May 11th, 2010
When Ryan Murphy said that the back nine episodes of Glee were going to use “Wheels” as a template, I didn’t know that the show was literally going to take plot elements of “Wheels” and just sort of spin them off into different variations on the same story. “Laryngitis” is the latest in a series of episodes which feels repetitive of what we’ve seen before, as we get a focus on the relationship between Kurt and his father, focus on the tensions created by Rachel’s substantial ego, and even the introduction of disability as a way of putting other concerns into perspective (with Tina’s stutter being replaced by Rachel’s tonsillitis).
The episode embodies many of the thing that I’ve found problematic in recent episodes, so it may seem strange when I say that it was ultimately quite successful. Yes, the show doesn’t entirely work as an out-and-out after school special as Ryan Murphy seems to want it to be, and I still think the show’s all-or-nothing attitude is reckless in ways that only the show’s best characters can really handle, but the stories the show rushed into this week featured characters who I like to spend time with, and reached conclusions which felt honest to those characters in ways that previous episodes did not. The reason is that the show doesn’t try to haphazardly connect them to broad ongoing storylines: for once the show sort of settled into a groove, capturing a sustained moment within the lives of the Glee Club rather than periods of intense conflict.
Those elements were still present, but they didn’t feel like they were being used as a shortcut to something more substantial, which helps me accept this episode as a singular statement of musical enjoyment when it may not have worked as part of a larger arc.
“Who Won The Amazing Race Season 16?”
May 9th, 2010
I don’t know if it’s because this season of Survivor has been so full of twists and turns, or whether it’s just the format showing its age, but I really can’t say I was invested in the conclusion to The Amazing Race’s sixteenth season (or in the episodes leading up to it, as I’ve fallen away from reviewing the show). The show has remained engaging this year – I haven’t stopped watching, after all – but it just hasn’t felt like “must-see” TV. The people running the race didn’t seem to have a lot of energy, and there wasn’t the sort of tension that we’re used to seeing on the race.
If I were to look at just the teams themselves, this finale seems pretty exciting: you have Jet and Cord as the fan favourites who have remained endearing and positive throughout the race, you have Dan and Jordan as a scrappy team who have a good story (Dan participating so that Jordan can achieve his dream of running the race), and you have Brent and Caite as the young and attractive team that we tend to root against. However, the show never quite figured out how to tap into these various roles, and spent so much time on Caite’s self-centered attempts to prove herself to the world that they missed creating any other narratives. I understand that Carol and Brandy were bitchy enough that they needed to be featured, but I don’t feel like the series’ narratives have been well drawn in the editing room this year (which isn’t something I’d normally say about the show).
However, tonight’s finale still managed to bring enough tension to keep me on the edge of my seat, as there were enough strategic moves and enough clever bits of race logic to keep things interesting as the race gets its sixteenth winners – unfortunately, the episode stumbles at the finish line, stumbling with late clues and allowing the drama of the race to spoil the ending.