Tag Archives: Elisabeth Rohm

Cultural Catchup Project: Moving On while Moving Apart (Angel)

Moving On while Moving Apart

August 20th, 2010

You can follow along with the Cultural Catchup Project by following me on Twitter (@Memles), by subscribing to the category’s feed, or by bookmarking the Cultural Catchup Project page where I’ll be posting a link to each installment.

When a series makes a pretty substantial change to its basic structure, we usually respond in one of two ways: either we fret over how the series will handle that change, or we shrug our shoulders and presume that things will be back to normal eventually. This is not to say that we don’t enjoy this change, but as someone who is averse to change as a general rule it makes me anxious when I see a favourite series taking a glimpse over the edge as if it plans on jumping, even if that jump ends up being a spectacular sight.

However, I honestly didn’t flinch when Angel fired his staff at the end of “Reunion.” This isn’t because I am not enjoying the series, or that I am not engaged with its characters, but rather because the series is naturally suited to these sorts of changes. Admittedly, I knew in advance that reinvention was one of the series’ strong suits, but I didn’t expect for those reinventions to feel so purposeful: when Angel fires his staff, it feels like a logical progression of his character, and the crisis it creates doesn’t feel like an effort to shake things up for the sake of ratings. Indeed, instead of feeling shocking, the range of episodes from “Blood Money” to “Reprise” feel decidedly normal, a statement that even a substantial shift in the character dynamics of the series needn’t disrupt its basic themes or structures.

They aren’t the strongest episodes of the series, but they serve an important role: while they make the argument that Angel and his former employees will not remain apart forever, they also demonstrate how their separation only broadens the series’ potential, continuing a strong second season.

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Cultural Catchup Project: When One Door Closes… (Angel)

When One Door Closes…

June 29th, 2010

You can follow along with the Cultural Catchup Project by following me on Twitter (@Memles), by subscribing to the category’s feed, or by bookmarking the Cultural Catchup Project page where I’ll be posting a link to each installment.

There’s been some concern in the comments as of late about how much I’m being spoiled by their contents, which is a legitimate concern that I’ve sort of accepted as the cost of doing business. I certainly appreciate those who avoid spoilers, but I also don’t begrudge those who can’t contain themselves and reveal something small from the future. In some cases, you’re simply being reassuring or helpful: it is technically a spoiler that, for example, Wesley and Cordelia’s character arcs would be continuing on Angel, but it’s not as if the real value of those character arcs comes from the surprise of their appearance. Knowing that fact does not take away the impact of each character becoming part of a different series, but rather puts that seed into my mind for the future.

The one legitimate spoiler I’ve had in regards to Angel arrived far sooner than I expected it to: while a certain Twitter compatriot to remain unnamed mistakenly spoiled the central event in “Hero,” I had no context for when that event was going to arrive, and so I sort of presumed that it was a spoiler for a much later period in the series rather than the midway point of its first season. Yes, I would have been much more viscerally shocked had this closed door come as a complete surprise, but since I didn’t know when it was coming its impact on the narrative remains quite the same. If “I Will Remember You” closed the door on any hope of Buffy and Angel truly reconciling, then “Hero” closes the door on the notion that Los Angeles will be any less dark than Sunnydale.

Although, strangely though, the door that opens is awfully familiar for those who’ve spent time around southern California’s Hellmouth.

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Cultural Catchup Project: “The Harsh Light of Day”/”In The Dark” (Buffy and Angel)

“The Harsh Light of Day”/”In the Dark”

June 22nd, 2010

You can follow along with the Cultural Catchup Project by following me on Twitter (@Memles), by subscribing to the category’s feed, or by bookmarking the Cultural Catchup Project page where I’ll be posting a link to each installment.

I don’t think the crossovers were really a huge part of my decision to watch Buffy and Angel simultaneously at the end of the day, but they certainly helped justify the decision. The idea of doing crossovers is logical for the two series, airing back-to-back as they were, but I’ll admit that watching “The Harsh Light of Day” and “In the Dark” makes me wonder just how crucial watching this particular crossover together really is. In fact, I’d go so far as to call it highly unnecessary, although I’ll admit that there’s some interesting storytelling within the connection.

I want to talk a bit about how the Gem of Amara serves as a crossover element, but I also want to discuss how each show’s respective seasons are shaping up a few episodes in. At this point, Whedon needs to be careful about crossovers, as Angel needs to be establishing its own identity rather than relying on its connections with Buffy. As a result, “In the Dark” is less a continuation of “The Harsh Light of Day” and more a spin-off of its central plot element in order to tell a different story with more weight for Angel and the future of his series. The result is two episodes that are connected, yes, but are primarily continuations and introductions of key themes moving forward into independent, rather than connected seasons.

This doesn’t mean that there’s no value in watching them together, but it does mean that I don’t consider it a necessity.

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