Tag Archives: Canada

Mad Men – “Ladies Room”

“Ladies Room”

Season One, Episode Two

One of the complications of using a pilot as a piece of misdirection, in this instance not revealing Don Draper’s wife Betty until the very end of the episode, is that the need for exposition (a necessary evil in a series’ first episode) lingers on.

In that sense, this is Betty’s pilot, a chance to get a view into the life of a housewife in an era of uncertainty and confusion perpetuated by new-age psychiatry and the elusiveness of her own husband. Betty is a woman who just lost her mother and who feels as if she’s missing a side of her husband (or five) that he never shows to her, without knowing that a few of them remain hidden even to his co-workers and his mistress.

With her introduction, the narrative of Mad Men’s female characters comes fully into view, as Peggy’s struggles on the job reflect upon the challenges women faced during the era in a frank and honest perspective. When jumping into this series, you really need to get through the second episode before you can understand where Matthew Weiner is taking us, with a whole new side to the story and continued subtle hints at the stories to come.

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The Challenge of Streaming Video in Canada

With a flick of a switch, and the power of a battery company, streaming video of shows people actually want to watch (legally) comes to Canada. CTV announced today (Friday) that starting immediately episodes of three of the top-rated shows on television will be available to Canadians on CTV.ca – Lost, Grey’s Anatomy and Desperate Housewives will see their new episodes available for four weeks after their first airing, allowing those who miss out to catch up.

This is triumphant for CTV, who has oft-struggled to keep their sagging broadband audience at bay after a disappointing lack of continued support beyond certain series, as they can lay claim to the only major Canadian network offering multiple high-tier series in a legal and well-supported platform (All of BellGlobeMedia’s online presences have integrated a new online streaming system far superior to their old one).

This could also be triumphant for people in Canada who have seen “This Video is Not Available in your region” one too many times – with all of the major American streaming sites, whether CBS’ Innertube or ABC.com’s episode viewer, locked out to eyes North of the border due to CRTC regulations, this could be the Great White Hope: a light at the end of the tunnel for an emergence of a broad and all-encompassing broadband presence.

Unfortunately, that just isn’t going to work.

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The ‘Little Mosque on the Prairie’ That Could: NBC shows interest in CBC Comedy

When CTV’s ‘Corner Gas‘ was picked up by WGN in the United States at some point last year, it was a bit of a surprise: not only is Corner Gas outrageously Canadian, it’s also not that funny…although I guess that that makes it fit right in at an American superstation, no? It didn’t seem like it had anything to make it stand out for an American audience outside of being a quirky attempt to play off of Canada’s reputation south of the border. However, things are different for CBC’sLittle Mosque on the Prairie’: it has a buzzworthy cultural commentary at its centre, and is apparently actually quite humorous. And, it appears that Ben Silverman (New Head of Programming for NBC Universal) is interested in the series for the American market.

For clips from the first season (Almost the entire shows, actually) and for some fascinating discussion on the various intricacies and cultural issues raised within the series, head to Little Experiences…, here on WordPress.

First off, I would expect to see the series picked up by USA Network (Irony is fun) as opposed to NBC proper, considering that NBC lacks a comedy slot and the production values aren’t quite ready for primetime network television (Just sayin’). Also, The CW is launching ‘Aliens in America’ on its Monday comedy block that covers a young pakistani who ends up smack dab in the middle of a suburban nightmare; two shows with such similar themes would be a bit overkill. However, even if only on USA Network, this would still be a huge coup for the show, and for CBC. The idea of having one of their own series picked up by an American network shows that their development cycle is putting out shows good enough to expand their market range, right? Right?

Actually, CBC might well be very, very nervous right now. Because Little Mosque on the Prairie is thus far the only successful, new, original, CANADIAN series they’ve launched in quite some time. And if that show is co-opted and taken into an American audience, what it proves is that CBC isn’t making content uniquely for Canadians when it can so easily be taken south of the border. This, anyways, will be the argument from the CBC critics out there. And I don’t know how I feel about it.

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Why I am Not (Yet) Watching ‘Canadian Idol’

For those of you who realize that I am in fact Canadian, and that I spent a fair amount of time covering American Idol, you might be wondering why I have yet to even care to mention the recent launch of the summer programming juggernaut that is Canadian Idol. And, for those few of you who meet that description, I have this following explanation: it’s not at all compelling for me.

While the audition stages are always a huge draw for the American Idol audience, and for good reason, I believe that Canadian Idol has never quite figured out how to achieve the desired effect. On American Idol, the audition stages provide a glimpse into the future of the competition: with each episode you get an idea of a certain level of talent, and you connect with these people. I think a lot of it has to do with the judges: the dynamic that Simon, Farley and Paula have created is something consistent, set in stone. When people step before them we can immediately predict their reaction, or approximate it at the very least. This is, in actuality, a good thing: it allows the candidates to be judged on a fairly consistent set of standards.

I don’t know what it is about Canadian Idol’s judging panel, but I swear they’re all of them schizophrenic. They outright jeer certain contestants like an over-sized peanut gallery, but then fawn over others who are merely average. One second Farley’s Mr. Nice Guy, the next he’s destroying some poor contestant. Sass usually has nothing of import to say, and yet she can’t even decide whether she’s mean or nice in the process. Yes, I know most of this is purely natural behaviour: Zack isn’t a villain all the time, so why should be play one on this show? These people have to like people at some point, so what’s the problem?

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Network Upfronts Canadian Edition: CTV Finalizes Fall Lineup

With little aplomb, CTV has announced its finalized Fall schedule today [American Perspective, Canadian Perspective], and it’s one that continues its recent trend: continue raking in the ratings with established American hits while introducing Canadian content as an attempt to seem devoted to Canadian content. And, well, there’s a reason CTV is Canada’s #1 Network. And a reason why Canadian content isn’t really part of that success.

Their fall schedule basically confirms this status, building on their existing American distribution success by adding a series of new Dramas and a single new comedy.

New Shows for the 2007-2008 Season

Private Practice

Why CTV Picked it up: They have Grey’s, this was a logical extension.

Dirty Sexy Money

Why CTV Picked it up: It has Canadian cultural icon Donald Sutherland, and CTV will jump at any chance (See: Commander in Chief) to stake a claim on the family since Global has Kiefer and 24.

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Filed under CTV, Gossip Girl, Private Practice, Pushing Daisies, Television, The CW, Upfronts

Network Upfronts Extravaganza 2007: Canadian Edition

So, I spent last week covering the American Network Upfronts, but in reality that was all a warmup for the epic event that is: the Canadian Upfronts. Man, what a week this is going to…oh, you mean they already selected all their shows? And they just announced them in a press conference? Really? That’s, uh…wow, I wasn’t really prepared, I expected to have all sorts of time to write previews and…wow. Okay, so I guess I should run down some of the new that came over the past few days? I’m all out of sorts here.

Who are the Players?

Global (CanWest) and CTV are really the only major players involved now that CTV bought out CityTV and the rest of CHUM. There’s Sun TV out of central Canada, but they’re not a huge player. It’s really down to the big two for the big shows.

What should we know about Canada’s simulcasting system?

Well, first off, do the math: the shows airing on five different American networks don’t easily fit onto two Canadian networks, not all of them anyways. This has left some fairly substantial hits south of the border (America’s Next Top Model, Ugly Betty) off of these main networks and onto networks like CityTV or Sun TV.

Canadian networks struggle most with the fact that many of their shows overlap. For instance, they own the rights to both CSI and Grey’s Anatomy: as a result, the network is forced to air Grey’s an hour earlier than it is in the U.S. It’s all a give and take like this, which makes for some interesting Canadian scheduling. Another example was just last night, when CTV had the rights to both the Lost and American Idol finales, and actually split Lost into two parts in Central Canada to make it work.

Which network is better at simulcasting?

Definitely CTV. Global is a complete and total mess: its HD is extremely limited, its commercials are far worse, and all in all the production values just aren’t the same. I really wish they’d revamp everything to be less ugly, too. They really need to work on that. CityTV and the others aren’t terrible, but they don’t have the same level of nationwide coverage, which is a problem for families without digital cable or the joys of timeshifting that some of us enjoy.

So what’s happened so far?

Well, CTV has not officially announced any of its pickups thus far, but there have been some leaks ahead of their early June Upfront Presentation in Toronto. Meanwhile, Global has spilled the beans on which shows they’ve picked up. For all the information, you can follow to The Hollywood Reporter. For a complete summary and analysis, keep reading.

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Filed under Back to You, Chuck, CTV, Global, Gossip Girl, Private Practice, Pushing Daisies, Reaper, Television, Upfronts, Without a Trace