Interview: Talking Huge with Savannah Dooley
September 7th, 2010
If you’re a regular visitor, you know that I spent much of my summer obsessed with ABC Family’s Huge, a show which really surprised me in its premiere and continued to build throughout the summer. After starting as an interesting glimpse into the experience at a summer camp designed to help teenagers lose weight, over time it became a nuanced take on adolescent self-discovery. Without directly subverting summer camp cliches, the mother-daughter development team of Savannah Dooley and Winnie Holzman elevated their simple structure into the summer’s finest drama series.
[For all of my reviews of Huge’s first season, click here.]
However, since it was more or less just Todd VanDerWerff and I writing about the show, there wasn’t a whole lot of analysis being done, so I felt a certain obligation to do what I could to dig deeper into the series’ subtexts – as a result, after reaching out to the production, I got in contact with Savannah Dooley, who was kind enough to answer some questions via Email about how the series developed, the ways in which the characters evolved over the course of the season, what awaits the show should ABC Family decide to pick up the back half of Season One, and the latest news on the chances of that pickup in the months ahead, all of which can be found after the break.
August 9th, 2010
After last week’s journey into slightly hokey territory, Huge returns to its roots with an episode that brings weight back to the forefront with the all-important weigh-in.
However, there’s a reason that it isn’t called “Weigh-in”: while “Poker Face” does return to each camper’s anxiety over their weight, it is more interested in how they respond than about how much weight they lost. Even with something this monumental, the show is still more about those small moments where campers confront the challenges which face them every day rather than those big moments where they stand on a scale.
July 19th, 2010
Summer camp is a very small world, and a television show set at a summer camp is even smaller. If someone tells a lie, chances are that lie will come to haunt them, and if someone is keeping a secret there’s a good chance that it will bubble under the surface until emerging. Huge is a show about vulnerability, about how these campers struggle to open themselves up to the potential for change while not opening themselves up to the point where they feel like their lives are on display, and secrets and lies are one of the ways in which they shield themselves from ridicule, reprimand, or simple exposure.
“Talent Night” doesn’t reinvent the wheel when it comes to how talent shows force their participants to face their fears, but Winnie Holzman very successfully owns this particular trope, delivering two empowering moments which are in some ways polar opposites but share one important trait: neither moment is played as universal experience. For every moment of collective reflection there is one subsection of the camp which has a different interpretation, or who is busy dealing with a different crisis at the time, and “Talent Night” does a very good job of bringing those stories together without forcing them to the same conclusions.