Tag Archives: Liz Lemon

30 Rock – “Flu Shot”

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“Flu Shot”

January 15th, 2009

I know that it’s January, which means that we’re smack dab in the middle of two sweeps periods and thus in what would be a creative holding period for most returning shows, but it’s unfortunate for 30 Rock that as it delivers a mostly listless affair there’s all sorts of exciting shows premiering or about to premiere. There’s a lot of excitement swirling around the world of television right now, and this episode just doesn’t capture any part of that.

This isn’t to say that it’s bad, or to say that 30 Rock’s fate is dependent on this one outing: in fact, NBC announced today that the show is getting an unsurprising but still very welcome fourth season renewal. This show was on life support as early as this past October, so to see it thriving in the ratings and the award season enough for NBC to give it that vote of confidence is great to see.

Unfortunately, the show itself isn’t really living up to that reputation in “Flu Shot.”

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30 Rock – “Senor Macho Solo”

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“Senor Macho Solo”

January 8th, 2009

For 30 Rock, the comedy is often to be found in the details: it isn’t that the broader plots themselves are that comically complex, but rather that the way they are executed offers enough individual quirks to elevate the series above most other comedies on television.

Tonight’s episode was a test of this particular theory, because its three storylines were all pretty thin on paper; more accurately, they were probably post-it notes somewhere. “Liz mistakes dwarf for child,” “Jenna plays Janis Joplin,” and “Jack hooks up with mother’s nurse” are all storylines that either feel like brainstorms from existing storylines, excuses to justify the existence of characters and having Jane Krakowski sing, and Fey and Co. digging through season two of Friday Night Lights and realizing that maybe the Carlotta storyline would be better if it was purposefully played for comedy.

Ultimately, I feel like “Senor Macho Solo” works because of the show’s ability to pull some really great comedy out of these situations, but there will come a point where the show will need to feel less like it’s pulling itself in opposite directions.

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30 Rock – “Christmas Special”

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“Christmas Special”

December 11th, 2008

If there is a recipe for a good Christmas episode, it’s primarily comprised of two things: heart and musical numbers. This is all I really ask for: a Christmas episode, even for a comedy, where Christmas is just a punchline and where nobody breaks out into song is just not the kind of lively affair that I want to see at this time of year. Thankfully for 30 Rock, they got the basics right: “Christmas Special” had plenty of heart, and featured a nice end-of-episode musical number that warmed the cockles of my overtired and somewhat chilly heart.

As far as episodes of 30 Rock go, it was par for the course: Jack is in full of neuroses move over his Mother’s arrival in town (and, worst of all, confined to bedrest with a bell at her side), Liz tries to do something good but lets her own neuroses lead her to doubt the spirit of Christmas and ruin it for two young children, and Tracy and Jenna are used as the entertaining sideshows we appreciate them as. Working in a nice number of secondary characters and some fun lines scattered throughout, a slow-starting episode finds its groove in a heartwarming ending to certainly end up as NBC’s most festive (and satisfying) comedy in the hour.

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30 Rock – “Reunion”

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“Reunion”

December 4th, 2008

I do not know where to start with tonight’s episode of 30 Rock. “Reunion” was one of those situations where it was everything we should want it to be: no big name guest stars (although Janel Moloney counts for West Wing fanatics), numerous hilarious throwaway jokes, a situation bound to create awkward situations for Liz Lemon (and who doesn’t like awkward Liz Lemon?), and a chance for Jack Donaghy to both get drunk AND take on someone else’s identity. What could possibly go wrong?

To be honest, I don’t know if anything really went wrong, but my enthusiasm wavered throughout this one. There were definitely some moments of genius, and I thought the episode picked up a bit at the end, but it felt like a shotgun approach to the show’s comedy. While there might not have been any big guest stars, I thought the episode had much the same problem that we’ve seen all season: humour that feels like it’s trying too hard without any real sense of subtlety, and an emphasis on creating humour more than allowing it to develop organically.

None of this condemns the show by any means, but it just felt like Liz and Jack going to her high school reunion could have been perfectly funny and 30 Rock-esque without going in all of these directions. And while I know that doesn’t really do certain parts of the episode justice, it just kind of underwhelmed for me.

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30 Rock – “Gavin Volure”

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“Gavin Volure”

November 20th, 2008

Of my three favourite comedies on television at the moment (The Office, How I Met Your Mother are the other two), 30 Rock is there primarily based on its quick wit. There is no other show that throws our rapid fire dialogue at this pace, and the show is at its best when that dialogue meets up with well-conceived storylines that interweave with the best parts of these characters. After the early season plot elements were concluded after the very first episode, 30 Rock has (smartly) spent the following episodes delving into both of these elements in earnest.

The issue is that, in combination, they’ve been relying on guest stars as opposed to their usual supporting players. This was problematic last week, when it felt like Jennifer Aniston was unfairly dominating the half hour (even if she gave a great performance), and it had every concern of being an issue this week considering that the character track for Steve Martin’s Gavin Volure was almost identical.

However, there was something different here: maybe it’s that the storyline did a better job of connecting with Liz’s character, or that the Jack and Kenneth side of the story was so strong, or that the episode just felt more cohesive overall, I just liked “Gavin Volure” a lot better. The episode, despite featuring one of comedy’s biggest legends in a guest role, never felt like something other than a really fun episode of 30 Rock, and that’s something that bodes well for the show’s ability to balance stuntcasting in the future.

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30 Rock – “Believe in the Stars”

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“Believe in the Stars”

November 6th, 2008

One Word: Oprah.

Okay, two words: Octuples Tennis.

Okay, fine, two more words: Monster Claw.

I could really go on and on with this, folks – what tonight’s 30 Rock lacked in plot development or quiet moments of reflection it gained in sheer insanity, ranging from enormous numbers of social experiments of varying morality to the idea that anyone could watch Boston Legal nine times (I kid, fans of Boston Legal – people should be able to reach ten).

It was an episode that was chock full of the types of witty retorts, slightly askew proverbs, and drug-induced sleep crimes that the show is confident enough to indulge in as it starts its third season. While the aforementioned Oprah Winfrey guest appearance was indeed a central point of the episode, the real standout here was the ability for the show to work around that: the entire episode felt enough that, when Oprah turned out to be not everything she was cracked up to be, it didn’t feel like the show had lost its big ending. Instead, it felt like we were getting something that distinctly belonged to these entirely unhinged characters.

And by showing such unwavering commitment to those principles, it’s hard not to love 30 Rock right now.

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Season Premiere: 30 Rock – “Do-Over”

“Do-Over”

October 30th, 2008

Thanks to the kindness of Ashley, a newfound Twitterquaintance, I was able to snatch the 30 Rock premiere for free on iTunes on Sunday through TV Guide’s promotion. So, let it be known that I am writing this review while the premiere has had time to sit…or, more accurately, that I am writing this review having watched the episode four times.

“Do-Over” is not the best episode of 30 Rock, nor is it necessarily an entry into the show’s catalogue of fantastic ones. Rather, it is familiarity that makes this episode so memorable: it offers plenty of showcase opportunities for Tina Fey and Alec Baldwin (albeit leaning towards the former), it has a sharp storyline that offers every character a small moment, and it uses its guest star (Will & Grace’s Megan Mullally) wisely, unlike last season’s unfortunately flat appearance by Jerry Seinfeld.

While NBC is hoping that this is going to be a do-over for 30 Rock, a show that never quite captured the kind of audience the network is looking for, that’s all based on ratings: creatively speaking, the show barely needed a fresh coat of paint to return as the funniest comedy on television.

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