Tag Archives: NBC

Chuck – “Chuck vs. the Beard”

“Chuck vs. the Beard”

March 8th, 2010

Tonight, apparently, was a night where television appealed to the Myles demographic. After watching an episode of How I Met Your Mother that dealt with my lingering frustration over events earlier in the season, Chuck delivers an episode which confirms everything that I’ve said since the beginning of the season in terms of how the Intersect 2.0 operates, how Chuck is evolving as a character, and how that affects the world around him.

And yet, sort of like with HIMYM, I’m left somewhat underwhelmed by “Chuck vs. the Beard” even though it went down a checklist of many of the things that I like so much about this show. The problem, I think, was that it tried to do so many of them simultaneously without any really grounding the episode in any particular threat. There were too many coincidences, too many contrivances, and too many scenarios where the fun of “Viva Buy-Moria” took over from (rather than added complexity to) the fairly serious consequences of The Ring’s latest plan to take down our intrepid heroes.

The episode takes the show to places it should have gone sooner, and places that give the show a lot of great material heading into the rest of the season, and does so within the guise of what seems like an all-time classic episode of the series. And while there’s a compelling case to be made that Chuck, as a character, requires the support structure that the ensemble cast and its different spheres offers, I’m not sure that the episode itself was strengthened by that diversity.

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Parks and Recreation – “Woman of the Year”

“Woman of the Year”

March 4th, 2010

In “Woman of the Year,” we learn that Leslie Knope was a member of the Indiana Order of Women at the age of nine.

This is, just to be clear, not a surprising fact: we’ve always known that Leslie was a strong believer in organizations like the IOW, so the idea that she had been this way since an early age (especially considering her mother’s commitment to civil service). What this establishes, however, is that this is something which means something to Leslie, something which she values at a level which someone like Ron Swanson is not completely able to understand.

However, what has Parks and Recreation in such a good place right now is that it is unwilling to sacrifice things important to these characters just for the sake of comedy: stories like those in “Woman of the Year” are driven by people who care rather than people who don’t understand, and while there is quite a lot of humour in the episode it all comes from a place of good-natured ribbing more than spite or something similarly unpleasant.

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The Office – “The Delivery”

“The Delivery”

March 4th, 2010

I don’t have a whole lot to say about “The Delivery” on its own, to be honest with you: as I am not one of those who have turned on Jim and Pam, or someone who feels that their relationship has anything to do with the show’s creative downturn this season (after all: they were all but married last season and the Michael Scott Paper Company arc was pure gold), I was charmed by the birth of young Cecilia Marie Halpert, which was heartwarming and emotional and all of those things.

I’m with Alan Sepinwall in that the episode sort of lost all of its momentum in the latter half, and rather than repeat his thoughts (all of which I agree with) I thought I’d consider the scheduling ramifications here. As I was discussing with Jaime Weinman on Twitter, I think the interesting thing here is the “Part 2” is unquestionably the weaker episode, but in what position is it the least weak? The Office is a show with a fairly impatient fanbase, and I think that “Part 2” likely played better as a weak second-half here than it would have next week, a slight blight on an otherwise well-executed storyline rather than another weak episode in an average season.

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Community – “Physical Education”

“Physical Education”

March 4th, 2010

This is going to sound like an insult, but every now and then my reviews of Community might as well be like a focus group response from small children. Every sentence would start with “I like the part where…” or  end up devolving down to “It was funny when the _____ did that thing with the _____,” and that’s probably not all that fun to read.

However, it really does reflect my love for this show: while I might be able to analyze individual plots, I’m rarely that concerned about particular plots, as in I don’t learn what an episode is about ahead of time and fear that things might go off the rails. I have an inordinate amount of confidence in the show’s ability to turn just about anything into comedy, a confidence justified this week as Dan Harmon turned his own personal shame and billiards dress code into top-notch comedy.

And so some part of me truly would be entirely content to respond, in my best impression of a five-year old, that “I liked everything” and grin wildly while shifting awkwardly in my seat. However, since I was probably already long-winded and overly analytical at the age of five, let’s stick with some more detailed thoughts after the break.

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Series Premiere: Parenthood – “Pilot”

“Pilot”

March 2nd, 2010

I’m currently trying to imagine a world where someone could handle watching both ABC’s Brothers & Sisters and NBC’s much-hyped Parenthood, the centrepiece of its Olympics advertising campaign. I used to watch the former show back in the day, and it had its moments: Sally Field makes a strong matriarch, the family squabbles featured a number of strong actors (Rachel Griffiths, Justin Annable, Emily VanCamp), and once its melodrama settled down enough to reveal itself as human drama the show could even be quite poignant on occasion.

And Parenthood reminds me a lot of that show, at least generally speaking. You have an extended family who gathers together for tense family dinners, you have the various siblings sharing a unique bond that is as deconstructive as it is constructive, and you have each separate family within the larger family dealing with their own issues with every other family peering over their shoulder.

I don’t think I can really tell you why I like Parenthood more than I ever liked Brothers & Sisters, but if I had to really try I would say that it is less smug. It feels more natural and less self-aware, either because the characters are slightly less idealistically wealthy or because I simply like the talent behind this show better. Or maybe, just maybe, the shininess of a new show is outweighing the staleness of an old one, the repetition and heightening melodrama of Brothers & Sisters being traded out for the fresh, unused template of Parenthood.

Perhaps in four years, I’ll be raving about another show just like them; for now, let’s talk about this one, because I quite enjoyed it regardless of how similar it may be to something else.

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Chuck – “Chuck vs. the Fake Name”

“Chuck vs. the Fake Name”

March 1st, 2010

Reviewing Chuck isn’t quite as fun anymore.

That pains me to write, in a lot of ways, but there’s something about the show right now which has made the past few episodes seem particularly difficult to sit down and discuss. I’d love to say that it’s just residual effects of the Chuckpocalypse, so that I could blame that particular group of fans for my struggles, but I don’t think that’s all it is.

There is something about the show that’s missing right now, something that has little to do with Chuck/Hannah or Sarah/Shaw or any of the relationship drama that some seem so concerned about. And I don’t even think my problem has to do with character consistency, like the complaints that Chuck and Sarah are acting differently than they have in the past. I think the show has earned our patience on the former front, and in terms of the latter I think that it’s unrealistic to believe that these characters wouldn’t occasionally bottle up their feelings in a way that’s destructive in the long term but easier in the short term.

Rather, I think my problem has to do with the fact that this season has fingerprints all over it, too purposefully designed to drive the show to a particular point instead of allowing it to get there on its own. “Chuck vs. the Fake Name” has some nice comic moments, and sells its emotional side fairly well, but it’s one of many episodes this season that end up a bit anvil-like in terms of explaining the season’s central themes, while proving too subtle when it comes to actually justifying those themes from a plot or character point of view.

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Parks and Recreation – “Galentine’s Day”

“Galentine’s Day”

February 11th, 2010

I wrote about Valentine’s Day episodes on Wednesday night, and in the process I argued that I prefer shows which use the holiday to service their existing universe rather than forcing their universe to conform to the holiday. Accordingly, I was legitimately excited about how Parks was going to handle the holiday, because the show has a lot of characters in love, falling in love, or in a position where love is possible but perhaps not materializing as they might have wanted.

“Galentine’s Day” manages to handle those relationships with a subtlety beyond most shows in their second season, building the episode around a romantic story which loses its romance once it enters reality, in the process shedding light on the state of the show’s various relationships. And since, as noted, I’m more invested in these relationships than I had realized, it made for a great episode for a lot of different characters.

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Community – “Communication Studies”

“Communication Studies”

February 11th, 2010

There’s a scene early in “Communication Studies” where Jeff is asking Michelle about her Valentine’s Day expectations. What he wants to know is whether he has to change anything to make the day more special, whether there is something he can do (flowers, chocolates, etc.) to better fit her expectations. However, she says she wants things to remain the same, even though we later learn that she would like some small changes (like Jeff being willing to pick up ice cream before Law & Order nights).

In this metaphor, Jeff is the show’s writers, Michelle is the audience, and their relationship is Community. Like Michelle, as an audience member, I don’t want the show to change in any major way to improve upon itself, as I quite like the show it has become, and it certainly doesn’t have to go out of its way to be quite clever with its attention to Valentine’s Day (the Cupid Being was more than enough). However, this doesn’t mean there isn’t room for improvement, even if “Communication Studies” ended up pretty satisfying.

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Chuck – “Chuck vs. the Mask”

“Chuck vs. the Mask”

February 8th, 2010

I was pretty down on “Chuck vs. the Nacho Sampler,” and I was in the minority on that one: many called it one of the best episodes of the season, and I’ll admit that I just don’t see it. I had a day to sit on the episode, which meant that my concerns festered overnight, but I do think that it failed to really capture the show at its strongest, losing a lot of its momentum by keeping Chuck and Hannah apart, and by sidelining Shaw in an effort to keep things moving. The Manoosh story was solid, but it seemed like it wasn’t saying anything new, and the story seemed to be actively delaying the inevitable (with Hannah) rather than integrating her into the stand-alone story.

And based on some early responses, I might be alone yet again in much preferring “Chuck vs. the Mask” to last week’s episode. While it wades into dangerous waters with its engagement with romantic entanglements, it uses that drama to its advantage, and crafts a story that sells some pretty important transition points as the show heads into an Olympics hiatus. The episode is a bit insulated, and it resolves one of its potential long term story threads a bit too quickly, but it’s all extremely well executed, and continues a string of good episodes that gives me plenty of creative faith in the show heading into the post-Olympics episodes.

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Chuck – “Chuck vs. the Nacho Sampler”

“Chuck vs. the Nacho Sampler”

February 1st, 2010

We like to talk a lot these days about shows in which the creators take control of their own destiny: Lost, for example, decided it was going to end the show at a certain point, and it gave them a clear goal to work towards, leading to some great dramatic television. It’s one thing to laud a show for making the right creative decisions in the moment, writing good plots and the like, but it’s another when they make decisions that affect the show as a whole in a way that helps steer the ship as they sail onwards.

“Chuck vs. the Nacho Sampler,” while a somewhat weak episode in many ways, signals the start of the period where Chris Fedak and Josh Schwartz are making a move to take control of their destiny. While the story of Chuck stepping further into the world of being a spy, in the process reflecting back on his own experience as an asset in his earliest days with the agency, is a bit on-the-nose thematically speaking, the episode lays the groundwork for the show’s biggest secret to be revealed.

Whether they actually go through with it is a completely different question, but the setup is under way, and it raises some questions of how the show plans on ending its third season, and whether the show will have the narrative drive to move onto a fourth.

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