April 24th, 2011
“You’re not supposed to be here.”
In chatting with one of my colleagues who has not read A Song of Ice and Fire earlier this month, he raised an interesting question: why, precisely, do some Stark children go to King’s Landing while others remain in Winterfell?
It was a question that never occurred to me while watching “The Kingsroad” since I already knew the answer before I popped in the screener, but it’s one that strikes me as important during these early episodes. There is no avoiding the fact that Game of Thrones has a dislocated narrative, with various locations (highlighted in the opening credit sequence) housing storylines that are often operating on their own frequency, and such dislocation risks feeling arbitrary. It is, arguably, the greatest challenge that Benioff and Weiss faced with the adaptation, and facing that challenge will require more than a clever title sequence that places the various locations into context.
“The Kingsroad” is the first stab at really tackling this challenge through thematic material, something that embraces the parallel storytelling that the series necessitates (as compared to the books, which go long stretches without visiting particular locations/characters). While the shifts in location were minimal (and very strategic) in “Winter is Coming,” with “The Kingsroad” we see a more traditional structure wherein we consistently shift from one location to another, a structure united by a growing sense that these characters may wish they had taken a different fork in the road.
It doesn’t quite bring the entire episode together, but the maps drawn for each of the show’s numerous storylines are at least all on the same piece of paper, and focus on the degree to which each individual character is prepared for the path that they have chosen (or that has been chosen for them).