Tag Archives: U2

Glee – “Laryngitis”

“Laryngitis”

May 11th, 2010

When Ryan Murphy said that the back nine episodes of Glee were going to use “Wheels” as a template, I didn’t know that the show was literally going to take plot elements of “Wheels” and just sort of spin them off into different variations on the same story. “Laryngitis” is the latest in a series of episodes which feels repetitive of what we’ve seen before, as we get a focus on the relationship between Kurt and his father, focus on the tensions created by Rachel’s substantial ego, and even the introduction of disability as a way of putting other concerns into perspective (with Tina’s stutter being replaced by Rachel’s tonsillitis).

The episode embodies many of the thing that I’ve found problematic in recent episodes, so it may seem strange when I say that it was ultimately quite successful. Yes, the show doesn’t entirely work as an out-and-out after school special as Ryan Murphy seems to want it to be, and I still think the show’s all-or-nothing attitude is reckless in ways that only the show’s best characters can really handle, but the stories the show rushed into this week featured characters who I like to spend time with, and reached conclusions which felt honest to those characters in ways that previous episodes did not. The reason is that the show doesn’t try to haphazardly connect them to broad ongoing storylines: for once the show sort of settled into a groove, capturing a sustained moment within the lives of the Glee Club rather than periods of intense conflict.

Those elements were still present, but they didn’t feel like they were being used as a shortcut to something more substantial, which helps me accept this episode as a singular statement of musical enjoyment when it may not have worked as part of a larger arc.

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Season Premiere: Saturday Night Live – “Megan Fox and U2”

SNLTitle

“Megan Fox and U2”

September 26th, 2009

Saturday Night Live was last Fall’s biggest pop culture sensation. With Tina Fey’s Sarah Palin impression saving the show from a weak Obama impression, and Thursday timeslots building the show’s reputation, it built to some of its best numbers ever and its cache went beyond viral internet sensations written by Justin Timberlake/Lonely Island and into the show itself.

But suddenly, coming back this Fall, there is no election to provide a new impression that will keep people tuning in, and the Thursday shows are less a chance to built momentum and more a chance to burn material that might have been saved for the Saturday show under different circumstances. So while this week’s Weekend Update Thursday was somewhat tepid, it was still pulling away people and ideas that could have been put to use here.

This is all relevant because the start of Saturday Night Live’s thirty-fifth season is a collosal failure of comedy, an endless string of one-joke sketches which feel the exact opposite of culturally relevant. If the goal of this episode was to remind us that Saturday Night Live was capable of being funny even without Sarah Palin or a political climate which welcomes satire, then they have not succeeded: perhaps unfairly handicapped by a host who can’t actually act, and perhaps feeling too secure with a musical act that knows how to put on a good show (but, really, didn’t live up to that), the cast and crew of Saturday Night Live delivered a complete and total dud, one where we expect a Judy Grimes-style “just kidding” at the end that says what we’ve seen is some sort of big mistake.

And that’s probably not the best way to reassert your cultural relevance.

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