Tag Archives: CBS

In Review: ‘Save Jericho’ In Retrospect

For people who haven’t been following this story, or perhaps want to revisit what Cultural Learnings has had to say in the past, I’d like to bring attention to a few past stories that still have some resonance considering today’s news regarding the show’s imminent midseason pickup.

For Your Consideration: Jericho and the Emmys In Retrospect

Now, more than ever, this plan is the best step forward for this movement. With the priority now being building buzz around this show, garnering an Emmy nomination or two for the series is definitely the right tactic and something that everyone should be involved in. I’ll likely be posting the initial FYC page for the series at some point over the next few days using the fan input I’ve received thus far (To send your own, email it to cultural.learnings @ gmail.com).

A Word of Warning to ‘Save Jericho’In Retrospect

This article, the 2nd I wrote on the subject, has proven to be just as relevant as it was when I posted it. At the time, my general tone was that a 2nd season would not be brought back without changes, and that this could mean the loss of some of the show’s key elements. And, according to sources, this might just happen.

While CBS has contract options on most of the show’s leads, the reduced order would also probably include a reduced budget and, in turn, a reduced regular cast. In addition, many of the show’s writers have already migrated to other shows, including season one showrunner Carol Barbee, now serving in a similar capacity on another CBS midseason drama, “Swingtown.

These types of changes were to be expected. However, what effect will they really have? A smaller regular cast makes sense, but it also changes where producers may have been going with core storylines. This won’t make too much difference, of course, when you consider that many of the producers might well have, like Barbee, headed off to different shows. It is going to be a balancing act, and Jericho fans need to hope for the best as to its outcome.

If Jericho is Renewed, What Timeslot is Best?In Retrospect

Well, it appears it is going to be renewed and will arrive at some point in midseason (Could be earlier if another show bombs, but then it would need to go on hiatus during Christmas). So, where do we put it? Suggestions at the time seemed to be fairly certain that 9pm would be best, but there is no certainty as to what night would be preferable. This is one issue that won’t be resolved for a while, but one that will be incredibly important for the show’s future.

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Report: ‘Jericho’ to Return for 7-8 Episodes at Midseason

Leave it to Michael Ausiello to break some news about the possibility, a good possibility, of Jericho receiving a 7-8 episode order at midseason. TV Guide Online reports the following:

Multiple sources are telling me that CBS is this close to sealing a deal to bring Jericho back for at least eight episodes, possibly at mid-season.

My spies caution that this is in no way official, but it certainly sounds like it could be by day’s end. It’s now just a matter of signing the actors to new deals and, according to one insider, finding a new soundstage to house the show’s sets.

To say this would be a huge victory for crazy TV fans everywhere would be the understatement of the frakkin’ millennium.

Now, let’s consider this for just a second. Personally, I think this is a fantastic win for the movement, a powerful statement of financial and programming commitment from a network willing to cast the show aside three weeks ago. And that, if anything, this moment could be a positive turning point for this movement from negative attacks to positive development. However, I’m not one of the Jericho rangers, and this is important. Why? Because, well…

It’s not what Jericho fans wanted.

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‘Save Jericho’: Why the Emmy Awards Could Be a Turning Point

Over the past few days, and over the next month and a half, Cultural Learnings will be spending some time letting it be known which actors, actresses and series deserve the attention of Emmy Voters as they prepare to make their decisions for the 59th Annual Primetime Emmy Awards to be held in September (You can find the first two installments in Supporting Actors Here and Here). An Emmy nomination is often a way for a series to gain credibility, and for a network to gain a certain level of prestige with that particular program. As a result, each studio sends out a deluge of “For Your Consideration” materials for the performers and series that they want to consider giving awards attention to. And, despite canceling the show, CBS is doing so for Jericho.

TheGreenCampaign.com – CBS Emmy Nominations

The above website presents full episodes from each show that CBS is entering for consideration, and amongst them is Jericho. With fans rallying behind the show, its mindshare is perhaps at its greatest level yet; whether this translates to more voters, however, we can’t say for sure. However, I would suggest that the ‘Save Jericho’ movement has a real opportunity here. With the Emmy Awards comes a lot of press, and a lot of opportunities to prove CBS wrong. Sure, the Emmys are as much of a sham as the Nielsen ratings, but they’re still a prime opportunity for fans of the series to show CBS that they made a terrible error. If, on July 19th, someone from Jericho makes it onto the Emmy nominations list, it will either show CBS they made a mistake, or perhaps even reaffirm their decision to renew the show.

So, my suggestion is that the ‘Nuts for Jericho’ campaign come together in an attempt to build support for the series and its stars on the internet. There are multiple ways this can be achieved:

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TV Real Estate: Searching for a New Home for ‘Jericho’

With news from Jericho’s Executive Producer Carol Barbee that they are working behind the scenes with both CBS and other networks, one has to wonder: what other networks would be in a position to take the show on? And why would they be interested in getting a show like Jericho with a dedicated fan base and a high value? Cultural Learnings investigates.production

TNT

Why They Should be Interested: TNT showed a willingness to take on first-run programming earlier this development season when they made a pitch to NBC for Law & Order to move to the network. In the end, NBC chose to keep Law & Order, and kept Criminal Intent in the NBC family, so TNT was left out in the cold.

Concerns: TNT has already moved towards developing more drama series: Saving Grace (Starring Holly Hunter) and Heartland (Starring Treat Williams) both debut this summer, so their development slate is actually fairly full. Plus, for better or for worse, Jericho would be the network’s first foray into non-procedural television. Still, there’s no better place to start than with an already established series that could pull in numbers similar to a well-established syndicated series.

Showtime

Why They Should Be Interested: Showtime, like HBO, operates on a subscription basis: any show that can bring with a dedicated set of fans is something that they should be interested in. Plus, the cable channel was very interested in Arrested Development, which had even lower ratings (Although that show was perhaps the best comedy of the decade, and (with apologies) I don’t think Jericho has quite as much critical pedigree. Still, it’s a sure-fire way to boost subscriptions.

Concerns: Showtime, like TNT, has been developing a lot of their own shows recently. Weeds, for instance, has made a big splash for the network, and The L Word is buzzworthy. As a result, Jericho doesn’t seem to fit: even Arrested Development was closer to their core audience-base. As much as it’s about expanding that audience, Jericho doesn’t seem like a Showtime type of show. Of course, change can often be a good thing.

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For Your Consideration: Supporting Actors – Neil Patrick Harris and Michael Emerson

[In Week One of Cultural Learnings’ 59th Annual Emmy Awards Nominations Preview, we’re looking at possible contenders for the Supporting Actor awards in both comedy and drama. Today, we present our first two candidates.]

Best Supporting Actor in a Comedy
Neil Patrick Harris (Barney)
How I Met Your Mother

I started watching How I Met Your Mother at the beginning of May, and have gone through the entire two seasons within a month. After watching the pilot when it premiered in 2005, I remember thinking closely about the performance of the former Doogie Howser. In the pilot, you can tell that he was meant to be wacky, with the focus on catchphrases like “Suit Up!” and “Legendary”. And, as a result, part of me wrote the character off as I lost touch with the series. I now realize that this was a terrible mistake, and after a fantastic two seasons of work Neil Patrick Harris deserves an Emmy nomination.

Barney has become something more than a womanizing flack with a high-end job and a lair-like apartment over the past season, and the result was some strong character moments. We saw the inside of his apartment, we learned that he had played a major role in Lily’s return from San Francisco, and we got to become an Uncle to his gay brother’s adopted boy. The character got a fair amount of dynamism in his storylines to go along with his usual strong supporting comedy, and that is the mark of a great supporting actor. When he needs to be simple and foil for the leads or other characters, he is fantastic at quips, comebacks, and all of that fluff. However, when the show asks more of him, Neil Patrick Harris always steps up to the plate. Even in its more derivative moments, Neil Patrick Harris raises How I Met Your Mother to whole new levels of awesomeness.

Episode Selection: Showdown (Airdate: April 30th, 2007)

There is no better example of Neil Patrick Harris’ finest moments than within this tour de force that literally becomes the Barney show in its last act. Believing since childhood that Bob Barker was his biological father, Barney finally gets the guts to travel to Los Angeles and confront him live on the show. From his price memorization (He knows everything) to his fake surprise, it’s all fantastic comedy…but then the moment where he prepares to inform Bob that he is his father is just heartbreaking, and the arc actually means something to him as a character to see that he couldn’t go through with it. If Emmy voters see this episode, I do not see how Neil Patrick Harris won’t be on the ballot.

YouTube: Showdown

Best Supporting Actor in a Drama

Michael Emerson (Ben)

Lost

Last season, Michael Emerson made an impact on Lost as Henry Gale, the captured Other who was kept within the Hatch for an extended period of time. He gave an eerie and compelling performance, but we were not yet truly introduced to the character in question. It is thus impressive that Ben, the leader of the Others, has managed to develop into a full fledge part of this ensemble cast with mysteries, intrigue, and a fantastic performance from Michael Emerson worthy of an Emmy nomination for Best Supporting Actor in a Drama.

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‘Pirate Master’ Walks the Ratings Plank

Edit for July 24th 

Pirate Master has officially walked the plank for good, as CBS has pulled the show from its lineup and will stream the remaining episodes online each Tuesday. For more info, head to Variety. Or, really, less info, it’s not very informative.

So, Overnight Ratings are in, and Pirate Master was not embraced by viewers. At all. This highly advertised CBS Reality series was supposed to make a big splash, but it wasn’t appointment television for viewers [You can read Cultural Learnings’ full recap for more info]:

In series-premiere news, Survivor-clone Pirate Master on CBS did not fool the audience, with just 7.09 million viewers (#2) and a 2.4 rating/ 8 share among adults 18-49 (#2) from 8-9 p.m. Considering how tired the Survivor franchise is, what sense did it make introducing the same show with a different title this summer? Wouldn’t it have been better resting the format, and filling the hour with a game show? Bad move, CBS.

Now, there’s multiple reasons this probably took place.

1. Competition

The show faced competition from Are You Smarter Than a 5th Grade? and the Scripps National Spelling Bee, along with repeats of My Name is Earl and 30 Rock. A special event, an established reality series, and some solid comedy reruns: that’s a tough-ish draw for the summer.

2. The Jericho-fan led CBS Boycott

I’m not entirely convinced that the Jericho numbers are substantial enough to skew things at this stage, but CBS is certainly having some trouble launching what was supposed to be a sure-fire success. That’s got to count for something, and is definitely a buoy for the campaign. Yes, that’s right, a buoy. A Pirate Buoy.

3. The Mark Burnett Curse

Survivor might be surviving, but with The Apprentice gone and FOX’s On the Lot falling fast, Mark Burnett has gone from reality-tv poster child to washed up failure. Well, not quite, but still: his days as Midas have ended.

4. People were all Pirated-out

With At World’s End tearing up the Box Office over the past week, were people just already too mired in pirate-talk to really embrace such a series?

5. It was boring

While I think the premise has potential, the first episode definitely wasn’t a fast-paced affair. It was more of a “Here’s what could be interesting in the future”, which would turn people away fairly quickly.

Will this signal an end to CBS’ reality dirge? It is unlikely, considering they’re likely to just develop more. Still, for new summer reality series, things are not looking good in the least.

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‘Pirate Master’: Series Premiere Recap and Review

If you’ve watched Survivor before, Pirate Master will seem extremely familiar. It has 16 average people out of their element, it has challenges that feature keys and maps, it has interpersonal relations that challenge the patience of its competitors, and it has really fancy opening credits. And yet, with all of these comparisons to Survivor, you might think that Pirate Master is little but a derivative of Mark Burnett’s first reality smash hit. And well, it is derivative…but not really in a bad way. Believe it or not, I think I’ve secretly been craving a decent Survivor clone for a while now.

Pirate Master takes the basic elements of Survivor and includes within them an initially confusing structure that unveils slowly through this episode. In this episode, teams are first introduced to their home, the Picton Castle, and then immediately embark on an early morning journey to their first challenge. Here, split into teams of two, they compete: the winning team divides the treasure amongst themselves, and then the winning team elects a captain. That captain gets to pick two officers, and they get to stay in a posh captain’s quarters and be safe from Pirate’s court, where one of the pirates is sent home…but the pirates have the option of declaring mutiny against their captain as well.

Confused? Well, the episode rolled it out at a slow enough pace for it to resonate, and the result was a glimpse at what could be coming in future weeks. And, perhaps most importantly, there were glimpses at the type of drama that the structure can create. Not only are people competitive for the cash prizes (In the form of gold pieces), but they also have to deal with direct subordination and mutiny within the ranks. It adds some nice layers to the proceedings, and it gives reason to the often petty dislike that spreads within these reality shows. Unofficial authority figures are one thing, but real ones? They’re just scum.

Now, the show is not without problems: right now, host Cameron Daddo is more than a little bit absent from the proceedings, and he needs to develop a personality quickly (Note: Australian does count as a personality automatically, but I think he isn’t Australian enough to do with it and it alone).

The show’s biggest problem took place in its challenge: a sprawling, multi-part journey, it was basically a Survivor race challenge…but without Jeff Probst’s constant commentary and without the same sense of urgency as the teams were separated by a fair margin. Rather than being on a set path, things were quite hectic, resulting in a challenge that never really seemed dramatic. These treasure hunts are likely to vary slightly, so I hope others can step up to the plate.

However, on the whole I think Pirate Master has its priorities in the right place: like Survivor, the show’s very structure immediately created villains and heroes. Gruff Louie (Pictured), a Rupert clone of sorts, is immediately the hero as he rails against authority, while Joe Don immediately plays the role of arrogant villain as captain. Meanwhile, the two officers (Ben and Cheryl) each become pawns: they represent the authority, but yet have no true power themselves. They’re safe, but yet targeted, created conflicted minds. And then there’s the rest of the crew, left to swab the decks and plot mischievously. And plot mischievously John does, as the cocky Scientist/Exotic Dancer combo makes a power play to try to save himself at episode’s end.

This opening hour didn’t even introduce us properly to every character, and that’s definitely going to be a challenge for the show: while some personalities came through, there is really only Louie and John that stood out. Hopefully, over the next few episodes more people start to break through and make a difference. The show is missing Survivor’s Tribal Council discussions where everyone gets a voice, and the result is a disconnect with those people we haven’t even really met yet (One person I don’t think even spoke). As a result, there is yet work to do.

And yet, perhaps naively, I enjoyed myself. The concept has intrigue, there was enough fun characters to make this particular episode charming, and I’ve always been a big fan of the pirate-related reality television I’m imagined in my mind. The result is that I’ll be tuning in next week: we’ll see if anyone else feels the same as the ratings come in tomorrow afternoon.

Didn’t catch the episode? Want to remind yourself of what occurred, or who received the black mark and why? Continue reading for Cultural Learnings’ full recap.

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‘Save Jericho’: Considering the Next Step for the Campaign

Fans are sending peanuts. Fans are posting comments on blogs and message boards. Fans are making phone calls, sending post cards, bombarding Nina Tassler and Les Moonves with emails. But the question is: “Where does a movement go from here?” And, some people are offering answers, like Rich at Copywrite, Ink.

And, with no offense intended, I believe his answers to be unrealistic and unachievable for this movement. Right now this movement needs a Stage Two, and what Rich is offering is but an extension of this existing phase.

Rich suggests seven ways for fans to spread their base of support, all of which I feel somewhat miss the mark of what is actually going to make this campaign a success:

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Summer Ratings Update: ‘Traveler’ Gets Lost, ‘Hidden Palms’ Remains So

Last night saw the first real full night of nothing but summer programming, and there was mixed results across the board. [All Ratings Information Courtesy of PIFeedback.com]

The most disappointing result is for ABC’s Traveler, their attempt at launching a serial drama in the summer of all places. The show re-aired its pilot at 9pm (It previewed after of Grey’s Anatomy earlier this month), and then aired its 2nd original episode. The ratings results, however, were not too kind to the drama.

That led into a repeat of the Traveler pilot at 4.99 million viewers (#4) and a 1.6/ 5 in the demo (#4) at 9 p.m., followed by the Wednesday 10 p.m. time period debut of Traveler at a disappointing 6.20 million viewers and a 2.1/ 6 among adults 18-49.

Finishing a distant 2nd to a repeat of CSI: NY is nothing strange or out of the ordinary, but it kind of sucks for the drama as it now has little chance to succeed. It will air out its 8 episodes over the next two months, and likely won’t be returning next year with numbers like these.

The CW’s Hidden Palms, meanwhile, failed to make an impact at 8pm either. This isn’t too surprising, but looks like The CW will indeed leave this season without a single new non-reality show left.

In series-premiere news, long-awaited CW drama Hidden Palms was hidden in the ratings, with a mere 1.82 million viewers and a 0.7/ 2 among adults 18-49 from 8-9 p.m. Obviously, that was last in the hour.

ABC, disgustingly, had decent ratings for the debut of its celebrity impersonation show that was just utterly terrible. Honestly, my parents had it on for a few minutes and it was entirely unpleasant. How more people watched this than Traveler boggles the mind.

ABC had better results with the launch of the non-scripted The Next Best Thing: Who is the Greatest Celebrity Impersonator?, which was the most-watched show at 8 p.m. with 7.75 million viewers (and a second-place 2.5/ 9 among adults 18-49).

FOX continued to find success with its audition phase of So You Think You Can Dance?

Fox got over the “hump” in winning fashion, with a first-place Wednesday finish in the fast nationals courtesy of 9.21 million viewers and a 4.0 rating/12 share among adults 18-49 for So You Think You Can Dance from 8-10 p.m.

The Summer Programming continues tonight with CBS’ entrant: Pirate Master, from Mark Burnett. Filling into Survivor’s timeslot and following the schedule of that show’s first season, the show has a decent shot of making a splash…except that Survivor’s concept is by now a bit dated, and I wonder whether people are really looking for an apparent carbon copy of it. However, viewers can walk the plank for the show’s premiere at 8pm EST on CBS.

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‘Save Jericho’: “Les Moonves at CBS knows about this?”

The ‘Save Jericho’ campaign suffered a rather direct setback last evening, although not exactly a killing blow. The Wall Street Journal posted an interview with Les Moonves, CBS’ President, where he effectively states that CBS could not financially continue with Jericho within a different type of business model.

Asked if CBS would consider producing the show and broadcasting the episodes online, Mr. Moonves responded he “would be losing a considerable amount of money.”

Now, there is nothing within this answer that fans didn’t know. The reality is that online advertising has never reached a point where it could sustain a $2 Million per episode drama, especially because they would lose out considerably on international distribution deals and the like. The model just isn’t there online, where everything goes through CBS and international rights are incredibly difficult to organize (Remember: fans in Canada and other international countries can’t watch in the same way).

Moonves, however, represents the boss of the person being most targeted by the campaign, Nina Tassler. In other words, this is the most definitive statement we’ve seen that CBS is not willing to budge from their current position.

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