In the Emmy Awards’ smallest acting category, there’s not much in the way of wiggle room. The small numbers should mean more of a chance of grabbing a nomination for newcomers, like Pushing Daisies’ Anna Friel or Miss/Guided’s Judy Greer, but it’s also one of the most tightly contested of the major categories. This is because there’s a lot of forces at play here: you’ve got the power of the four Housewives, the heritage of Seinfeld, Everybody Loves Raymond and Married…with Children, and the credibility of awards-show favourites like Mary-Louise Parker or Tina Fey.
Combine all of this with last year’s winner America Ferrera, and you have a category where making the Top 10 isn’t enough; you need to have something special that’s going to make you overcome the logjam that could lead to the category’s five nominees. On the one hand, this shuts out a lot of good candidates who probably deserve a shot, as they won’t rank highly enough in the popular vote to have a chance.
However, the one good spinoff is that for the candidates who do have that name recognition, it’s going to be a race that is decided by who has the best tape. The seven or so candidates who have a chance of cracking that Top 5 will have to put forward their best material of the season, and the result is a race that’s going to be very close even if there’s so many “real” contenders.
“A Subtle Improvement”
FOX 2008-2009 Fall Schedule
In the past, I’ve complained a lot about FOX’s scheduling practices – rather than using their biggest shows to produce strong lead-ins for new shows that need attention, they have instead chosen a path wherein they waste it on reality shows or (what I consider to be) derivative comedies. And really, their fall schedule is always a little bit of a crapshoot: considering that American Idol isn’t on it, FOX is kind of hoping for subtle success before its juggernaut wins the season outright in a few months time.
This time around, I admire their scheduling far more – sure, it isn’t perfect by any means, and they’re only debuting two new shows, but there’s a smart decision that signifies that FOX is no longer being idiots about how to handle their top shows, and to create hit new shows in their place.
Fringe – Tuesdays at 9
It has a big-budget pilot, Lost producer J.J. Abrams on board, and most importantly has the best slot on the schedule: the newly created spot post-House on Tuesday nights. This is a smart way to create a lead-in, without question – the only concern is that the two-hour pilot will have to air without a lead-in, so I almost wonder if FOX will divide it in two just to make sure the show doesn’t get off on a weak foot. (Final details of the schedule sees Fringe airing its two-hour premiere on August 26th).