Category Archives: Emmy Awards

Assessing the Contenders: Drama Series Catchup (Dexter, FNL, Grey’s, House)

So, last week I was all set to really dig into all of the various submissions that the panels saw in both Comedy and Drama a few weeks ago now, but then life got in the way and I’ve been distracted. It also didn’t help that I had actually seen most of the episode, so I had already formulated opinions and therefore didn’t feel an urgency to write about them (Something I do have when I’m seeing something for the first time). So, I figure I’ll provide some short-form reviews of at least some of the remaining episodes over the next few days, and then offer a more comprehensive overview next week leading up to the nominations themselves. First, a view into the drama contenders.

Drama Series

Dexter – “The Dark Defender”

Synopsis: Dexter, with the help of his similarly crazy friend Lila, confronts his mother’s murderer in an emotional attempt to achieve closure.

My Thoughts: I hate Lila with a fiery passion, and found the character ultimately disruptive, but her role as Dexter’s kindred spirit of sorts was strong. Michael C. Hall is great in the episode, and it displays the show’s usual great use of violence and gore to serve story purposes.

Panel Potential: Unfortunately, its use of blood and gore has been what has held it back, as pretty well all awards potential goes out the window when older voters can’t stomach the show’s bloody reality. So, all signs point to a rough panel performance.

Friday Night Lights – “Leave No Man Behind”

Synopsis: Tension between coach and quarterback reaches its climax, and love triangles and parental strife round out the episode.

My Thoughts: The best episode of the show’s second season, it is most importantly a view into where football and life intersect as opposed to simply the lives of these characters. For the scene where Eric Taylor throws Matt Saracen into a cold shower to wake him up from his depressive state alone, this one’s a winner.

Panel Potential: There’s a lot of strong elements here, from performance to relativity to the standard lives of panelists, so it should have a decent performance (but likely not enough to make up for its poor Popular vote showing).

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The Top 12+ Snubs of the Emmy Top 10s

The Top 12 Snubs of the Emmy Top 10s

This post has been delayed a bit after getting captured between my new and old computers, but I think it’s for the best. When the Emmy Nominations are announced in just over a week’s time, more names will be added to this list, but what this list allows us to do is spread out the disappointment. That these contenders won’t even have a chance in front of a panel, though, is its own tragedy, and the more time I had to embrace this fact the more I realized how much this process hurts.

And it’s not that it’s not fair: while it may not always produce results I like, the current Emmy system is perhaps as close to democracy that they could possibly achieve. The reality of popular and patronage-dominated shows performing well at the Emmys will not go away anytime soon, so we should be thankful that there were some pleasant surprises as I discussed last week. But at the same time, we can’t help but feel it: that the people who were snubbed at this end of the process deserve recognition, no matter how they get it.

So, without further delay, and in no particular order, my Top 12 2008 Emmy Snubs…and let’s hope the list doesn’t grow too greatly next week.

1. Connie Britton (Friday Night Lights)

Category: Supporting Actress, Drama Series

What more does she need to do to get noticed? Britton moved herself to the supporting category to avoid juggernauts like Sally Field or Glenn Close, but at the end of the day the category proved to be even more difficult to break into unless you’re heavily featured in a popular show or an award show veteran. She gave a fantastic performance through an uneven season, the constant rock the show could lean on. She makes weak storylines solid and good storylines great, and if that’s not a great supporting actress I don’t know what is.

2. January Jones (Mad Men)

Category: Supporting Actress, Drama Series

January Jones is the victim of her series’ plot – the show’s pilot, the episode most voters would have seen, doesn’t actually feature the character of Betty Draper, revealing her existence only at episode’s end. While someone like John Slattery was able to ride his reputation to a nomination, Jones doesn’t have the name recognition and is unfairly snubbed here. She did some amazing work embodying the 60s housewife, especially in “Shoot,” and that this portrayal won’t be seen by the judges is a disservice to the ensemble nature of the series. While I’m happy for Christina Hendricks, that was Jones’ spot.

3. Chi McBride (Pushing Daisies)

Category: Supporting Actor, Comedy Series

With all three of his primary co-stars breaking into their respective Top 10 lists, forgive me for being upset that my favourite was left off. Not known for his comic work, McBride’s Emerson Cod has been a delight. He’s a knitting private detective, for cripes sake, and he has adapted maybe best of all to the witicisms and whimsy that this world entails (albeit it through cynicism and sarcasm). The shortened season robbed him of a showcase episode (We got hints of a baity fatherhood episode), something that the other actors by comparison had, but that doesn’t mean that the show’s most consistently hilarious character should get snubbed. Here’s hoping the voters smarten up for the show’s second season.

For more snubs including performers from House, Lost and Battlestar Galactica, click on through.

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Assessing the Contenders: Damages – “Pilot”

[As the Top 10 Comedy and Drama series contenders have been released, and since Gold Derby has been kind enough to grab us the episode titles, I’m going through each submission judging its quality and its potential on the panel. Today, it’s time to delve into one of last summer’s most high profile series, and one with a lot of Emmy buzz.]

Damages (FX)

Episode: “Pilot”

Synopsis: Patty Hewes (Glenn Close) is a high-powered attorney who is known for her cutthroat behaviour and her cruel tactics; Ellen Parsons (Rose Byrne) is a young attorney right out of law school who finds herself becoming tangled in her web. Opening with a bloody Ellen walking the streets, the episode flashes between that terrifying future and the start of it all as Ellen and Patty both get caught up in a civil case with Arthur Frobisher (Ted Danson).

My Thoughts: Damages is not a perfect series – it ends up with serious narrative problems that shouldn’t have happened in a short thirteen episode season, and while it ends with a flourish it never quite lives up to the pilot’s potential.

But this pilot is full of potential, and is pretty close to perfect.

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The Top 10+ Pleasant Surprises of the 2008 Emmy Top 10s

The Top 10 Pleasant Surprises of the Top 10s

[If I was currently wearing a hat, I would take it off in honour of Tom O’Neill’s continued amazing work gathering up leaks in regards to the Top 10 lists of semi-finalists for the Emmy Awards panels taking place over the next few weeks. While he doesn’t have the complete list, I’m willing to go out and indicate the 10 choices (In no particular order, but the top 2 probably are) that actually make me optimistic about the show’s relevancy (Before, admittedly, taking a look tomorrow at the ones that give me no hope at all).]

1. Mary McDonnell (Battlestar Galactica)

Category: Lead Actress, Drama Series

Last year when writing up my For Your Consideration posts, I said the following about Mary McDonnell’s work as President Laura Roslin on my favourite Sci-Fi series:

“What I love about Mary McDonnell’s portrayal of the character is that, without fail, you are always rooting for Laura Roslin to succeed except for those moments where she is clearly wrong. In those cases, McDonnell makes you want to see Roslin get let down as easily as possible, in order to ensure that she isn’t too damaged in the process.”

This is even more true this season, where her character finds her cancer back and where a whole new perspective is reached. Her performance in “Faith” is heart-wrenching, and that panels will finally get to see an episode of this fantastic series in the Top 10 warms my frakking heart. This is one of those surprises that gives you faith that the Emmys are willing to recognize performances off the beaten path, if you will, and they don’t get much better than this.

2. Zeljko Ivanek (Damages)

Category: Supporting Actor, Drama Series

When previewing this category, I lamented the likely lack of recognition for Damages other supporting actor contender:

“While he seemed fairly minimal in most instance, sparring with Patty or reasoning with Frobisher, Ivanek burst into the main narrative with “I Hate These People.” Without falling into total spoiler territory, the character took a sudden turn to the tragic, a dramatic fall that was more compelling than anything the other supporting characters went through.”

That he broke through was a highlight for me, a sign that people were watching all of Damages and not just the show’s pilot. Ivanek may have had accent issues, and certainly the show wasn’t near perfect, but his performance in his submission is simply stunning, and I can only hope voters enjoy the time they have with this amazing piece of work.

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Assessing the Contenders: Entourage – “The Day F*ckers”

[As the Top 10 Comedy and Drama series contenders have been released, and since Gold Derby has been kind enough to grab us the episode titles, I’m going through each submission judging its quality and its potential on the panel. As I prepare to write about the second Comedy series in contention, you can check out some great Spy reports gathered by Tom O’Neill and Boomer over at Gold Derby (One, Two & Three).]

Entourage (HBO)

Episode: “The Day F*ckers”

Synopsis: With both lovelorn Eric (Struggling to get over his ex-girlfriend Sloan) and Turtle (Who’s never been very good with dating) in slumps, Vince and Drama turn their rush to get laid in a casual fashion into a contest; meanwhile, Ari (Jeremy Piven) struggles to get his son into a private school despite his poor reputation.

My Thoughts: I’ll let my thoughts back when the episode aired to do a bit of the talking for me, although I’ll break into further analysis after the break.

That’s not to say this was a terrible episode of Entourage; as far as these really light and inconsequential episodes go, this one wasn’t particularly awful. But it just had no purpose: Ari’s storyline has been drawn out and neither funny nor dramatic, Eric’s love life has never been entertaining (Although Sloan remains attractive), and Turtle and Drama’s antics were just as ludicrous as ever. The episode just kind of sat there, not doing anything except advance Eric’s love life that tiny little baby step forward.

And when reading over this, and watching the episode, I have to agree: in context of this race, the episode gets even worse.

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Assessing the Contenders: Boston Legal – “The Court Supreme”

[As the Top 10 Comedy and Drama series contenders have been released, and since Gold Derby has been kind enough to grab us the episode titles, I’m going through each submission judging its quality and its potential on the panel. Here’s the first Drama Series in contention, a nominee last year that looks to return.]

Boston Legal (ABC)

Episode: “The Court Supreme”

Synopsis: Having gained a reputation as a staunch opponent of the death penalthy, Alan Shore (James Spader) is approached by a young attourney whose client, a mentally disabled man from Louisiana convicted of raping a child, is appealing the death penalty at the highest level: the Supreme Court of the United States.

My Thoughts: There’s quite a few who are labeling this episode as Emmy bait, and they would not be wrong. For a show that is never afraid to quite literally throw its politics in the audience’s face, this goes even further than we’re used to. James Spader is likely to pick up his fourth Emmy for his performance here, and the show is more than likely guaranteed a nomination.

That doesn’t, however, mean I liked it.

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Assessing the Emmy Contenders: Curb Your Enthusiasm – “The Bat Mitzvah”

When Emmy released the Top 10 lists of the potential nominees for both comedy and drama series, they took the wind out of my sails in terms of putting up my own predictions. However, their work and the work of Tom O’Neill over at Gold Derby getting the episode submission titles means that interested parties can have their own private screening of the 10 comedy and 10 drama episodes that the blue ribbon panels are viewing this weekend. So, following a suggestion by GoldDerby Forum poster jss0058, I figured I’d offer my thoughts on the submitted episodes in alphabetical order as we approach the July 17th nominations.

First off, two caveats:

  • For the sake of not ruining plot-heavy series, I have no intention of watching the submitted episodes from The Tudors or The Wire. I’m currently on the fence with Flight of the Conchords, but chances are I’ll be fine with it.
  • I probably won’t rewatch some of the episodes that I’ve already reviewed/watched extensively, but I’ll try to at least take a fresh perspective.

And with that out of the way, let’s get onto the first series, Larry David’s improvisational comedy hit that finished off its sixth season late last year.

Curb Your Enthusiasm (HBO)

Episode: “The Bat Mitzvah” (Directed by Larry David)

Synopsis: Larry (Larry David) has a tickle in his anus, and a rumour spreads that it’s the result of a gerbil finding a way into that particular cavity.

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Academy Reveals Emmy “Top 10s” for Comedy and Drama Series

Earlier this week, Tom O’Neill over at The Envelope’s Gold Derby revealed that the Academy planned, for the first time, to reveal the official Top 10 qualifiers for the Series and Acting prizes. These are the shows that will be screened in front of panels, and then used to decide 50% of the final nomination process. These lists are the cutoff point – if you don’t make the list, you cannot get nominated for an Emmy.

Now, the Academy is making their unprecedented decision a little bit more tentative; they’ve announced the Top 10 Series in both Comedy and Drama, and are going to re-assess the situation tomorrow after they see the critical and industry response to these revelations. This is fair, I guess, but let me be the first to say that as a wannabe TV critic I love this news, and think that it’s only helpful to the process. Yes, it will make a potential nomination for a show like The Wire less surprising (Where before people would have presumed that it wouldn’t even make the Top 10), but now people are actually kind of excited going into the process.

Now, Tom has asked that the list of episode submissions be kept to his blog, but the Top 10 lists are floating around. So, here’s the link to Tom’s list, and then I’ll provide the full list of shows and go into some commentary on the choices, and why releasing the acting lists is still a viable option.

Gold Derby: Emmy Drama/Comedy Top 10 Submissions [Link]

Drama

“Boston Legal”
“Damages”
“Dexter”
“Friday Night Lights”
“Grey’s Anatomy”
“House”
“Lost”
“Mad Men”
“The Tudors”
“The Wire”

The Big Surprise: The Wire, which in its fifth season finally captured a little more of voters’ attention. The show is actually HBO’s only show in the category, trouncing their more heavily promoted In Treatment.

The Big Snub: While one could argue that Big Love’s absence from the list is a surprise, the real surprise is that Heroes (nominated last year) didn’t make the Top 10. That the Academy so clearly judged the second season’s quality correctly gives me high hopes.

The Sentimental Favourite: It’s gotta be Friday Night Lights, which squeaks its way into the category with an uneven, but still quality, second season.

After the break, the comedy list.

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60th Primetime Emmy Awards Preview: Supporting Actress in a Comedy Series

Achieving success in the Supporting Actress in a  Comedy Series takes one of three things: having a recognizable name, being on a popular show, or being on a show that has won Emmys in the past.

Now, you’re probably asking yourself why I would take the time to isolate these three categories since they should (by and large) encapsulate 90% of nominees. The reason is that this is a category where there are some great contenders that won’t be recognized in favour of those who are part of the Emmy elite, or part of shows that give them more exposure. I’m not saying that these are not worthy contenders, but rather that there’s a few others who did fantastic work this season who won’t be recognized for it.

Instead, this is a race designed for last year’s contenders: from the surprise winner to the resurgent veteran, all sides are staging a battle that could prove one of the toughest predictions of the night – if only predicting the Top 10 was just as challenging.

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60th Primetime Emmy Awards Preview – Supporting Actor in a Comedy Series

If there’s something to say about the Supporting Actor category for comedy series, it’s that it has far too many candidates, largely due to the nature of television comedy. There are just a lot of male comic performers who steal their respective shows, emerging from the spotlight of the “stars” if you will. When there are three of television’s biggest comedies with two contenders each, you know that the competition is going to be extremely difficult.

And yet, when it comes to narrowing the category down to winners, it’s been a bit too predictable in recent years: since 2002, only three people have won the award (Brad Garrett with 3, David Hyde Pierce with his fourth, and Jeremy Piven with two in the last two years). The result is that it’s not the kind of category that really opens itself up to new talent, even when like last year it had it staring in its face with nominations for Rainn Wilson, Kevin Dillon and Neil Patrick Harris.

But the hope is that history won’t repeat itself: with 30 Rock emerging with a few new candidates, a breakthrough comic role for a drama specialist, and a few fringe contenders, Piven’s reign might just be over as Emmy voters decide to go with something fresh and new. Or, if I know Emmy voters, Piven will walk with his third trophy, not undeservedly but unfortunately.

[Sorry for advance for a lack of YouTube links: Entourage clips are limited and NBC is uppity about clips thanks to Hulu, which I’d use if I could access it from Canada. My apologies!]

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