law & Order’s move to Friday nights, where ratings potential is far lower, has been another factor…but it actually relates directly to the rise of CSI. Law & Order switched timeslots this year in order to avoid CSI: New York, as the rise of CBS’ procedurals basically forced them to the sidelines. The reality is that CSI changed everything, and Law & Order has been the greatest victim of its rise.

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Thursday Night TV Club – April 19th, 2007

 

I really don’t have much to say about last night’s episodes, to be entirely honest with you. While I watched everything that was new, I honestly felt that every single show just treaded water outside of one. That one, surprisingly enough, was the one show which seems to be falling off the cultural radar.

While I gave 30 Rock credit last week for continuing storylines over multiple episodes, this week was…just the same as last week. It’s disappointing to see Floyd leave, really, but at least it keeps the show from becoming complacent. This episode was exactly the same as last week’s, in most ways, except this time we had a small dose of Jenna (And yet even the writers seemed begrudging about it, keeping her out of most key storylines and dissing her ability to carry the show in Tracy’s absence). I thought some of her lines were funny, but then they had her trying on underwear and falling down. The character is simply out of steam. Jack’s relationship with Phoebe is frustratingly dull, and the only character currently surviving is Tracy, mainly for the Black Crusaders portion of his storyline. And even then it was fairly low on the comedy scale outside of Gordon from Sesame Street being one of its inner circle. Liz’s trip to Cleveland was cute, but it was all wrapped up in the same cloth as last week’s episode.

Scrubs was on the same boat, as it was one of their annoying “Let’s have other people do the voiceovers” episodes. I think that it wasn’t a half bad episode of Scrubs based on this season’s standards, but I’ve been watching Season One on DVD recently and I can’t help but compare. I do not care about Elliot and Keith, stripper pole or no stripper pole. Ted is fairly boring, and him standing up to Kelso felt dated. Jordan has lost much of her character depth since the intense botox treatments, and I don’t think she really demands our attention. And, while I love The Todd and felt that his internal dialogue was by far the most interesting (and actually funny), it still wasn’t much of a real storyline. All three of the focused-upon characters are never going to actually become anything important, so why bother spending so much time on them when it will all be forgotten by next week?

Speaking of forgotten, I was woefully bored with this week’s episode of Ugly Betty. I enjoy the show, but this episode just did absolutely nothing for me. Wilhelmina seducing Bradford just isn’t entertaining to watch, and Daniel sleeping with a 16-year old is decidedly regressive (moreso than it really needs to be). The show was rolling at a really good clip dramatically for awhile, but this episode dropped the major component of this: Henry. Christopher Gorham’s likable accountant was the thing that kept Betty on track, and watching her fall off the rails wasn’t good television in the least. The show lacked the charm of the rest of the season, and its darker turns don’t seem like the right step forward for the show…and the less said about the terrible Ignacio storyline the better.

For details on Grey’s and the best episode of Survivor in a long time: Continue reading

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Obituary: Sanjaya Malakar (2007-2007)

It is with a sad heart that I announce that Sanjaya Malakar as been eliminated from American Idol this evening, April 18th, at 9:57 EST. Sanjaya is survived by six other superior contenders for the title, who will remember him fondly, and millions of viewers who will not.

The girls cried for him. The celebrity judges loved him. Simon hated him. It was a love/hate relationship from the very beginning, and he will always be remembered as perhaps the most polarizing contestant of all time. His presence simultaneously delegitimatized the show as a singing competition and provided it with some of its most substantial press in recent years. It was a double-edged sword, and tonight Sanjaya’s metaphorical head got caught between the sword and the chopping block.

A Memorial Service is likely to be held on every morning talk show, every internet site, and on a wide majority of future Idol broadcasts. They’ll remember his tenacity, his spunk, and ignore his terrible singing.

So long, Sanjaya. See you at the Finale.

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Lost – “Catch-22”

“Context-22”

The Wikipedia Links You’ll Need to ‘Get’ Tonight’s Episode of Lost

A full recap of the episode will follow after the link, but here’s some Wikipedia links that will help provide some context for the episode even if you haven’t watched it. I shouild really be working on my exam studying, so I won’t go into any further detail.

Catch-22 (Logic) – a situation in which an individual has to accomplish two actions, both of which are dependent on the other.

Catch-22 (Novel) – Historical Fiction novel from American author Joseph Heller.

Moriah – Biblical Mountain Range

The Binding of Isaac – A moment in the bible when God asks Abraham to sacrifice his son Isaac, and it’s all a big test of his faith.

These four links should give you a nice foundation for the episode; if you want all of the details:

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Cultural Feedback: The Politics of Sympathy on American Idol

In the wake of Monday’s shootings at Virginia Tech (Which I’m not trying to exploit here, in talking about them twice, but I really want to focus on this conundrum), American Idol felt that there should be an address of sympathy to the victims and their families. At the opening of the show, Ryan Seacrest forewent the usual bombast and drama for a subtle, well-stated message of sympathy in the wake of yesterday’s events.

However, after his performance, Idol contender Chris Richardson made special mention of the tragedy, and provided his own personal condolences. Judge Simon Cowell was very clearly upset at this, turning his head away from Richardson and seeming genuinely angry. In fact, as this picture shows, Simon was most certainly rolling his eyes.

After Chris’ comment, Seacrest noted that “All of us feel for everybody affected by that,” seemingly trying to depersonalize the statement. Later in the broadcast, after Blake Lewis had performed his song, Simon tagged on a message of sympathy from the judges specifically which had no relation to Blake’s comments.

This raises a lot of questions. While I think everyone would believe that a response from a show like American Idol is a classy move, was Richardson stepping out of his bounds in an attempt to rise above the competition? Was he just trying to gain attention, and did that attempt make the other contenders seem less sympathetic? Was Simon’s response petty, feeling that he was not personally connected to one of the apologies, or rather out of concern for the other competitors?

On a personal level, I think that the one show-wide message of sympathy is the better tactic, and that intended or not Richardson should have left it at that. I admire Simon’s effort, but he came across as really angry, which was also inappropriate considering the situation. And yet, I think that this raises a really interesting issue (Especially considering my previous post on the relationship between the recent tragedy and television), and I was wondering if anyone else had an opinion on the subject. Did Chris or Simon go too far, or is too much sympathy never a problem?

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