Season Finale: Parks and Recreation – “Rock Show”

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“Rock Show”

May 14th, 2009

When The Office ended its six-episode first season, it really didn’t have anything to wrap up or even celebrate: “Hot Girl,” the season finale, was noteworthy for its first real sense of Pam’s jealousy of Jim dating anyone, but it was just another episode of the series in a lot of ways. Since Parks and Recreation is not only from the same creative minds but is also getting exactly the same six-episode first season leading into a normal second one, it’s hard not to compare “Rock Show” to the finale that came before it.

I’d say that Greg Daniels and Michael Schur have learned some lessons since then, as this is without question a more suitable finale, but intelligently not one that pretends this was a normal season or that we really know these characters. While the party at the center of the episode was successful in its efforts to display some humorous sides to the show’s funniest characters, and the various musical interludes let us enjoy the hilarity of Chris Pratt’s Andy, for the most part the episode shed some light on the three people who are probably the closest to being real characters, giving them each an added touch of humanity that will serve the series really well as it moves forward.

It may have taken six episodes to get there, but I think we’re to the point where Parks and Recreation has put its cards on the table, and earned its spot in NBC’s fall schedule on its own merit as opposed to that of its big brother.

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Season Finale: 30 Rock – “Kidney Now!”

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“Kidney Now!”

May 14th, 2009

If there is one blemish on 30 Rock’s solid, if not spectacular, third season that really stands out, it’s the criticism that the show has leaned too heavily on high profile guest stars in order to meet its ratings potential. First and foremost, it was “successful” in its goal: the show was renewed months ago, showing that critical attention and slight viewership growth really can save great comedy. However, the consequences of this was a reputation, that I’ve heard used as a sign of the show’s decline throughout the year.

But I’m with Liz Lemon in the end: it has been quite a year, and while I don’t think 30 Rock won the Thursday Comedy face-off at the end of the year I do think that “Kidney Now!” is a fine argument for the show’s ability to go above and beyond what one would normally expect. Combining two television cliches (the benefit concert and the organ transplant) and sprinkling with the most guest stars the show has ever crammed into it, it reads like one big middle finger to those critics who questioned whether the show could weather the network-pressured invastion of movie stars.

It’s not a fantastic finale, and perhaps lacked the cohesiveness of last year’s “Cooter,” but with a rollicking final song (which you can find more info on at NBC.com) and some fun material for Liz Lemon the episode delivered a nice sendoff for the season.

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Season Finale: The Office – “Company Picnic”

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“Company Picnic”

May 14th, 2009

In what may perhaps be the Office’s most daring and diverse season, with the most substantial disruptions handled with the most impressive cost/benefit ratio, “Company Picnic” plays like a greatest hits of all of the things that have worked so well in the past year, and even a chance to help rewrite something that didn’t work quite as well. It’s not a daring episode designed to paradigm shift our expectations (I’m being facetious using that term, by the way), nor is it really about indulging in the drama-laden situations which could have emerged at the annual retreat.

Rather, it’s an episode about how humanity, and the people at Dunder-Mifflin who we enjoy so much in particular, are above all of that on some level: building more directly from “Cafe Disco” than I could have ever expected, the joys of group sport go from a lesson in anger management to a true bonding exercise, and a comedy routine with little to no actual comedy (for the crowd, not the viewer) stands as nothing but a life’s lesson learned as opposed to some pivotal stage in someone’s life.

What makes “The Office” so great, and what in this episode recalled perhaps my favourite Office finale in “Casino Night” (Favourite does not equal best, I’ll discuss this), is that the biggest moments come exactly when you’re not expecting them: just when you think that one thing is about to happen, or that a joke is about to come, real life comes and sweeps it all away.

The result is the most sweet and real finale I’ve seen in a long time, for a show that’s in no rush to end and no rush to close off this really quite awesome chapter in the series.

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Lost in “The Incident” Part One: The Ramifications of Jacob

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Lost in “The Incident” Part One:

The Ramifications of Jacob

Every good season finale should do two things: it should place into context the actions of the previous episodes, and it should in some way hint or infer what might happen in the future. Of course, there is no exact science on how to do these things: there doesn’t need to be a distinct cliffhanger in order to excite viewers about what might take place in future episodes, and at the same time there doesn’t need to be a tidy conclusion to the action of the season for it to feel as if it has all come together.

One day out from “The Incident,” Lost’s fifth season finale, what I find most interesting is how the events of the episode manage to tie up absolutely nothing, end things on a cliffhanger with almost no evidence upon which to base hypotheses (which I’ll get to in Part Two over the weekend), and yet forced viewers to rewrite their opinions of the entire season thus far whether in regards to character motivations, theories of time travel, or even something as simple as the allegiance of an entire faction.

While the show has often used flashbacks and flashforwards as a way to alter the very fabric of the show, for the most part that was either illuminating a new plot point (people leaving the island), an individual character, or a macro-level showrunning decision that’s impact within the narrative itself was fairly limited. In this instance, what the show delivered was the installation of an idea so gut-bustingly radical that it does all of these things, introducing new plot elements and giving new depth to characters and their allegiances, while taking the usual show-running involvement and building it into the show itself.

In some ways, the two characters that we meet at the beginning of “The Incident” are the showrunners within the show, those who are there to pull some strings, to set into action events, and to watch as they unfold. However, there are obvious limitations to their abilities, and two very different philosophies behind them. Their identities, and the potential influences that inspired them, are the most important factor heading into the show’s sixth and final season, and the one that I’m going to try to wrap my head around here.

Because, in my view, the past, present and future of this island, these people, and this series all depend on them…or, more accurately, on their action or inaction. And so, in today’s first of two posts trying to figure out just what the finale’s events mean for the seasons that have come before and the show’s final season, let’s take a gander at the biggest revelation at all: the existence of two men who (arguably) rule them all.

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Season Finale: Lost – “The Incident”

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“The Incident”

May 13th, 2009

“It only ends once. Anything that happens before that…it’s just progress.”

Oooh, boy.

After last week’s penultimate episode, there were two paths moving forward: one was John Locke leading a group of Others and Benjamin Linus to kill the man known as Jacob, and the other was Jack Sheppard heading out to drop a hydrogen bomb into the Swan Station and rest the entire show as we know it.

What was so fascinating about these two paths is that you are convinced, at about the halway point of “The Incident,” that neither will truly happen. The latter is far too big of a series reboot for them to risk this late in the series’ lifetime, and the former seems premature considering that we haven’t even met this mysterious Jacob who runs this island and now we’re just going to kill him, just like that? But the episode just kept going: the closer you got to its conclusion, the more you realized that there really wasn’t anything standing in the way of these events at all except for our own expectations.

What Carlton Cuse and Damon Lindelof did with this episode was toy with the viewers in a way that they only can, and in one of the only ways I’ll admit I downright love. In an episode where the first scene was the most important, and where the inevitable became questionable and the predicted was thrown entirely on its head, they managed to take a scenario that sounded too simple and complicate it beyond any reasonable expectation. In one fell swoop, they rewrote the events of the entire season, opening up a metric ton of new questions just as the final shot in many ways made everything fair game for the show’s final season, all the while situating the show’s characters in the right place for the action to come.

There are some key reasons why this isn’t quite Lost’s best finale, but in terms of its technique I’d say that Lindelof and Cuse have certainly tapped into something that will yield some fantastic results in the show’s sixth and final season.

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Season Finale: Fringe – “There’s More Than One of Everything”

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“There’s More Than One of Everything”

May 12th, 2009

I wrote a piece a while back about the ways in which Fringe sits between the procedural and the serial, with episodes that feel heavily formulaic and others that are heavily serialized and almost feel like a different show. “There’s More Than One of Everything,” as a finale, sits as the latter, an engaging with huge ideas, long-gestating character reveals, and the central “reality” that the show has been dealing with.

But what makes this episode work is that it didn’t come after a string of your run of the mill procedural episodes: by spending more or less the entirety of the post-hiatus period, which I haven’t been blogging about as I’ve been forced to play catchup more than once, balancing these two elements more effectively than in the first part of the season, the show has found its footing and was capable of delivering this finale without feeling as if this was an out of the blue burst of serialized interest to a show that too often falls on its procedural elements.

So when the scene eventually arrives when all of the individual cases suddenly tie together to help Olivia solve the true motivations of the infamous Mr. Jones, it doesn’t feel like the hackneyed scene it could have. The show doesn’t quite feel as natural as, say, Lost within this particular environment of the big event episode, but the show quite adequately and quite subtlely put itself into position for this finale over the past few weeks, and it was much more effective as a result.

As for whether it’s right up there with Abrams’ other shows in terms of finales, well, that’s a different story…but not an unpleasant one for the creator.

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Season Finale: House – “Both Sides Now”

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“Both Sides Now”

May 11th, 2009

You will notice that this is only one of a handful of times that I’ve blogged about House all season. The reasons for that are really quite simple: the show has done very little to compel me to watch it, yet alone write about it, and the longer the season wears on the more weary I become of some of its formula. I wrote about the biggest moment of the season, Kutner’s suicide, but even then it was in an admittedly negative tone: the show is so averse to change, House always being House and the formula always being the same, that any chance to fundamentally change the series always feels like a missed opportunity once you’re a few episodes out.

But the show loves doing season finales, as demonstrated in “Both Sides Now” where we make a ‘shocking’ discovery about the events in last week’s penultimate episode, which featured the long-anticipated (by some) House/Cuddy hookup and more of the return of Anne Dudek as Amber. I love Anne Dudek, and I enjoy the tension between House and Cuddy, but the episode didn’t really do much for me in the end, outside of providing Hugh Laurie with his Emmy reel.

Hopefully, the Emmy voters don’t see the finale which, although containing perhaps the most interesting “case” of the season, felt like more manipulation for the sake of manipulation.

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Season Finale: The Big Bang Theory – “The Monopolar Expedition”

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“The Monopolar Expedition”

May 11th, 2009

Okay, so, admittedly I don’t actually watch The Big Bang Theory recently, but this is the second episode I’ve stopped in on after really enjoying their PaleyFest panel, and it’s the second episode where I feel like there’s something missing. That something, believe it or not, is an ounce of ingenuity in the series’ broader storylines: these characters stand out on their own, and when doing things that only they would do, but this episode was such a bland sitcom episode at its very core that I don’t really think that it ever elevated itself beyond cute.

This, of course, isn’t a cardinal sin: there’s plenty of room on television for a cute sitcom that, when it’s at its best, can actually be quite funny. But what bothers me about Big Bang Theory is that it often feels like one show is trapped within the other, that characters are being held hostage by a show that doesn’t allow them to branch out of their accepted roles to be actually liked, appreciated, or understood outside of “very special episodes” that only happen ever so often.

The result is a finale that lacked that special something that made it distinct from, well, any other episode of the series, but that went through the motions of a sitcom finale so blandly that I couldn’t help but feel bored by, if not the jokes themselves, then the plot unfolding.

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How I Met Your Mother – “As Fast as She Can”

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“As Fast as She Can”

May 11th, 2009

After “Right Place Right Time” was sold as a rather ‘epic’ episode in the grand scheme of things, evoking the titular story while providing one of those stories that separates itself amongst the various characters, “As Fast As She Can” was perhaps necessarily slower and less eventful. While it doesn’t directly connect the dots as to how these events relate to Ted’s discovery of the future mother of his children, it does provide events that feel like they put Ted into a particular location where those events could take place.

I just wish that it could have been a stronger episode overall: whereas last week was ostensibly about Ted but realistically more about Robin, Marshall and Barney, this week’s episode was primarily Ted and more Ted, and that’s problematic. I don’t mean to rag on poor Josh Radnor, who really wasn’t bad in thise episode in terms of acting like a total tool, but the character just isn’t that funny, and since we’ve already established Stella (Sarah Chalke) as a black hole of comedy it meant that the drama and the comedy were isolated within the episode.

So while I’m still excited for the finale, this didn’t do anything to build any momentum and, in actuality, probably slowed things down a bit too much.

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Who Won The Amazing Race Season 14, and Did They Deserve It?

[Looking for details on The Amazing Race Season 15 finale with Meghan and Cheyne, Sam and Dan and Brian and Ericka? Find out who won, and whether they deserved it, here!]

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Who Won The Amazing Race Season 14?

May 10th, 2009

In what began as one of the most promising seasons of The Amazing Race in recent memory, with some slick new editing and the much-loved pairing of Mike and Mel White, tonight’s season finale was in some ways a let down before it even began: while there are reasons to appreciate or even admire the three teams who have made it this far, they have all done things that have kept me from actually liking them. This isn’t to say that any of the three teams are objectionable, or that they don’t truly deserve to win, but rather that all of them feel at least a little bit problematic from an analytical perspective.

However, there needed to be one winning team, and after traveling tens of thousands of miles and visiting what seemed like even more individual countries than ever before (until the end, anyways), the winner of The Amazing Race Season 14 is…

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